Aspects in Landscape at Galerie Protégé

Murphy Chang, GRANT, 4x6in, 2017, carbon on paper
Murphy Chang, GRANT, 4x6in, 2017, carbon on paper

All photos courtesy by the artists

“Aspects in Landscape”, curated by  Stacy Greene at Galerie Protégé, juxtaposes the work of six artists whose interpretations of landscape range in sensibilities – from sensory to surreal and media. It runs the gamut from two dimensional artworks like drawing, painting, and photography, to sculptural installations.

In her drawing process, Murphy Chang  utilizes melting ice to create etchings in resist. This process results in biomorphic monochromatic forms which resemble a microscopic image of a unicellular organism, resonating vitality and potential of growth.

Murphy Chang, VULTURE, 5x7in., 2017, carbon-on-paper
Murphy Chang, VULTURE, 5x7in, 2017, carbon-on-paper

Gregory Curry’s  surreal paintings depict  fantastic swirling flora and fauna – resonating  breakage, disruption, and imbalance.

Gregory Curry, Ackamarackus, 48x40in, acrylic on canvas, 2017
Gregory Curry, Ackamarackus, 48x40in, acrylic on canvas, 2017

In her alluring photographic arrangements of fictional botanical forms, Lisa DiLillo invents potential futuristic plant evolution , or dystopian mutations.

Lisa-DiLillo, Crimson Glory, 12.5x18.5in, digital c-print, 2017

Lisa-DiLillo, Crimson Glory, 12.5×18.5in, digital c-print, 2017

Peggy Bates  explores landscape as a sensory stimulus, aiming to create a repose for the senses  in her highly saturated  abstract paintings.

Peggy Bates, Fort Pond Bay, 40x30 in, 2016, acrylic polymers on canvas
Peggy Bates, Fort Pond Bay, 40×30 in, 2016, acrylic polymers on canvas

In her scroll painting “Karst”, Melanie Kozol takes us through China’s Karst Mountains – capturing a vital rhythm of nature through paint and ink. Her incisive marks in this scroll hover between calligraphic signage and topography, inviting the viewer to decipher their narrative – atmospheric, bold, and open-ended.

Melanie Kozol Karst, watercolor, sumi-e on paper, 18x48in, 2016
Melanie Kozol, Karst, watercolor, sumi-e on paper, 18x48in, 2016

Charles Schindler’s wood sculptures resemble an animistic urban forest.

Charles Schindler, Tower, cherry wood, 2018
Charles Schindler, Faces in a Forest, mahogany, black marbles, 2017

Galerie Protégé Hours: Mon, Wed, Fri, Sat: 10-6pm, Tues, Thurs: 10-7:30pm, Sun: Closed; 197 Ninth Ave (Lower Level – Chelsea Frames), New York, NY 10011

Aspects in Landscape, through March 21, 2018 
Artists: Peggy Bates, Gregory Curry, Melanie Kozol, Lisa DiLillo, Murphy Chang, Charles Schindler; Curated by Stacy Greene