Amy Butowicz: Boudoir Theatre at Peninsula Art Space

In Dialogue with Eric Fallen, Founder and Executive Director

A room full of furniture

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Duet, 2020 76.5”h x 84”w x 53”d Canvas, acrylic paint, wood, furniture parts, wheels, and hinges

Amy Butowicz solo show Boudoir Theatre at Peninsula Art Space features a collection of domestically scaled sculptures staged as a group of characters which are readily associated with notions of sensuality, ornamentation, and haute couture. Bulging cushion-like forms, meticulously hand-stitched over wooden structures, display intricate patterns and rich material suggestive of bedding, vanities, corsets and human anatomy. Bold and tender simultaneously, these anthropomorphic forms defy the disdain and fear that are frequently imposed upon feminine artforms, spaces, and bodies. Eric Fallen, founder and executive director of the Red Hook based Peninsula Art Space elaborates on Amy Butowicz’s exhibition and on his art venue.

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Padma Rajendran – On Cultural Tenderness


Padma Rajendran, Along the way, 2019, Dye on silk with stitching, dimensions varied, photo courtesy of the artist

Malaysian born and New York based artist Padma Rajendran works in diverse media yet currently views paper and fabric as her primary materials. She highlights the portable nature of paper and fabric, along with their significance as “keepers of culture, comfort, and call upon the function of the decorative”. Padma Rajendran shares here some insight on her work, what brought her there and where she is heading from here.

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Bianca Severijns - Paper Transformations

A person taking a selfie in the snow

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Bianca Severijns is a Dutch born artist who lives in Israel. Her sculptural installation range from wearable sculpture to wall relief made of paper. Through an elaborate process she utilizes this medium with remarkable skills to create simultaneously playful and thought provoking sculptures which evoke reflections on displacement, the meaning of a safe home, and coping mechanisms. For instance, her Blanket sculpture which is currently showing at the recently opened TLV Biennial 2020 particularly resonates with the angst during the pandemic. Since we have finalized the interview process before the COVID-19 pandemic struck, we have recently re-visited our last question in order to bring her responses up to date.

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Artists on Coping: Susan Mastrangelo

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Susan Mastrangelo

Susan Mastrangelo was born and raised in New York City and Washington D.C. She studied at the Kansas City Art Institute and the New York Studio School, and received her MFA from Boston University under the tutelage of Philip Guston. Based in New York since graduate school, she has shown nationally and internationally, and is a recipient of a Rockwell Grant as well as two grants from the Pollock Krasner Foundation. She has been a visiting artist at the American Academy in Rome, a guest at Civitella Raneri, and a resident at Yaddo, The Virginia Center for the Creative Arts, The Ragdale Foundation, The Triangle Workshop (as a student of Anthony Caro), and the Tyrone Guthrie Center. For 27 years she taught and chaired the Art Department at the Buckley School in New York City, and now works as a full time multidisciplinary artist at the Can Factory in Gowanus, Brooklyn.

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Artists on Coping: Elin Noble

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Working in the studio, March 2020. Photo by Lasse Antonsen

Elin Noble is a nationally and internationally known textile artist and dyer, living in New Bedford Massachusetts. She has spent more than 30 years investigating traditional and contemporary dye techniques, focusing in particular on Japanese itajime shibori (clamp-dye resist). She has lectured and conducted workshops in North America and internationally, most recently in the Netherlands, Hungary, and Japan. Elin has been included in numerous group exhibitions and has had one-person exhibitions at the Schweinfurth Art Center, New York; New Bedford Art Museum, Massachusetts; The Textile Center in Minneapolis, Minnesota; Visions Art Museum, California; and the La Conner Quilt and Textile Museum, Washington.

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Artists on Coping: Eileen Hoffman

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Hoffman in her studio working on an installation. Photo by Izzy Nova

Eileen Hoffman is a textile sculptor and installation artist whose use of non-traditional materials acts as a bridge between past traditions and contemporary approaches. Her art involves making the undervalued and unseen culture of women’s work visible. Her work has been featured in Family Matters: SDA International Exhibition in Print; The Gold Standard of Textile and Fiber Art, NYC; and Art From the Boros VII, NYC.

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Artists on Coping: Lasse Antonsen

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Lasse Antonsen in Assens, Denmark, during a residency in 2018, talking about his early years as an art student at the Experimental Art School in Copenhagen

Lasse Antonsen is an artist, art historian, and curator. He was born in Copenhagen in 1947, and attended the Experimental Art School as a teenager. After living in Spain and Morocco, Antonsen studied art history at Copenhagen University. Moving to the US in 1978, he continued his studies at Tufts University. He received an MA in art history in 1985. Antonsen was a researcher at the ICA in Boston, and for 25 years director of the University Art Gallery at University of Massachusetts Dartmouth, where he, among others, presented the work of Ana Mendieta, Frank Stella, Ilya Kabakov, and Nancy Spero.

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Artists on Coping: Orly Cogan

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Orly Cogan in front of POW (Power of Women), hand stitched embroidery, paint and
appliqué  on vintage bed linen, from her solo show at The Brattleboro Musume of Art

New York artist Orly Cogan was born in Israel and educated at Cooper Union and the Maryland Institute College of Art. Working with vintage printed fabrics and found embroideries, she has been at the forefront of the fiber arts movement, with an emphasis on Feminism. Notable exhibitions include the Aldrich Museum of Contemporary Art, CT, Museum of Arts & Design, NY, Riverside Museum, Riverside, CA, Hudson River Museum, NY, Textile Museum of Toronto, Brattleboro Museum VT, San Jose Museum of Quilts & Textiles, Woodson Art Museum, Wausau, WI, Fresno Metropolitan Museum, CA, Musee International Des Arts Modeste, Sete, France, Rijswijk Textile Biennial in the Museum Rijswijk, and the Museum of Decorative Arts and Design.

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Artists on Coping: Kay Sirikul Pattachote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Kay Sirikul Pattachote in her studio. Photograph by Pratya Junkong

Kay Sirikul Pattachote‘s paintings utilize the abstracted forms of flowering plants as a vessel for channeling her daily meditations. These plant forms provide parameters for her interpretive brushwork and within them she is able to record her experienced energies and emotions. Ritualistic actions, such as sewing and repetition, further her meditative practice and deepen her ability to record the ephemeral on her surfaces.

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Mary Tooley Parker – The Process of Making

Mary Tooley Parker, Back Room, 2019, textile, 48×33 inches, photo by the artist

Mary Tooley Parker ‘s fiber artworks pay a warm homage to folk art – throughout her recurrent themes and elaborate process. Her fascination with all things fiber –
weaving, knitting, quilting, rug hooking – started from an early age and she has continued honing her skills and color sensibility ever since. The artist shares with Art Spiel what draws her to fiber art, her process, and the ideas behind her work.

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