A retrospective of drag was recently presented with great aplomb at Culture Lab LIC. Queens: The Art of Drag & NYC featured an array of artists deeply embedded in the glorious culture of drag. Honoring its rich history through performance, fashion, music, makeup, design, and more, the essence of this multifaceted experience was distilled through celebratory expressions of artistry, beauty, community, and resilience.
Continue reading “The Art of Drag & NYC at Culture Lab LIC”The Baryshnikov Arts Center Celebrates 20 Years with Ex Machina
The Baryshnikov Arts Center celebrates its 20th anniversary with a dazzling work that perfectly reflects the institution’s spirit of innovation. Ex Machina, a collaboration between pianist Clara Yang and visual artist Xuan, is not simply a concert, an art exhibition, or a multimedia performance. It is a thrilling encounter between piano sound and painterly images that transforms the stage into a living canvas.
Continue reading “The Baryshnikov Arts Center Celebrates 20 Years with Ex Machina”On the Edge of Meaning: Lucy Sante’s Collages

Interspersed throughout the stately library of the Academy of Arts and Letters in Washington Heights, in and around shelves holding works by Academy members like John Cheever, Pearl S. Buck, and Grace Paley, a new exhibition of collages by the cultural critic, essayist, and Dylanologist Lucy Sante is on display. Knots, organized by curator Kristin Poor, features mostly recent works from the last few years, save one, Haussmann, or the Barricades, which dates to 1979.
Continue reading “On the Edge of Meaning: Lucy Sante’s Collages”Elisa Jensen at Astor Weeks, A Quiet Pause in Chaotic Times
Nestled on the 3rd floor of 209 Canal Street, off a particularly bustling block in Chinatown, is a show of Elisa Jensen’s paintings titled Invitation politely, at Astor Weeks Gallery. These works echo Bonnard’s complex compositions with windows and the depth of space in Vuillard’s work. The paintings are various memories of places close to the artist’s heart: her home in Brooklyn, the house of her late parents that no longer stands, and her aunt and uncle’s home in Denmark. Jensen knows how to whisper through paint and tell a quiet poem in scumbles, with a profound feeling of color. Her playful use of iridescent paint leaves the paintings to be experienced as they change drastically with subtle shifts in lighting. It is as if each painting carries many versions of itself throughout the course of the day, as the light changes.
Continue reading “Elisa Jensen at Astor Weeks, A Quiet Pause in Chaotic Times”Naomi Okubo: Resonance on a Surface at Fou Gallery

When Naomi Okubo decides to begin working on one of her enthralling paintings, there is a multistep process that far proceeds the brush gracing the canvas. The careful preparation of materials, digital and physical, allow Okubo to consolidate her thoughts and produce an organic depiction of her personal experience. The authenticity with which this is depicted is a result of the forethought and boundless introspection that she imposes upon herself. It is important to note that the artworks selected for the exhibition Naomi Okubo: Resonance on a Surface currently on view at Fou Gallery, weave a narrative fabric that chronologizes Okubo’s development as a visual artist.
Continue reading “Naomi Okubo: Resonance on a Surface at Fou Gallery”Sarah Martin- Nuss: Future Currents- At Rachel Uffner Gallery

In following Martin-Nuss’ work for a few years now, I was always mesmerized by the way they could establish and build a living landscape using both physical spaces and water reflections. A living landscape by means of movement, layers, and currents. This exhibition shows works that each establish their own space and carry with them their own evolutions into an entirely new space the longer you look at them.
Continue reading “Sarah Martin- Nuss: Future Currents- At Rachel Uffner Gallery”Amy Talluto Describes an Elisabeth Condon Painting – Dusk, 2023

Amy Talluto’s reflections on a painting by Elisabeth Condon were initially presented in an interview with the artist in podcast episode 59 for Pep Talks for Artists. Elisabeth Condon is a frequent guest on the show, contributing to the series Elisabeth Condon Describes a Painting. In conjunction with Condon’s solo exhibition and participation in the Untitled fair, both with Emerson Dorsch Gallery in Miami,[LINK: https://emersondorsch.com/] Amy interviewed Elisabeth and described Condon’s Dusk, 2023, acrylic and mediums on linen, 30 x 21 inches, a painting included in her show. Dusk will be on view at the gallery from December 3, 2023, through February 3, 2024, in the exhibition Tempus Fugit.
Continue reading “Amy Talluto Describes an Elisabeth Condon Painting – Dusk, 2023”Norte Maar’s CounterPointe10 – Alejandra Seeber and Sarah Yasmine Marazzi-Sassoon
Dance

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between artist Alejandra Seeber and choreographer Sarah Yasmine Marazzi-Sassoon.
Continue reading “Norte Maar’s CounterPointe10 – Alejandra Seeber and Sarah Yasmine Marazzi-Sassoon”Norte Maar’s CounterPointe10 – Tamara Gonzales and Julia Gleich
DANCE

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between co-founder, director, and choreographer: Julia K. Gleich and artist: Tamara Gonzales.
Continue reading “Norte Maar’s CounterPointe10 – Tamara Gonzales and Julia Gleich”Norte Maar’s CounterPointe10 – JEANNE VERDOUX and JOVONNA PARKS
DANCE

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between artist Jeanne Verdoux and choreographer / dancer JoVonna Parks.
Continue reading “Norte Maar’s CounterPointe10 – JEANNE VERDOUX and JOVONNA PARKS”