Emelie Stenhammar’s works echo the aims of Elizabeth Murray to reshape our relationship with painting. Cozy rectangular formats are denied. Twisted Perspective prevails. Both artists’ depictions of domestic spaces reflect a mutual fondness for cartoons and whimsy. Stenhammar paints compelling allegory about the human condition, with a compassionate gaze akin to that of Kathe Kollwitz.
Continue reading “How Unexpected: Encounters With the Divine, Emelie Stenhammar”Natalia Zourabova: Nightlight at Kaliner Gallery

I am meeting Natalia at Kaliner gallery on a steamy day in June. The artist, who arrived here for this milestone exhibition, her first solo in New York, is uncertain when and how she will be able to return home to Israel. The war in Iran was launched just a week after the opening. Stranded away from her family, she remains determined and optimistic. This toughness in the face of chaos is also evident in her artwork. The paintings in Nightlight are vibrant, large, and striking.
Continue reading “Natalia Zourabova: Nightlight at Kaliner Gallery”Laura Karetzky: The Action of Looking

Selfies in domestic interiors, mobile phones, and computer screens are ubiquitous throughout Laura Karetzky‘s paintings. Her fragmented figures inhabit familiar interior spaces such as a bedroom or a work space, resonating altogether the uncanny in our daily experiences in this digital age, where the boundaries between space, time, self and other become increasingly blurred and at times even disorienting. In
this interview with Art Spiel Laura Karetzky reflects on her figurative painting roots, her process, and her upcoming projects.