Looking at Asher Liftin’s work, the viewer might first ask, “Is this a textured surface? Is it purposefully pixelated? How is it pixelated?” As the viewer moves closer to these pictures, Liftin’s unique way of building the picture with lines rather than shapes becomes clear, using crosshatching – lines intersecting in different directions to create form and value. Another thought that follows: “Is it ink? Is it paint?” The uniformity of line makes the viewer think that this must be a drawing; however, the distinct paint drips that break the illusion of perfection suggest it is a painting instead. The short answer is both. Spoiler alert: the smaller works used colored pencils, while the larger works used acrylic ink and paint. But most importantly, why are these images so convincingly realistic?
Continue reading “Asher Liftin’s Lines Explored at 125 Newbury Gallery”Asher Liftin’s Lines Explored at 125 Newbury Gallery
