Anne Gilman, Up close / in the distance / now, 2018, pencil, graphite, tape, ink, BIC ballpoint pen, matte medium on mulberry paper, 340 x 38 inches, photo courtesy of the artist
The surface of Anne Gilman’s scrolls and drawings is characterized by incisive and often repetitive graphic marks which altogether create portals to the artist’s fluid emotive states. In her Interview for Art Spiel, Gilman reflects on the roots of her intricate process-oriented approach and also sheds light on some of her current projects. Continue reading “Anne Gilman: Marking Beneath the Surface”
Leslie Kerby,Shots and Ills, 2015, mixed media collage, oil, paper, litho transfer ink, 18-x-20 inches. Photo credit Bill Orcutt
Leslie Kerby creates mixed media collages, installations, and diverse collaborative work with nuanced commentary on current social and cultural climate. In her interview with Art Spiel she sheds some light on her diverse professional background, art-making process, ideas, and plans. Continue reading “Leslie Kerby: At a Moment of Change”
Ziemia unveiled at McGolrick Park, photo credit Wojtek Kubik
Unveiled on June 9, 2018, the core object in the multidisciplinary public art project Ziemia (“Earth” in Polish), takes the form of a ceramic orb. The orb was created by the Greenpoint based artist Martynka Wawrzyniak in collaboration with The Polish Cultural Institute of New York, NYC Parks, and most importantly – Greenpoint residents.
Surrounded by the rolling meadow in McGolrick Park, the orb represents the collective portrait of the diverse Greenpoint community, with an emphasis on participation of the many Poles who have lived in the neighborhood for generations. Martynka Wawrzyniak shares with Art Spiel the ideas behind her intriguing public art project, as well as some thoughts regarding her overall art practice. Continue reading “Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint”
Brent Green, A Brief Spark Bookended by Darkness installation, Andrew Edlin Gallery 2018, photo by Olya Vysotskaya
Artist/performer/filmmaker Brent Green is known for the raw beauty and poetic power in his animations, performances, and art installations. For instance, as an artist in residence at the Park Avenue Armory from the fall of 2015 to early 2016, Green performed at the venue’s “Under Construction Series” animated works-in-progress with a live band. Later on that year, Green provided video projections and music for the first portion of “Empathy School/Love Story,” Aaron Landsman’s theater diptych of monologues at the Abrons Art Center, where the audience were seated on stage. We started our conversation when we first met at his superb recent installation exhibit at Andrew Edlin Gallery.Continue reading “Brent Green – Chickens Can’t Be Trained”
“Aspects in Landscape”, curated by Stacy Greene at Galerie Protégé, juxtaposes the work of six artists whose interpretations of landscape range in sensibilities – from sensory to surreal and media. It runs the gamut from two dimensional artworks like drawing, painting, and photography, to sculptural installations. Continue reading “Aspects in Landscape at Galerie Protégé”
The Green Door gallery was created at the Divine Mercy Cultural Center to foster a sense of community in the Williamsburg neighborhood. The venue was initiated by Father Thomas Vassalotti, who, along with Father Paul Anel of Heart’s Home, reached out to the artist and curator Elisa Jensen with the wish to connect to the many artists in the neighborhood.
Sue McNally’s whimsical series of self-portraits at Auxiliary Projectsresemble pages from a carefully edited diary. Deeply personal, humorous and honest, most of these drawings depict a frontal view of the artist in various states of mind. Caricature-like with sometimes darker undertones, her drawings reveal a no fuss look at aging, femininity and change. Continue reading “Middle Ass Bad Age”