Galleries and museums play a pivotal role in shaping the careers of the artists they represent, often hosting dinners designed to promote artists and connect them with collectors and curators. This treatment, however, is mainly afforded to well-established artists. Arts professional Anna Yi Xie witnessed this phenomenon firsthand while interning at Gagosian in New York City. In 2024, Xie set out to create an alternative to the gallery-hosted dinner, a platform that offers early-career artists the opportunity to show their work and meet influential figures in the art world. After all, the social and professional networks that artists develop can further their careers just as much as showing their work.
Continue reading “Happenings Brings Artists to the Table”Masako Miki: Midnight March – A Galaxy of Joyful Transformation
As the founding Executive and Artistic Director of the MassArt Art Museum (MAAM), Lisa Tung has continually focused on bringing immersive exhibitions to the public and establishing an institution that champions art education, contemporary art practices, and the accessibility of art. Having seen and admired the work of Masako Miki, Tung brought Miki’s imaginative creations to MAAM, where they come alive in Midnight March, curated by Alison Gass and Meghan Smith.
Midnight March transforms the Paine Gallery into a galaxy, filled with Miki’s large-scale, felted interpretations of Japanese folklore spirits, yōkai. Through their materiality, scale, color, and design, the typically alienated spirits are presented through a contrasting portrayal from their traditionally frightening depiction, shown as playful, respected, and not so different from ourselves. Through an animistic approach, Midnight March reimagines myth, highlighting our similarities, spirituality, and the power of sculptural storytelling.
Continue reading “Masako Miki: Midnight March – A Galaxy of Joyful Transformation”Searching for the Meaning of Art: ‘Thomas Lendvai: 10’ at ODETTA

Photos by Etty Yaniv unless otherwise indicated
For Ellen Hackl Fagan, ODETTA’s gallerist and curator, titling the current sculpture show Thomas Lendvai: 10 was a no-brainer. When artist Thomas Lendvai came up with the title “Ten,” which marks the first time in ten years that the sculptor has been given a chance to show his large-scale sculptures in a New York gallery, Hackl Fagan embraced it willingly. Serendipitously, it also marks the tenth show at ODETTA. Continue reading “Searching for the Meaning of Art: ‘Thomas Lendvai: 10’ at ODETTA”