Artists on Coping: Alyse Rosner

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


How it looks right now in my studio March 2020 Graphite rubbing on yupo, Works in progress: Graphite and acrylic on raw canvas

Alyse Rosner is known for large scale abstract paintings melding graphite rubbings, gestural brushwork, obsessive mark making and transparent color reflecting her immediate surroundings, personal experience and environmental concerns. A graduate of the University of Michigan and The American University, Rosner received grants from the Connecticut Office of the Arts and The Sustainable Arts Foundation. Rosner has exhibited at the Newcomb Art Museum of Tulane University, The Aldrich Contemporary Art Museum, BravinLee Programs, Odetta and Kathryn Markel Fine Art, as well as Real Art Ways and Artspace in Connecticut, among others. Alyse Rosner is represented by Rick Wester Fine Art.

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Artists on Coping: Jennifer Coates

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Tabletop studio, Poyntelle, PA

Jennifer Coates is a painter living and working in New York City and Poyntelle, PA. She is a recent recipient of the Sharpe Walentas Studio (2018-2019) and was a fellow at the Civitella Ranieri Foundation in Italy (Fall 2019). Recent solo exhibitions include Toxic Halo (High Noon Gallery) and Correspondences and All U Can Eat (Freight & Volume Gallery). Her work has been written about in the Brooklyn Rail, Bomb Magazine, Art Critical, Hyperallergic, the Huffington Post, Smithsonian Journeys and Art News.

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Artists on Coping: Diane Drescher

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Highline Hotel, 2018

Diane Drescher‘s light filled landscapes straddle the line between traditional and modern. She graduated from the University of Wisconsin-Madison, and continued her art training at the Art Institute of Chicago, the Art Student’s League, and the National Academy in New York. A 10-year period of traveling to Europe to research design trends for fashion projects provided the opportunity to study the tradition of landscape painting in the museums of Paris and London. Inspired, she began refining her style using vivid colors, thick application of paint, and distinctive brushstrokes.

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Artists on Coping: Mary DeVincentis

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Mary DeVincentis in her home studio

Painter Mary DeVincentis employs a deeply personal iconography to investigate the mysteries and dilemmas of existence. Her most recent body of work, Between the Light and Me, will make its debut at M. David and Co. Gallery in Brooklyn later this year. Her work was recently featured in ArtMaze Magazine, winter 2020 edition. She is represented by M. David and Co. in New York and by Gibbons and Nicholas in Dublin, Ireland.

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Artists on Coping: Yura Adams

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Work in Progress Studio Installation_2020_ink, acrylic, paper, plaster_dimensions variable, foreground column: 96″ high

Yura Adams is best known for her abstract and energetic paintings that interpret ideas found in physics, injected with messages of cultural and poetic experience. Adams has been exhibited with the New Museum in New York, Experimental Intermedia, Franklin Furnace, New Music America, Real Art Ways, and one person shows at the John Davis Gallery in Hudson, New York. Most recently, Adams received a Pollock-Krasner grant and exhibited at the Hyde Collection, Glens Falls, New York, Collarworks, Troy, New York and produced at Dieu Donné, a large-scale, hand-made paper installation for her one-person show at the Courthouse Gallery in Lake George, New York.

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Artists on Coping: Elisabeth Condon

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Elisabeth Condon in front of Urban Idyll at Ditmars Blvd., Queens, in 2019. Photo Phillip Reed

Informed by scroll painting and 20th century abstraction, Elisabeth Condon’s landscapes intersect nature and décor. While the overlap of New York and Florida inspire the majority of her compositions, Condon frequently travels to numerous residency fellowships from Shanghai and Mexico City, to the Grand Canyon and Florida Everglades. She recently completed Urban Idyll, thirty-six laminated glass panels for the NYCT Astoria-Ditmars Blvd. Station in Queens, commissioned by MTA Art & Design. Her work has been recognized by the Joan Mitchell Foundation, Pollock Krasner Foundation, and State of Florida Individual Fellowships.

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Artists on Coping: Rodney Dickson

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Untitled

Born in 1956 in Northern Ireland, Rodney Dickson grew up during the troubled years of civil disorder that engulfed that country. Having drawn and painted since childhood, he reacted to his early experience by considering the futility and hypocrisy of war through art. As time went by, he developed an interest in Vietnam and Cambodia where he researched and completed a number of art projects since 1992. There he witnessed the aftermath of conflict in its indiscriminately brutal form and it is from that point that his work proceeds.

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Artists on Coping: Alexandra (Alexi) Rutsch Brock

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Photo credit – Patricia Fabricant

Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary at the Clemente Center, NYC. She has been teaching art at New Rochelle High School since 1991, where she started the Visiting Artists Program with Scott Seaboldt, most recently hosting Susan Luss.

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Museum as Muse at the Flatiron Project Space

Museum as Muse, Installation, Image courtesy of Leigh Behnke

A favorite experience of mine is to visit the Metropolitan Museum without a show or work of art in mind to see. I enjoy wondering the galleries until I come across something I had not noticed before and then spend the time looking and analyzing the work. This experience is likened to one I have recently had at “Museum as Muse”, a show curated by Leigh Behnke, consisting of works by the artist herself, Joe Fig and Peter Hristoff. The show is not at a sprawling Chelsea gallery or at a small, but relevant Lower East Side venue. It is tucked away within the confines of an academic institution, School of Visual Art, located on 21st Street in the SVA Flatiron Gallery Project Space. As the title suggests, all three artists have used the museum in some capacity as a starting point for their work.

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Controlled Entropy, Taher Jaoui at 81 Leonard Gallery

Taher Jaoui: Controlled Entropy installation view, photograph by Hannah Rozelle, photo courtesy of the artist

One might find Taher Jaoui introverted the moment meeting him. It might be less about an aloof temperament commonly found in an artist than a reserved and prudent character often associated with a science person. The way in which Jaoui’s artworks act out follows a similar interpersonal pattern. Those scratchy mathematics signs and formulas are the most prominent elements of the new series of monochrome paintings featured in Taher’s current solo exhibition Controlled Entropy at 81 Leonard Gallery, co-hosted by Uncommon Beauty Gallery. The juxtaposition of the handwritings of mathematical formulas and the gestural brushwork in an abstract expressionist manner not only prompts questions about Jaoui’s background, but also problematizes the hostile split between art and mathematics. Reminding viewers of a lecturer running a mathematical calculation across the blackboard with chalk, this series of paintings highlights the performative elements in mathematics, as well as the craft aspects of labor invested in this intellectual activity.

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