Elizabeth Garvey – on Garvey/Simon

In Dialogue with Liz Garvey on her Programming

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Constance Scopelitis, God is in Clean Laundry: Wash and Wear, 2019, Carbon on fabric. 11h x 11w in

Liz Garvey says that one of her favorite aspects of the Garvey/Simon Select program is seeing how artists reinvigorate traditional media with innovative techniques. Established in 2010, Garvey/Simon is both a private dealer and art advisory service co-founded by advisor/dealer/curator Elizabeth K. Garvey and contemporary collector, Catherine G. Simon. In this interview Liz Garvey sheds some light on her gallery model and her upcoming programs.

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Actual and Implied – Gregory Coates at Monica King Contemporary

Gregory Coates, My Big Brown Peace, 2019 deck brushes 76 x 252 x 3 inches

Each of Gregory Coates’s wall-based assemblages in Actual and Implied, the artist’s solo show at Monica King Contemporary, commands the space with its own powerful presence. Altogether, the show features over a dozen new mixed media assemblages made of found objects created with post-minimalist sensibility, for which Coates is mostly known for. It is a bold encounter with the objects of art at first, but the longer you look, the more subtle and fragile it becomes. The seemingly simple monochromatic surfaces from afar transform to complex arrays of color, line and dot from close-up.

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Farrell Brickhouse: Counter – Punching with Paint

I have been following Farrell Brickhouse’s work since 2014, when he showed his work at Life on Mars in Bushwick. You do not just “view” Brickhouse’s paintings, you experience them on a deeply intimate level. He unabashadly talks about painting in relation to “soul” and “subconscience”. As a painter who can show an outstanding body of work which convincingly resurects these modernist notions from oblivion, he also freshens these notions for the next generation of artists. Farrell Brickhouse graciously conducted with me the following interview. Continue reading “Farrell Brickhouse: Counter – Punching with Paint”