storytelling in art

In Unreliable Narrators, Rochelle Voyles’s collages hold both a capacious nihilism and a hope to build stories from the void. From this fulcrum, I think of Joan Didion’s classic essay The White Album, and its opening truism: “We tell ourselves stories in order to live.” Voyles’s compositions of found photographs extend to viewers, a branch, a bone, a tool in making sense of the randomness that seems to rule our lives. Cutouts layered into loops capture chaos, but the care in each cut, the curation, and the collision of hyperspecific images betray a belief in an idiosyncratic order. These works are at once figurative mazes of manifold meaning, and objects calculated to short-circuit our thinking and experience pure sensation.

Glantzman’s heroically scaled works immerse viewers in the energetic world that she creates. I really appreciate the diversity in scale of the works in this show. The smaller-sized canvases offer a snapshot, still detailed but a more compact telling of the world she is creating. Whereas the larger works allow viewers to step in and entangle themselves within the forms, narratives, symbols, and ideas that Glantzman offers. Walking into the gallery brought an immediate sense of excitement, wonder, and a need for exploration and adventure within the pieces. The paintings introduce the characters and scenes, while the ceramics are the pieces Glantzman chooses to pluck directly from the compositions and bring into 3D forms.

Tag: storytelling in art

Unreliable Narrators: Rochelle Voyles

Narratives and expressive figures in Judy Glantzman’s Playing with Dolls at P.P.O.W