Travelers, Liars, Thieves at Garrison

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A group of white bears statues

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David Packer, Bears that Dance, ceramic with glaze, each 12” high approx, 2024

The three-person show Travelers, Liars, Thieves at Garrison presents the work of artists Margaret Lanzetta, David Packer, and Niki Lederer, who also curated the exhibition. Margaret Lanzetta’s paintings, crafted with acrylic on satin, cotton bedsheets, and sari fabric, explore the fusion of decorative traditions from various cultures, reflecting interconnectedness between cultural and political narratives. Niki Lederer’s artwork, made from repurposed discarded materials such as umbrella canopies and nylon threads, highlights environmental concerns. David Packer’s bear sculptures serve as a metaphor for personal, economic, and political upheavals. Collectively, the three artists re-imagine the world with united boundaries, new environmentalism, and migrating identities.

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A Tribute to Friendship at the Reinstitute

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Installation view

Through their group show at Re Institute, Julia Kunin, Barbara Zucker, Meg Lipke, Catherine Hall, and Joanne Howard reflect on how a supportive community and friendship nourish the often solitary act of creating art. Their lives have intersected over many years, and their approach to art cross-pollinates on multiple levels.

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Over-Compression in Ridgewood Open Studios, curated by Eunice Chen

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Image Courtesy by Rocio Segura

Over-Compression, a group show featured in Ridgewood Open Studios, is the culmination of Eunice Chen Yuyue’s curator-in-residence program at Level Gallery, supported by Rockella Space. From February to April 2024, Eunice visited over 20 artists in their studios at One Eyed Studios and Brown Bear Studios. The exhibition highlights the work of Brooklyn and Queens artists, including Christine Abraham, Luis Aguilera, Britt Harrison, Ben Blaustein, Alexander Brewington, Sir, King David, Karryl Eugene, Yunierki Felix, Joe Gray, Kristen Heritage, Jason Karolak, Teddy Lane, Sheila Lanham, Sfera Louis, Spencer Patrick, Jean Rim, Alejandra Rojas, Chimera Singer, Md Tokon, and Amanda Valle. Over-Compression is displayed across five galleries at One Eyed Studios, running from May 3rd to May 19th, 2024.

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Behind the Mask: Women Welders at the Culture Lab LIC

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Installation view, photo courtesy of Janet Rutkowski

At Culture Lab LIC in Queens, NY, the exhibition Behind the Mask: The Art of Women Welders, curated by Janet Rutkowski and Karen Kettering Dimit, is transforming perceptions of welding as a male-dominated field. Running until April 28, 2024, the show highlights the contributions and creativity of women in welding, with over 50 artworks by 30 artists.

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Among Friends

In Conversation
Co Curators of Among Friends, 2018, 2019, 2022

In the summer of 2017, Beth Dary and Patricia Fabricant visited the Museum of Modern Art to see the Robert Rauschenberg show Among Friends. As they were looking at the exhibition, they separated and later found each other at the installation of Hiccups, which consisted of ninety-seven sheets of handmade paper with original Xerox transfer collages zipped together. “At that moment, we both had the same thought—we could hand out zipper papers to our friends to create a great collaborative show,” they recall. Patty had been simultaneously talking with Alexandra Rutsch Brock, who was similarly inspired by Hiccups and had even gone so far as purchasing some zippers. They reached out to their friend groups, and it took off from there. “We had no idea how it would turn out, but we knew it would be a fun adventure,” the co-curators say. Since this art project initiative started during the Trump administration, when women’s rights were under attack. it was important for them to include a charitable component such as Planned Parenthood.

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Transgressing Lands at the Boiler

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Transgressing Lands: Eleven Contemporary Artists Reimagine a Horizon Installation View. Photo: Martin Seck

The current group exhibition at The Boiler | ELM Foundation, Transgressing Lands, curated by A.E. Chapman, features work by Jeannine Bardo, Nancy Cohen, Cristina de Gennaro, Deborah Jack, Natalie Moore, Itty S. Neuhaus, Nazanin Noroozi, Lina Puerta, Corinne Teed, Elizabeth Velazquez, and Letha Wilson, who interpret the horizon’s role as a foundational element for understanding our place in the world. The artists confront pressing issues—preserving landscapes under threat, the ramifications of climate change, the realities of displacement and conflict, the significance of mindfulness, challenging colonial legacies, and the ever-present cycles of destruction and rejuvenation. Chapman’s direction for the exhibition invites viewers to engage with how landscapes can anchor us in the present moment and our collective history.

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Hudson Valley Artists: Bibliography Sourcing Inspiration at Dorsky

A room with art on the wall

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Installation view of Hudson Valley Artists: Bibliography at The Dorsky Museum of Art

Words evoke a myriad of visuals; images encapsulate words, concepts, and ideals. This symbiotic relationship, the dance between the written word and visual art, is the crux of Bibliography. On view at the Dorsky Museum at SUNY New Paltz through April 7, this exhibition documents how books conjure different facets of the exhibiting artists’ thoughts. Books function as a thematic thread, connecting the artworks on view to broader references of knowledge and providing entry points for understanding their aesthetic, social, or political implications. Exhibiting artists include Osi Audu, Alta Buden, Shari Diamond, Kerry Downey, Stevenson Estime, eteam (Franzisa Lamprecht and Hajoe Moderegger), Aki Goto, Adam Henry, Matthew Kirk, Niki Kriese, Melora Kuhn, Catherine Lord, Sean Sullivan, and Audra Wolowiec.  

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Hovey Brock-Daniella Dooling-Valerie Hegarty at Catskill Art Space

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A close-up of a carpet

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Hovey Brock, A Golden Spike for the Anthropocene, 2020, 30” x 40”, acrylic media on panel

Hovey Brock was a member of the Catskill Art Society (CAS) before its rebranding as the Catskill Art Space. Originally a low-key regional arts center, the transformation began under the guidance of Executive Director Sally Wright. In October 2022, Wright inaugurated the new exhibition halls, featuring on-loan installations by Sol Lewitt and James Turrell, signaling CAS’s ambition to bring world-class arts programming to Livingston Manor. This initiative marked a significant milestone in the cultural revival sweeping the entire Catskill region, with CAS playing a pivotal role. “Since so much of my work is about the Catskills, I am thrilled to have this opportunity to show my pieces at CAS, especially in the company of fellow artists Daniella Dooling and Valerie Hegarty,” Brock says.

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This is the Future of Non-Objective Art at Atlantic Gallery

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A room with art on the wall

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Gallery View: Photo Courtesy of Atlantic Gallery Felix Quinonez

Atlantic Gallery, located a short walk from the High Line in Manhattan’s Chelsea, is currently home to This is the Future of Non-Objective Art, curated by Suzan Shutan. This exhibition gathers over a hundred artists from around the globe, each exploring the boundaries of Non-Objective art through unique sensory experiences, experimental processes, and new techniques. Alongside the show, a detailed 110-page catalog is available, offering further insight into the works and artists involved. This large-scale exhibition runs from February 13 to March 2, 2024.

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Grotto: Shrine @ Soloway

In conversation with Hannah Barrett and Saul Chernick

Saul Chrnick and Hannah Barrett in front of the gallery

The Grotto: Shrine group exhibition at Soloway Gallery, curated by Hannah Barrett and Saul Chernick, featuring works by Orli Swergold, Laurel Sparks, Ben Pederson, and Saul Chernick, merges the physical with the mystical. It showcases sculptures and installations that draw on the use of scale and a diverse range of materials—obsolete electronics, dried grains, paper pulp, and glitter. These elements serve to connect viewers to celestial, underworld, ritualistic, and imaginative realms, referencing the reflective and immersive qualities of shrines and grottos.

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