New York City – Page 2

March 23, 2024March 23, 2024, by Etty Yaniv

Kosuke Kawahara – Exotic Star at RAINRAIN

photo story

A room with paintings on the wall

Description automatically generated — Right: Kosuke Kawahara, Forever Waiting, 2018-2023, Oil color, encaustic, spray paint, ink, pencil, gesso on wood panel, 773⁄4 x 621⁄2 x 3⁄4 inches / 197.49 x 158.75 x 1.9 cm. Left: Kosuke Kawahara, New Poison, 2023-2024, Oil color, acrylic, encaustic, spray paint, ink, gesso on synthetic fabric, 311⁄4 x 261⁄4 x 11⁄4 inches / 79.38 x 66.68 x 3.18 cm

Kosuke Kawahara’s solo show at RAINRAIN represents a multi-faceted approach to materials, exploring what are conventional ways of organizing knowledge? Or, perhaps, how cosmic, biological, and cultural systems intersect? Throughout the paintings, I recognize forms resembling distorted body parts and hinted symbols from astronomy, depicted with oil paint, acrylic, chalk, spray paint, fabric, and wood. When Kawahara’s surfaces manifest their materiality—a patch of exposed woodgrain or a peel of paint revealing found fabric—they suggest the existence of other dimensions and bring me to question the characteristics of processes like reproduction and decay.

March 4, 2024March 4, 2024, by MICHELE JASLOW

Jody Wood Is Taking Care

Social Pharmacy (Installation View), Skövde Art Museum, Sweden

Jody Wood uses mediums of social practice, video, photography, and performance in her art practice. On a brisk January afternoon in Brooklyn, we discussed the joys of transformation and the metrics to determine success and trauma in healing. Wood’s recent work re-imagines routines in poverty support agencies, aiming to sculpt power dynamics and relationship networks and resist stigmas surrounding poverty. Her solo show Collecting Health at Open Source Gallery features Social Pharmacy (2021-ongoing), a project that redefines public health as a collaborative performance and asks what healing rituals can be found in simple acts of generosity between members of society and by utilizing the natural world around us. Collecting Health at Open Source Gallery runs from February 10 to March 22, 2024.

December 8, 2023December 24, 2023, by Etty Yaniv

Zahra Nazari: Interiors

In Dialogue

Inside Out Oculus, 2022, acrylic on mylar, 36×45.5 in.

In her Interiors painting series, American Iranian-born painter Zahra Nazari draws on prominent features in classical Persian and Islamic architecture—decorative botanical motifs, arch, and particularly, iwan, the large, vaulted hall semi-enclosed and usually walled on three sides, with one end entirely open. Many scholars believe its origin can be traced back to the Parthian era. While looking at Nazari’s luminous surfaces, it may be interesting to keep in mind the dual role of the Persian arch—it serves both decorative and functional purposes—this richly decorated key aesthetic element in Persian architecture functions not only as an ornament but also as a structural support that provides stability. It is also designed to moderate the amount of sunlight that enters space, especially in iwans or other open spaces. Nazari’s frequent use of Mylar as a surface stirs a play on the notion of external and internal light, and simultaneously, her saturated color palette invokes a hot and arid climate with bright, sunlit days and crisp nights. Repetitive and rhythmical, these motifs coalesce into energetic, translucent, and luminous surfaces, evoking an interior space in flux. Zahra Nazari elaborates on her ideas and process in this interview with Art Spiel.

November 9, 2023November 5, 2023, by Art Spiel

Julia Szabo: Vision and visibility

In Dialogue

A person standing next to an older person in a wheelchair

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Journalist and author Julia Szabo is resolved to establish the world’s first museum to be built by women for women artists. MSeum is going to be a museum with a focus on overlooked artists (Know Unknowns), providing art storage space to creative women and their heirs and offering the most enriching museum experience for blind and low-vision visitors anywhere in the world, with a variety of tactile artworks and architectural features inviting touch, because loss of sight does not mean loss of vision.

October 23, 2023October 14, 2023, by Art Spiel

The Mirror Blue Night at Undercroft Gallery

Featured Project

A room with art on the wall

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The Mirror Blue Night originated from an idea artist and curator Patrick Neal had for a show called Dark Noir, referencing the character of the city in the evening hours. When Neal was later invited to curate at the Undercroft Gallery, this idea expanded to include nocturnes and night in general. The gallery is located beneath The Church of Heavenly Rest on Museum Mile, and in this context, Neal began to look for spiritual echoes, considering how evening and twilight hours evoke the afterlife, the cosmos, anonymity, peace, and fear. “I had in mind depictions of darkness but also considered night as a condition that occupies half of our days and half of our lives, with all the symbolic, psychological, and temporal associations that come with it.”

October 20, 2023October 20, 2023, by Art Spiel

“KIDNAPPED”

In Dialogue

A street sign on a pole in a city

Description automatically generated — New York City

Shortly after the outbreak of the war between Israel and Hamas, flyers suddenly sprouted on New York streets. These flyers were attached to streetlamp posts, tree trunks, and subway stairwells, showcasing photos of infants, children, teens, and grandparents. beneath bold red banners that read “KIDNAPPED.” These photos capture moments from everyday life of people prior to the Hamas attack on October 7th—babies being fed, grandmas smiling, and teens taking selfies. This public art campaign was the brainchild of Israeli street artists Dede Bandaid and Nitzan Mintz. The couple, partners in life and art, have a history of engaging with public spaces globally in places like Tel Aviv, Berlin, Warsaw, and New York. They have recently arrived in New York to pursue their art. However, the events of October 7th shifted their focus. While trying to grasp the enormity and brutality of the terror attack on Israel, they felt compelled to respond by using the street art techniques they were proficient in. Art Spiel had the opportunity to speak with graffiti artist Dede Bandaid over the phone about the inception of this guerrilla street art campaign, which went viral and all over the globe.

May 17, 2023May 17, 2023, by Art Spiel

Frances Smokowski: Biomorphic Abstraction

Featured Artist

Welcoming Good Fortune 2012 graphite 24.8 x 28.6 x 0.8 in. Antique frame hand finished by artist

Frances Smokowski’s intricate drawings are currently receiving their NY debut at Cavin-Morris Gallery. EDGEWALKERS: Sacred and Profane presents a dynamic array of contemporary works. Randall Morris and Shari Cavin have gathered a diverse, international group of artists for this rather groundbreaking exhibition. Randall notes the select do not respond in any intentional way to mainstream movements or trends but for sidestepping, ignoring or living in honest unawareness of them. “These artists are not Outsiders,” he explains. “They are vitally connected to this world, whether spiritually, socially, or politically. We look for the place where labels become irrelevant and the work remains urgent, immediate and singular.”

January 4, 2023December 25, 2022, by Art Spiel

Smashworks Dance – CITY STORIES at Center for Performance Research

DANCE

Though I saw Smashworks Dance’s CITY STORIES over a month ago, it still lingers in the back of my mind. As a New Yorker, how could it not? The images from the show are the images of my daily life. Flashes of scenes and movements weave their way through my commute and my coffee run, popping up like absurdist smash-cuts in early-2000s sitcoms. That’s where Artistic Director Ashley McQueen’s magic lies: the source material is everyday, the execution is something else entirely.

September 2, 2022November 2, 2022, by Anna Mikaela Ekstrand

Lesley Bodzy’s Sculptural ‘Paint Skins’

Lesley Bodzy. *I knew better*, acrylic, 66” x 34” x 15”, 2022. All photographs are courtesy of the artist.

Wall sculptures by Lesley Bodzy will be on view during Armory Week 2022 at SPRING/BREAK in Leftover and Over curated by Giovanni Aloi and Erica Criss. Anna Mikaela Ekstrand interviewed the California-born Houston and New York City-based artist about her evolving practice.

August 6, 2022December 30, 2022, by Art Spiel

Decolonizing Ecological Encounters at The Gallatin Galleries

Featured Project with Co-Curators Anastasia Amrhein and Patricia Eunji Kim

Gallery view with works by Tessa Grundon, David Nasca, Joiri Minaya, Himali Singh Soin and Alexis Rider, and micha cárdenas.

Fluid Matters, Grounded Bodies: Decolonizing Ecological Encounters at the Gallatin Galleries in New York City explores complex questions around impermanence, belonging, transformation, and erasure as they relate to human and non-human lives and the earth itself. The exhibition showcases the work of several contemporary artists, of various backgrounds, who utilize a broad range of media. It includes work by Farah Al Qasimi, Beatriz Cortez, micha cárdenas, Tessa Grundon, Joiri Minaya, Ada M. Patterson, Himali Singh Soin, and Alexis Rider, among others. The show runs from July 22 to August 17, 2022. Co curators Anastasia Amrhein and Patricia Eunji Kim shed some light on this group show.