History’s Shadow Marks the Beginning at Grove Collective


Installation view featuring Mitch Vowles, Earnie, 2021, Fruit Machine, Photographs, Water, 175 x 70 x 65cm courtesy of Grove Collective, photographed by Ollo Weguelian

Dibnah in Lights is hard to miss. The name of that legendary Yorkshire steeplejack flashing in red, white, and blue bulbs against the green felt backdrop of a repurposed snooker table is the first piece that greets you as you walk through Grove Collective’s doors. This piece by Mitch Vowles, a sculptor who works with found objects to draw out their cultural and personal contexts, nestles easily amongst Connor Murgatroyd’s pastel-hued still life paintings of anthuriums, signet rings, Sinatra albums and a scaffolders A-Z, and film photographer Alfie White’s hand-printed images of boys at Brixton bus stops, on Tottenham blocks, and playing in Burgess Park.

Continue reading “History’s Shadow Marks the Beginning at Grove Collective”

Noel Hennelly at PeepSpace

In Dialogue with Noel Hennelly

Installation view

Noel Hennelly’s solo show at PeepSpace, wrapped up the first year of programming at this new venue in Tarrytown, NY, founded by artists Monica Carrier and Jane Kang Lawrence. The exhibit featured sculptures and wall pieces made of mixed materials, manufactured components, wood, metal, fabric, as well as painted and photographic elements. Hennelly’s work highlights the tension between the natural world and the urban environment, mediated by mythical language and devotional ideas as vectors for the way we perceive, process, and store memory and experience.

Continue reading “Noel Hennelly at PeepSpace”

Melissa Stern: Stronger than Dirt: A twenty year Retrospective

Art Spiel Photo Story

STRONGERTHANDIRT3.jpg

Stronger than Dirt: Melissa Stern at the Lockwood Gallery, installation shot

Walking into The Lockwood Gallery in Kingston NY one is instantly transported into another Universe. One populated by people and things who clearly are living in a world parallel to ours, but profoundly different. Smiling figures stand tall, grinning at the world, while all the time missing a limb or two. Or having their feet nailed to the ground. Images from vintage magazines merge seamlessly with Melissa Stern’s drawings. Her world is populated with folks who exhibit a stubborn resilience in the face of cosmic obstacles. Hence the exhibition’s title – Stronger Than Dirt.

Continue reading “Melissa Stern: Stronger than Dirt: A twenty year Retrospective”

Down and Dirty at Duck Creek Arts

Installation view, photo courtesy of Gary Mamay

Down and Dirty, recent works by Bonnie Rychlak and Jeanne Silverthorne on view at Duck Creek Arts in East Hampton, NY, is a vaudevillian collection of subtly crafted works that tickle our collective psyche. The narrative of banal objects formed largely from wax and rubber elicits empathy, provokes thought and causes laughter, a complex jumble visually and emotionally. Arranged on the floor in the massive wooden barn, rejecting the hierarchical placement of art on pedestals, the works address a child-sized viewer, or perhaps an imp. They deftly implicate our inner child. The worn wood panels and flooring of the barn are complicit with Rychlak’s and Silverthorne’s works, collaborating to generate an experience in which the “feeling” or “haptic” sense is awakened, enriching the viewing experience. That Down and Dirty also blurs the boundaries between the works of the two artists is gleefully conspiratorial, the word defined here as “to breathe together.” It is a feminist gesture which includes an actual collaborative work titled Grate of Unintentional Consequences.

Continue reading “Down and Dirty at Duck Creek Arts”

Form or Function at ArtPort Kingston

Art Spiel Photo Story

A picture containing building, way, sidewalk, dirty

Description automatically generated

Exhibition view

The group exhibition Form or Function at ArtPort Kingston features works of various media, exploring the relationship of objects in between contemporary art, design and craft with an attempt to blur the lines and create dialogue. The exhibition overall prompts a question – “Looking at everyday images, objects, tools and materials, we have very diverse emotional bonds with them. An artist creates a dialogue with their materials, providing intentions. Is it an object’s form, their history, or the story we create that attracts us?”

The show is curated by Laurie De Chiara, featuring works by Chuck von Schmidt, Karen Jaimes, Staveley Kuzmanov, Traci Johnson, Barbara Marks, Ellie Murphy, Courtney Puckett, Jim Osman, Rachel Urkowitz and Gabriele Hamill, Inna Babaeva, Clemens Kois, Sophi Kravitz, Christina Kruse, Jeanne Atkin, Kathleen Vance, Erika DeVries, and Rodger Stevens. The show runs through June 6th.

Continue reading “Form or Function at ArtPort Kingston”

Jennifer Macdonald: We Met in Kaarthijenkia at Sala Projects

In Dialogue with Jennifer Macdonald


Jennifer Macdonald, We Met in Kaarthijenkia installation at Sala Projects, 2021, photo courtesy of Tania Cross

Jennifer Macdonald’s solo inaugural exhibition at Sala Projects features a group of unique cast bronze sculptures, made by using prototypes that are built from textured wax and wax-coated materials such as card stock, pasta, balsa wood.

Continue reading “Jennifer Macdonald: We Met in Kaarthijenkia at Sala Projects”

Gianluca Bianchino: An Attempt to Communicate with Reality at Bergen Gallery

In Dialogue with Gianluca Bianchino


Gianluca Bianchino, An Attempt to Communicate with Reality, 2021, Multimedia Installation. Dimensions variable. Photo courtesy of Tim Blunk

An Attempt to Communicate with Reality, Gianluca Bianchino’s vibrant multi-media installation at Gallery Bergen in Paramus New Jersey, is a hybrid virual/in situ installation accompanied by the gallery navigable models of the installation as it has been created on site.

Continue reading “Gianluca Bianchino: An Attempt to Communicate with Reality at Bergen Gallery”

Babs Reingold: Palette of Materials

Macintosh HD:Users:babsreingold:Documents:• Babs_Art:Art_Resume:Art_Profile:Art_Babs_photosOfBabs:Babs_images_jpegs:Babs_HairNest_1_15_16_0385sm.jpg

From left to right: Babs Reingold in the studio with Hair Nest ’01, Hair Nest ’16, Hair Nest ’15, photo courtesy of the artist

In her multi layered installations Babs Reingold‘s brings together drawing, sculpture, found objects, and at times video, to create potent environments alluding to the body, the environment, and the passage of time. Equipped with a fine tuned sensibility to materiality and an imaginative approach to spatiality, Babs Reingold’s installations inhabit spaces as an alternate force of nature and take a life of their own.

Continue reading “Babs Reingold: Palette of Materials”

Artists on Coping: Bonny Leibowitz

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


The Cloud As An Object, 2020, foam, acrylic, branches, faux fur

Bonny Leibowitz explores in her work the inner workings of consciousness, the transitory nature of thought and questions the construct of certainty. She utilizes a variety of materials including Tyvek, Plaster, Vinyl, Fosshape, Dura-lar, foam, wax, pigments, ink, found objects and more. Her solo exhibitions include Cohn Drennan Contemporary – Dallas, TX, The Museum of Art – Wichita Falls, TX, Art Cube Gallery – Laguna Beach, CA, Liliana Bloch Gallery – Dallas, TX, No.4 Studio – Brooklyn, NY and The Neon Heater – Findlay, OH. Originally from Philadelphia, Leibowitz lives in Dallas, TX. where she maintains her studio practice.

Continue reading “Artists on Coping: Bonny Leibowitz”

Artists on Coping: Tim Tate

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Screen Shot 2020-04-08 at 1.32.14 PM.png

Sacred Heart of Chance, 18 x 10 x 4, Blown Glass, Found Objects

Tim Tate is an HIV+ studio artist co-founder of the Washington Glass School in Washington, DC. Tim’s work is in the permanent collections of a number of museums, including the Smithsonian’s American Art Museum. He was president of the Triangle Artist Group ( TAG -a queer artists coalition ), and chairman of the first Art Against Aids in Washington, DC. He was also the 2010 recipient of the Virginia Groot Foundation award for sculpture, 2nd place in the 2017 London Contemporary Art Prize, and is a 2018 James Renwick Alliance Distinguished Artist. He participated in the Glasstress show with Ai Wei Wei and Vic Muniz during the 2019 Venice Biennale.

Continue reading “Artists on Coping: Tim Tate”