Women constantly fall, from rule, from discourse, from childbirth, from ecstasy, from sacrifice, from love, from anguish. We are still in the place of repeatedly coalescing to regain voice and visibility across political, economic, pedagogical, and creative fields. Comprehending it through cultural theorist and sociologist Angela McRobbie, we see that women are made to bear greater precarity, conditioned by institutions, by discourse, by an economy that asks for passion in place of pay; entering the creative fields comes with a demand to be self-managing, enterprising and unquestioningly cheerful about it. Women might be naturally leading the creative sector but meanwhile, fall heavily onto body, conditions and time, carrying its costs behind the facade of the neoliberal art industry.
Continue reading “Beautifully Fall Apart”Kosuke Kawahara’s Without Innocence, Dissecting and Reassembling at RAINRAIN Gallery
Stepping into the exhibition Without Innocence at RAINRAIN gallery, you are greeted with a plethora of various mediums, ideas, influences, and experimentations. The paintings carry with them several levels of looking, small details to explore, and multiple dimensions within the edges. The photographs set the scene, allowing you to enter another space just as the paintings do, left to explore the worlds that Kawahara creates and builds within it all. The press release introduces a quote from Donna Haraway’s A Cyborg Manifesto, “…we are living through a movement from an organic, industrial society to a polymorphous, information system—from all work to all play, a deadly game (p 28).” This statement lingers alongside my thoughts throughout the exhibition, as I begin to notice more details, connections, and mechanisms that make this exhibition immensely similar to a cyborg in the making. Kawahara takes pieces of the body and fractions of different spaces within the canvas to build something entirely new out of all of these information systems.
Continue reading “Kosuke Kawahara’s Without Innocence, Dissecting and Reassembling at RAINRAIN Gallery”