OXH Gallery Setting the Stage for Women Artists in the Heart of  Tampa

In dialogue
Motherhood Mediated installation view, courtesy OXH Gallery

Odeta Xheka, an artist, curator, and mother, has been an avid advocate for women in the fine arts. Her latest endeavor is an ambitious and exciting one, as she opened OXH Gallery in the heart of Tampa’s Ybor City Historic District just a few months ago. I’m sitting down with Odeta to discuss her new gallery, her mission, exciting collaborations, and the current two-person show Time Shards, which will be on view through March 20th, 2025.

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L.W.D: Rooted in LA

In Dialogue
Courtesy of the artist

L.W.D. sees himself as an observer of modern society—a world that has, in many ways, passed him by over the last three decades. L.W.D.’s work is rooted in the assertion of his personal identity within the fractured American society. His art reflects the painful shift from childhood to adulthood, a transformation that feels almost brutal, marked by the loss of innocence in the face of America’s historical realities. His perspective of the American way of life, capturing both the disappointments and fleeting joys, recalls the social commentary of Philip Guston—particularly in the simplicity of his cityscapes, yet with a distinctive handwriting, palette, and choice of subjects. L.W.D.’s visual language fuses the emotional character originating from blues lyrics and the iconic symbolism of Roy Lichtenstein’s pop art. Working within the tradition of the naive picturesque narrative, L.W.D. incorporates the humor of a comic book while maintaining his focus on the historical and the social.

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T.D. Motley: The Art of Farming

In Dialogue

Thomas Motley’s first novel, The Art of Farming: Sketches of a Life in the Country, is rooted in stewardship—a shared responsibility for the earth, animals, and one another. This theme has become more central to his paintings over time, though respect for nature has always been part of his work. His non-fiction writing and lectures on organic farming have also reflected this idea.

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Margaret Koval: The Uncanny Valley of Everyday Life at ArtWRKD

In Dialogue
Margaret Koval in her studio. Photo courtesy of Kate Hammett.

The paintings in Margaret Koval’s latest exhibition, The Uncanny Valley of Everyday Life, capture a sense of disorientation—recognizable urban and suburban scenes where something is slightly off. They are rich in color and composition, drawing viewers in with pleasing views, yet an underlying unease lingers. Like waking up to find someone has rearranged your furniture overnight, they create a feeling of estrangement within the familiar.

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Eileen Ferara at Guttenberg Arts

In dialogue

the Immense Activity of Being Alive II, 20 x 26 in, Lithograph with watercolor and colored pencil

During her time at Guttenberg Arts Residency (STAR), Eileen Ferara spent much time in the Gutten Garden, an urban community garden maintained by the organization. The plants—fruits we eat and companion plants we call weeds—became the focus of her drawings. She collected soil, seeds, and leaves, bringing bits of the garden into the studio to keep that connection alive. The Guttenberg Residency offers three months of access to professional workspaces for printmaking and ceramics. Eileen used goldenrod and indigo plants to dye paper for her prints. In the print shop, she worked through the process of stone lithography, gaining a hands-on understanding of the medium.

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PeepSpace: Five Years Later

Featured Project
PeepSpace’s Co-Directors meeting on Zoom

PeepSpace, a contemporary art gallery in Tarrytown, was founded in 2020 by artists Monica Carrier and Jane Kang Lawrence, who set out with a clear idea: artists creating space for other artists. They signed the lease on March 1, just as COVID-19 gripped New York, and by June, they were masked up and hosting their first show PlusOne—pushing forward when most things had come to a halt. Five years and 21 exhibitions later, PeepSpace has held its ground and grown. Now under the co-leadership of Jess Blaustein, Monica Carrier, Ian Etter, Kristen Jordan, Jacquelyn Strycker, and Rachel Sydlowski, the gallery has become a steady fixture for artists and their work.

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Heather Cox: Roundels at Hudson Guild

In Dialogue
Artist Heather Cox at Guild Gallery II. Photo by Monika Graff

Heather Cox, a sculptor and photographer, discovered an unexpected medium in snapshots. Years ago, when she had her camera film developed, the 1-hour photo lab often provided double prints. Over time, these duplicates, along with countless other photos, accumulated in boxes. Unable to part with them, they lingered in storage—until the COVID pandemic brought a sudden shift.

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Oskar Landi: Trekking unfamiliar environments

Oskar Landi, Plenilunium, Mt. Rosa 01
Hot Air

Oskar Landi was born and raised in Italy. In 1998, he moved to New York to pursue art, arriving with two tools: a saxophone and a camera. Over time, the camera became the better instrument for making a living. With several years of experience as a photo assistant in Europe, he adapted to New York’s photography industry, building a basic commercial and editorial client base that allowed him to sustain himself while continuing to explore the medium’s possibilities.

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