Is nostalgia really a safe space for us to process the uncertainty of the rapidly changing present? This Candy Has Teeth, curated by Shuhan Zhang, features five Chinese artists, Shengjie Jiang, Weican Wang, Jiaqi Mao, Yukun (Chloe) Ba, and Cindy (Zhaoyue) Chen, who move through childhood, memory, and nostalgia in different ways. Together, their works reflect our current desire for nostalgia, a desire that perhaps reveals just how uncertain the present feels. Yet the more we try to grasp onto the soft, safe, familiar places of the past, the more complicated those memories become. If you really delve back into them, they are also full of discomfort: moments of being forced to accept what happened, and the stiffness of a choke at the throat. As the curatorial text suggests, it is a “sensory misalignment”—an apple is sweet, yet hard to swallow.
Continue reading “This Candy Has Teeth: Can Nostalgia Really Comfort Us?”SPRING/BREAK highlights: Hide and Seek
This year’s theme for SPRING/BREAK Art Show was Hide and Seek. The fair was within this new and exciting office space that felt like a labyrinth at first, but then it evolved into a wonderful journey- meeting new artists and old friends. Full of amazing works and installations, the booths caught my attention through either a detail, a connection, or a wonderful conversation. The themes varied, from Peter Gynd’s focus on the joys of the everyday to Juan-Manuel Pinzon and Matthew Logsdon’s connections through material, action, and discovery. David Howe and Jesus Benavente’s team brings urgency and humor, showing how decisions from up high affect our everyday lives. My experience of the fair concluded with the works of Noa Charuvi and Shmuel Charuvi, exploring connections to a sense of place and ways of viewing the world, often influenced by the works of family, while Braden Bandel’s paintings and drawings bring us into another world entirely- allowing us a place to rest and contemplate.
Continue reading “SPRING/BREAK highlights: Hide and Seek”Orly Cogan and Robert Mann: Behind the Lens & Through the Needle
Orly Cogan stitches, crochets, and paints directly onto photographs. Under her needle, figures loosen from their frames, and in some pieces the thread spills past the edge onto the floor. Her work on photographs owes much to twenty years alongside the photography dealer Robert Mann. The two met at an art fair, reconnected at a collector’s party, and had their first date in her studio talking about her work; across years of openings, fairs, and long studio hours since, each has shaped how the other looks. Cogan, trained as a painter, came to read a photograph as an object with its own history and materiality, while Mann, whose gallery was built on photography, became an advocate for embroidery and its feminist history. That shared education first reached his gallery walls in 2014.
Behind the Lens and Through the Needle gathers the work that grew from that exchange and opens Mann’s newly built West Chelsea space in his thirty-fifth year with a public gallery. In Cogan’s hands, the two mediums hold different kinds of time: the camera’s caught instant and the needle’s slow, cumulative one. The photograph gives her the frozen scene; the embroidery reopens it, adding labor, touch, and imagination until the captured moment seems to keep unfolding.
Continue reading “Orly Cogan and Robert Mann: Behind the Lens & Through the Needle”Alexander Gray Associates Announces Representation of Márcia Falcão

Alexander Gray Associates announces representation of Márcia Falcão (b. 1985). In Spring 2028, the Gallery will present a solo exhibition of Falcão’s works.
Falcão explores the Black female body as a site where painterly experimentation and lived experience converge. Raised in Rio de Janeiro’s Irajá neighborhood, Falcão renders her figures in gestural brushwork and dense layers of impasto, working within a palette dominated by earth tones—umbers, reds, tans, and yellows. Though Falcão frequently depicts her own body, her figures resist self-portraiture, functioning instead as archetypes that challenge the expectations and stereotypes imposed upon Black Brazilian women.
Continue reading “Alexander Gray Associates Announces Representation of Márcia Falcão”Light Lives as an Animal: Melissa Murray’s Nocturnal Ontology
In Light Lives as an Animal at 1053 Gallery, Melissa Murray dives into the darkness of Catskills nights, bringing the magical, haunting world of raw, gorgeous wilderness to life in her extensive solo exhibition. Drawing from her relocation from Brooklyn to the Catskills years ago, Murray shares her fascination with the immersive, nocturnal world of the forest. Darkness to her is not simply a void or a passive backdrop, but a thick, generative medium through which a landscape reveals its independent interior life.
Continue reading “Light Lives as an Animal: Melissa Murray’s Nocturnal Ontology”Rebecca Rutstein: Universal Nature at the Philip and Muriel Berman Museum of Art
In Universal Nature, at Ursinus College’s Berman Museum, you can easily feel the breadth of Rebecca Rutstein’s long artistic practice. Rutstein has spent over two decades creating paintings, sculptures, videos, and textiles, buoyed by a passion to connect with and understand complex global systems that are core to our existence on this planet. Universal Nature presents a mid-career survey spanning her oeuvre, with an intellectual focus on continuous change, transformation, and interdependence.
Continue reading “Rebecca Rutstein: Universal Nature at the Philip and Muriel Berman Museum of Art”Blizzard at Dimin Gallery- intertwined times- nostalgia, stillness, and ecological urgency
Walking into Dimin gallery on a humid summer day, Blizzard, the exhibition currently on view, envelops you with a welcoming dynamic, though like a winter storm, often all-encompassing, bitter, and fierce. Despite these negative associations coinciding with the theme of blizzard , there is a sense of peace and serenity while observing a storm safely. As long as you are observing from a safe distance, both the winter season and its storms can offer great solace and opportunities for contemplation. Similar to the work in this show, we are welcomed to dive into the environments of the works and take note of what themes are driving the artists. Given our growing concerns over climate change, global warming, and changes in the environment, this exhibition is very timely; especially ecologically, this show calls for attention. These artists certainly show how a snow day can slow time and force us to have more respect for the unyielding natural world.
Continue reading “Blizzard at Dimin Gallery- intertwined times- nostalgia, stillness, and ecological urgency”Transcendence at FOU Gallery
Transcendence, a group exhibition of sculptures and paintings, is curated by Helena Jin and on view at FOU Gallery from July 11 – September 5, 2026. The artists Tianshu Zhang (张天舒), Gloria Fan Duan (樊段晓春), and Tao Xian (陶显) explore the show’s theme of transcendence in vastly different formal ways. Despite Helena Jin’s scholarly background in researching Buddhist art history, the type of transcendence posed by the show is distinctly secular; while some of the artists reference East Asian tradition and symbolism, the “beyond” or spiritual is achieved through individual artistic approaches to color and form.
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For Cutaway, curator Olivia Baldwin worked the way she does in her own studio — building from the ground up, beginning with the artists rather than a theme. She had followed Eleanor Anderson, J Stoner Blackwell, Lucy Kim, Kirstin Lamb, and Hai-Wen Lin for years, looking for where their materials might overlap and where they might productively rub against one another. Meeting with them, a shared concern surfaced: how each artist asserts and then loosens the limits of an object, a body, a pattern. Their means are strikingly varied — discarded plastic bags, cross stitch, dyed silk and chain, cast flounder and teeth, a kite pitched toward the upper windows — bound by saturated color and touch. The body recurs throughout, rarely pictured, more often left as a trace in the material. Baldwin discusses the show’s bottom-up beginnings, what its materials share, and the withholding behind its title.
Continue reading “Cutaway at Brandeis University”Le Alchemiste by Anselm Kiefer at the Palazzo Reale
I saw “Le Alchemiste” by Anselm Kiefer at the Palazzo Reale in Milan, and although I have seen many exhibitions by this German artist, I have never seen anything like this. He creates large vertical portraits of about forty women who worked as alchemists and healers in various European communities in the period between antiquity and the nineteenth century.
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