For Cutaway, curator Olivia Baldwin worked the way she does in her own studio — building from the ground up, beginning with the artists rather than a theme. She had followed Eleanor Anderson, J Stoner Blackwell, Lucy Kim, Kirstin Lamb, and Hai-Wen Lin for years, looking for where their materials might overlap and where they might productively rub against one another. Meeting with them, a shared concern surfaced: how each artist asserts and then loosens the limits of an object, a body, a pattern. Their means are strikingly varied — discarded plastic bags, cross stitch, dyed silk and chain, cast flounder and teeth, a kite pitched toward the upper windows — bound by saturated color and touch. The body recurs throughout, rarely pictured, more often left as a trace in the material. Baldwin discusses the show’s bottom-up beginnings, what its materials share, and the withholding behind its title.
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