What began as Nancy Pantirer’s studio in 1996 has grown, over nearly three decades, into a gallery with a clear sense of purpose. Rooted in years of open studios and informal salon gatherings, 81 Leonard formalized its public presence in 2019, building a platform shaped by artists, for artists. Co-run with Hannah Rothbard, the gallery supports emerging and mid-career artists at pivotal moments in their careers, with a program that prizes beauty, technical competence, and community. Group shows grow organically from the artists themselves. We spoke with Nancy Pantirer and Hannah Rothbard about how 81 Leonard came to be, what drives its program, and what it means to run a gallery with no plans to be anywhere else.
Continue reading “A Studio That Became a Gallery: 81 Leonard”Comet Eater: Terra Keck at Storage

An occult presence pervades the sylvan scenery of Comet Eater, a solo show from Terra Keck. In these nightswept graphite drawings, trees shimmer and sway. Leaves levitate and glow. Stars or fireflies illuminate ornate paths. Among other sources, Keck hybridizes the ghostly impressions of Anna Atkins’s botanical cyanotypes and the mystic geometry of Hilma af Klint’s paintings.
Continue reading “Comet Eater: Terra Keck at Storage”Naomi Lev and the Art of Process Curating
In Dialogue

Naomi Lev is a curator, cultural program director, and arts writer based in New York City. She works closely with living artists and calls her approach “Process Curating”—a method that follows a project from its earliest stages through final installation. It’s about long-term exchange and staying present as ideas shift.
Continue reading “Naomi Lev and the Art of Process Curating”On This Spot: Histories of Women Artists in NYC

On The Spot is a terrific new web series that seeks to document the histories of women artists in NYC from the 1950s to the 2000s. The ambitious mission is to document and present in three-minute videos the history of later 20th-century artists who have often been overlooked and underrepresented in the larger art world. They call themselves “a feminist art history nonprofit.” There are 40 videos so far produced, with plans for a great many more. The videos are a free public resource, accessible on the organization’s website.
Continue reading “On This Spot: Histories of Women Artists in NYC”Site: Seoyoung Kim’s project to uplift artists and broaden their communities
In Dialogue

For each iteration of curatorial project, Site, founder Seoyoung Kim has been blessed: swelling turnout, glowing reviews, a sunny day for their first outdoor show. When she opened Site 004. Winter Solstice on December 21st, New York saw its first snow of the season. Moments big and small in her pop-up shows keep confirming that she’s on the right track. The ambitious installations lean toward an organic, playful minimalism, with room for viewers to look slowly. In dialogue with sculptures and wall-work, Kim has begun to incorporate time-based programming—poetry readings, DJ sets, and artist performances– to fully embrace her curation’s one-night ephemerality. Still, these brief offerings provide space for artists of all stripes to congregate and share their work meaningfully, with a sense of both depth and urgency. A year into spearheading this project, Ms. Kim took some time to reflect on Site’s journey.
Continue reading “Site: Seoyoung Kim’s project to uplift artists and broaden their communities”A Glimpse into Elza Kayal Gallery: with Eniko Imre
In Dialogue

Throughout her fifteen years in the art world—spanning fairs, events, curation, and non-profits—Eniko Imre built her career on a deep passion for art, a close-knit community of artists, and the trust many placed in her discerning eye. A year after COVID, during a visit to Tribeca, she was struck by the neighborhood’s burgeoning gallery scene. “Small one-woman spaces were thriving alongside multinational galleries, the blocks around Broadway bursting with art,” she recalls. Inspired by this wave of reemergence, she felt determined to carve her own path and be a part of it—on her own terms.
Continue reading “A Glimpse into Elza Kayal Gallery: with Eniko Imre”Carrie Moyer: Timber! At Alexander Gray Associates
photo story

Carrie Moyer’s solo show Timber! is her debut with the renowned Alexander Gray Associates gallery in New York City. Her signature vibrant abstractions shine in the airy rooms of the Tribeca gallery space. Centering around “social and environmental instability,” this new body of work offers greater complexity and a more somber tone than Moyer’s previous work.
Continue reading “Carrie Moyer: Timber! At Alexander Gray Associates”Rukh Art Hub
Featured Project
Merging with the Garden Art Show by Rukh Art Hub. Mriya Gallery, Tribeca, NYC. Photo by Lesia Dutchak
The word Rukh stands for Movement in Ukrainian. Rukh Art Hub, the creative initiative promoting Ukrainian contemporary art in New York City, focuses on giving Ukrainian art momentum and a voice to Ukrainian creatives and curators. Polina Kuznetsova, Mariia Manuilenko, and Olga Severina are leading Rukh Art Hub, a project dedicated to cultivating and promoting Ukrainian art and culture in New York City and beyond.
Continue reading “Rukh Art Hub”Nexus, Echoes, and Connections – Stefano Caimi, Rachel Frank, Gayoung Jun, Kirstin Lamb at SARAHCROWN Gallery

The second-floor Sarah Crown Gallery in Tribeca features a group exhibition with work by Stefano Caimi, Rachel Frank, Gayoung Jun, and Kirstin Lamb. The show immediately draws viewers in as 3 drawings by Gayoung Jun grasp the eye with striking blue tones and dual circular shapes that seem to be moving in the optical illusion. The work is only made more impressive upon closer inspection as the eye reveals the minor flaws of the hand.
Continue reading “Nexus, Echoes, and Connections – Stefano Caimi, Rachel Frank, Gayoung Jun, Kirstin Lamb at SARAHCROWN Gallery”Anna’s Art Picks: Must-See Tribeca Exhibitions in June 2024
HIghlights

London-based artist Francesca Mollett is now on view at the GRIMM gallery in a new solo exhibition titled Corso. In this second solo show at the gallery, Mollett presents more daring monumental canvases with bold colors, a contrast to the artist’s previous work. The work mirrors the subtlety of Vuillard and semi-recognizable abstraction, but the artist’s maturity and confidence make this a must-see in Tribeca. The show runs through June 22nd.
Continue reading “Anna’s Art Picks: Must-See Tribeca Exhibitions in June 2024”