Walking through MoMA PS1 for the first time in several years, I realized how much it has changed and how much I still remembered from my first visit, before officially becoming a New Yorker. The meandering, bustling energy of the building remained, each turn and new corridor offering discoveries. It was special to witness how eclectic and unique each artist’s vision and process was and how many identities and stories are gathered under one roof. Organized for the first time by MoMA PS1’s full curatorial team, the exhibition emphasizes the forces that shape daily life in the city today. This includes strategies of resistance and adaptation in the face of increased surveillance, shifting identities, economic uncertainties, how we view ourselves and others, and the ever-changing technologies around us. This exhibition notes both optimism and anxiety throughout all of the artists’ attention to the layered, eclectic lived textures of New York City and the people intertwined within it.
Continue reading “Greater New York and the identity and pulse of the city at MoMA PS1”Ming Wang’s solo show Through Lingering Window at Fou Gallery

Ming Wang’s solo exhibition, Through Lingering Window, curated by Ashley Ouderkirk at Fou Gallery, creates a meditative and healing enclave amidst the bustling streets of Union Square in New York. Located on the seventh floor of a Fifth Avenue building, the gallery becomes an intimate retreat where Wang’s oil paintings evoke a sense of stillness within the restless cityscape.
Continue reading “Ming Wang’s solo show Through Lingering Window at Fou Gallery”Manet and Degas as Realists
Opinion

Technically, Edouard Manet (1832–1883) and Edgar Degas (1834–1917 are not Impressionists; instead, they are Realists whose works owe a debt to Gericault, Goya, and Daumier and the invention of photography. Unlike Monet, who sought solace and inspiration in nature, which can be seen as a reaction to the urbanization associated with the rise of the bourgeoisie, Manet and Degas instead embraced the industrialization and urbanization driven by bourgeois economic interests. They were unconcerned with the dehumanizing effects of rapid technological advancement. Realism is aimed at depicting scenes and subjects based on the everyday lives of ordinary people.
Continue reading “Manet and Degas as Realists”Artists on Coping: Anna Shukeylo
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Anna Shukeylo, photo courtesy of the artist
Anna Shukeylo is an artist, curator, writer and educator normally working and living in New York City, currently and hopefully temporarily stuck in her hometown suburbs of New Jersey. Her main mediums are painting and ceramics, and her work focuses mostly on voyeuristic experiences of city dwelling. Her work has been exhibited throughout New York, Pennsylvania, New Jersey, Indiana and internationally. She is a contributor at Artcritical.com and is a full-time Fine Arts Lecturer at Kean University in New Jersey.
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