Andrew Woolbright, a NY based artist, curator and founder of Super Dutchess, shares with Art Spiel the genesis of this lower east side art space, sheds some light on its key organizers, and describes the philosophy behind it. He elaborates on Cartoon in a Cartoon Graveyard, the 3-person current show that he has curated at the venue, with an upcoming reception on January 10th.
Painter Steve Hicks shares with Art Spiel his reflections on the body of work he is currently exhibiting at George Billis gallery, focusing on how he sees these paintings within the wider context of his overall work.
Art Spiel in Dialogue with Larry Greenberg and Kate Teale
Kate Teale and Larry Greenberg have been exchanging art ideas for many years. Recently, their conversations have transformed into a fascinating collaboration, resulting in a two person painting show at Studio 10 in Bushwick. Larry Greenberg, the founder of Studio 10, and Kate Teale, a painter who has showed her work there regularly, share with Art Spiel how ‘Openings’ came about.
Ashley Garrett paints abstracted landscapes which resonate a sense of place – elusive and precise at the same time. Utilizing richer color and bolder gesture, Garrett ‘s recent body of work reveals an artist’s gaze inwards into a deeper psychological space. Ashley Garrett shared with Art Spiel her approach to painting and her upcoming projects.
Altoon Sultan‘s egg tempera paintings depict close ups of agricultural equipment with incisive color and architectural forms. Her paintings consistently reveal inner tensions: the shapes are abstracted and literal, the colors are vivid and subtle, the space is shallow and dimensional. The artist shares with Art Spiel some of her rich experience as a painter, her work process, and her on-going projects.
The tension between “inside” and “outside” in Erika Ranee’s paintings draw you into an enclosed space with an explosive and rhythmic internal movement. The vibrant colors, organic shapes, and linear marks that link the forms like veins, altogether resonate with living organisms, body, or microscopic landscapes. The artist shares with Art Spiel what brought her to art, her thought and work processes, as well as her current projects.
In the context of the global feminist art of today there are a few trailblazers who continue to work and dazzle with their exuberance. Immediacy and mastery of visual resolution signal such fast-paced and intuitive artists. German-born Elvira Bach is one of them. Bach has created a striking painterly style that catches the eye and stimulates further contemplation. For a viewer, Bach’s expressiveness establishes an immediate and deep bond with the traditions of the German Expressionism, embodying in her paintings the Expressionists’ core principle – namely, depicting the artist’s inherent conflicts within the society and within herself. For Elvira Bach urgency of expression, empathy, and visual projection of deep inner strength are important attributes.
Rachael Wren’s delicate paintings pulsate with repetitive brush strokes that both allure you to look closely at the elaborate geometric surfaces and at the same time pull you into mysterious psychological interiors or perhaps cosmic fields. Her grid structure serves as an anchor for the paint /space- anchoring facilitates a greater freedom of movement and flow within. The artist shares with Art Spiel her ideas on color, painting, and studio process.
Nancy Baker’s art is colorful and bright, with filigree shapes that fuse, multiply and pulse outward in vibrant, sweeping waves. Individually the panels seem molecular and scientific; layered together they suggest vast networks and digital flow, yet clearly are the work of an artist’s hand. The eye zooms in and picks out familiar details–a candy wrapper, a takeout tray–then moves out again to appreciate the larger whole.
at M. DAVID & CO. GALLERY extended thru APRIL 21st, 2019 and an artist talk on April 14th at 4PM with Lilly Wei
I met with rising talent artist Dana James and her mother, veteran NYC artist Lizbeth Mitty, prior to their joint exhibition, “The Thread,” which opened March 15th at M. David & Co. Gallery in Bushwick. It was late February, and the artists were trying to answer the lingering question: Which new works should we display?
The debate was an extension of a conversation that had been running for months. Throughout the creative process, alone in their respective studios, the artists had frequently exchanged feedback on works in progress, eschewing criticism for constructive, “technical” suggestions that served to “open the floodgates” and renew the other’s creative energy.