Julie Peppito: Making Meaning out of Anything

Toxic Frock (This Changes Everything by Naomi Klein), 2016, canvas, trim, oil paint, gouache, thread, acrylic paint, found objects, fabric paint, fabric, grommets, variable dimensions (84″ x 156″ x 10″), photo courtesy Dan Gottesman

Julie Peppito‘s visceral and imaginative installations refer to our ecological, cultural, and political environments through explosive colors, textured surfaces, and interconnected loopy forms. Julie Peppito recalls how growing up in Oklahoma and later moving to NYC impacted her development as an artist. She shares some of her thought process, her work as an activist, and some of her projects.

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Altoon Sultan – Luminous Clarity

Altoon Sultan, Convergence, 2018, egg tempera on calfskin parchment, 9 1/2 x 12 in. Photo courtesy of McKenzie Fine Art.

Altoon Sultan‘s egg tempera paintings depict close ups of agricultural equipment with incisive color and architectural forms. Her paintings consistently reveal inner tensions: the shapes are abstracted and literal, the colors are vivid and subtle, the space is shallow and dimensional. The artist shares with Art Spiel some of her rich experience as a painter, her work process, and her on-going projects.

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Linger Still – Kaveri Raina at Assembly Room

curated by Emily Burns

Linger Still, (installation view). Image courtesy of Assembly Room Gallery

Diaspora consciousness is an acute mindfulness of one’s cultural origins post-migration. This awareness can be, “heightened by communication and visits, and is retained in memories, storytelling and other creative forms.” Individuals or families who take the risk to migrate must navigate a series of unanticipated complexities away from the support of their families and communities. For those who choose to leave or flee from their homelands the sensation of “otherness” is a pervasive factor in their quest for opportunities, stability, and safety. This uncanny sensation serves as the conceptual pulse and subtle heartbeat for Kaveri Raina’s solo exhibition “Linger Still,” curated by Emily Burns currently on view at Assembly Room Gallery.

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Paint, Film, Thread: Three Current Shows

By Nina Meledandri

All Photos courtesy of Nina Meledandri

 

Louise Bourgeois, Sutures, 1993, Mixed Media

When an exhibition feeds you, enlightens you, or centers you, it remains with you. Each of the three shows below resonate with me for very different reasons and collectively they create a rich and thought provoking reminder of why we look at art.

Sutures at Mark Straus Gallery presents works which rely in some way on fabric, thread, weaving and/or sewing. The title is shared with one of the show’s focal points: a Louise Bourgeois sculpture, that is itself worth the visit. Continue reading “Paint, Film, Thread: Three Current Shows”

Peter Gynd – Studio on the Road

Peter Gynd, Blanketed 15-003, 2017, archival inkjet print on Hahnemulhe  photo rag 308gsm, 15.875 x 23.75 inches framed, Edition of 5 +1AP , photo courtesy of the artist

Peter Gynd is a prolific artist, curator, and gallery director. As a Canadian artist who has been well immersed in the New York City art world, Gynd has a vista on both worlds from a unique perspective. We have been in dialogue for several years and this is a compilation of the issues we have touched upon in our conversations. Continue reading “Peter Gynd – Studio on the Road”