Artists on Coping: Lasse Antonsen

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Lasse Antonsen in Assens, Denmark, during a residency in 2018, talking about his early years as an art student at the Experimental Art School in Copenhagen

Lasse Antonsen is an artist, art historian, and curator. He was born in Copenhagen in 1947, and attended the Experimental Art School as a teenager. After living in Spain and Morocco, Antonsen studied art history at Copenhagen University. Moving to the US in 1978, he continued his studies at Tufts University. He received an MA in art history in 1985. Antonsen was a researcher at the ICA in Boston, and for 25 years director of the University Art Gallery at University of Massachusetts Dartmouth, where he, among others, presented the work of Ana Mendieta, Frank Stella, Ilya Kabakov, and Nancy Spero.

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Artists on Coping: Orly Cogan

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Orly Cogan in front of POW (Power of Women), hand stitched embroidery, paint and
appliqué  on vintage bed linen, from her solo show at The Brattleboro Musume of Art

New York artist Orly Cogan was born in Israel and educated at Cooper Union and the Maryland Institute College of Art. Working with vintage printed fabrics and found embroideries, she has been at the forefront of the fiber arts movement, with an emphasis on Feminism. Notable exhibitions include the Aldrich Museum of Contemporary Art, CT, Museum of Arts & Design, NY, Riverside Museum, Riverside, CA, Hudson River Museum, NY, Textile Museum of Toronto, Brattleboro Museum VT, San Jose Museum of Quilts & Textiles, Woodson Art Museum, Wausau, WI, Fresno Metropolitan Museum, CA, Musee International Des Arts Modeste, Sete, France, Rijswijk Textile Biennial in the Museum Rijswijk, and the Museum of Decorative Arts and Design.

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Artists on Coping: Kay Sirikul Pattachote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Kay Sirikul Pattachote in her studio. Photograph by Pratya Junkong

Kay Sirikul Pattachote‘s paintings utilize the abstracted forms of flowering plants as a vessel for channeling her daily meditations. These plant forms provide parameters for her interpretive brushwork and within them she is able to record her experienced energies and emotions. Ritualistic actions, such as sewing and repetition, further her meditative practice and deepen her ability to record the ephemeral on her surfaces.

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Mary Tooley Parker – The Process of Making

Mary Tooley Parker, Back Room, 2019, textile, 48×33 inches, photo by the artist

Mary Tooley Parker ‘s fiber artworks pay a warm homage to folk art – throughout her recurrent themes and elaborate process. Her fascination with all things fiber –
weaving, knitting, quilting, rug hooking – started from an early age and she has continued honing her skills and color sensibility ever since. The artist shares with Art Spiel what draws her to fiber art, her process, and the ideas behind her work.

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Julie Peppito: Making Meaning out of Anything

Toxic Frock (This Changes Everything by Naomi Klein), 2016, canvas, trim, oil paint, gouache, thread, acrylic paint, found objects, fabric paint, fabric, grommets, variable dimensions (84″ x 156″ x 10″), photo courtesy Dan Gottesman

Julie Peppito‘s visceral and imaginative installations refer to our ecological, cultural, and political environments through explosive colors, textured surfaces, and interconnected loopy forms. Julie Peppito recalls how growing up in Oklahoma and later moving to NYC impacted her development as an artist. She shares some of her thought process, her work as an activist, and some of her projects.

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Altoon Sultan – Luminous Clarity

Altoon Sultan, Convergence, 2018, egg tempera on calfskin parchment, 9 1/2 x 12 in. Photo courtesy of McKenzie Fine Art.

Altoon Sultan‘s egg tempera paintings depict close ups of agricultural equipment with incisive color and architectural forms. Her paintings consistently reveal inner tensions: the shapes are abstracted and literal, the colors are vivid and subtle, the space is shallow and dimensional. The artist shares with Art Spiel some of her rich experience as a painter, her work process, and her on-going projects.

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Linger Still – Kaveri Raina at Assembly Room

curated by Emily Burns

Linger Still, (installation view). Image courtesy of Assembly Room Gallery

Diaspora consciousness is an acute mindfulness of one’s cultural origins post-migration. This awareness can be, “heightened by communication and visits, and is retained in memories, storytelling and other creative forms.” Individuals or families who take the risk to migrate must navigate a series of unanticipated complexities away from the support of their families and communities. For those who choose to leave or flee from their homelands the sensation of “otherness” is a pervasive factor in their quest for opportunities, stability, and safety. This uncanny sensation serves as the conceptual pulse and subtle heartbeat for Kaveri Raina’s solo exhibition “Linger Still,” curated by Emily Burns currently on view at Assembly Room Gallery.

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Paint, Film, Thread: Three Current Shows

By Nina Meledandri

All Photos courtesy of Nina Meledandri

 

Louise Bourgeois, Sutures, 1993, Mixed Media

When an exhibition feeds you, enlightens you, or centers you, it remains with you. Each of the three shows below resonate with me for very different reasons and collectively they create a rich and thought provoking reminder of why we look at art.

Sutures at Mark Straus Gallery presents works which rely in some way on fabric, thread, weaving and/or sewing. The title is shared with one of the show’s focal points: a Louise Bourgeois sculpture, that is itself worth the visit. Continue reading “Paint, Film, Thread: Three Current Shows”

Peter Gynd – Studio on the Road

Peter Gynd, Blanketed 15-003, 2017, archival inkjet print on Hahnemulhe  photo rag 308gsm, 15.875 x 23.75 inches framed, Edition of 5 +1AP , photo courtesy of the artist

Peter Gynd is a prolific artist, curator, and gallery director. As a Canadian artist who has been well immersed in the New York City art world, Gynd has a vista on both worlds from a unique perspective. We have been in dialogue for several years and this is a compilation of the issues we have touched upon in our conversations. Continue reading “Peter Gynd – Studio on the Road”