Upon entering the exhibition, you are greeted by pieces of various sizes and mediums, full of intricacies and exploration. With the pieces being smaller in size, besides the Ferris wheel, you have to get close to see the small details or the depth of space that opens into a world of its own within each piece. Within the works, Liu offers locations such as cities, darkened spaces, carnivals, and other places of transition. Places that one may find themselves when they are beginning to traverse or transition into someplace new. I appreciated that each work was either on the wall or a shelf, giving each a sense of its own place. The space around the pieces gives them an opportunity to breathe and allows viewers to look closely at one and flow seamlessly into the next.
Continue reading “Xinyu Liu’s Fool’s Hour at Art Cake: Finding a home to Carry Onward”Artists on Coping: Levan Mindiashvili
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Levan Mindiashvili, Self-Portrait in “Study of The Large Glass (M.D.)” 2019, hand-painted liquid mirror on glass mounted on steel frame, 14” x 12.” From the series “Plates for Decolonized Art History,” 2019 – .
Levan Mindiashvili is a Georgian born, Brooklyn based visual artist. He creates immersive modular installations that deal with fluidity as a current state of being and explores the shifting conditions of canonical truths regarding identity, language, and history. He is interested in expanding possibilities of contemporary cultural production, and by juxtaposing traditional art-making with social practices such as dinners and raves, his goal is to expand the outreach and create more inclusive experiences.
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