Tag: digital image culture

In Cynthia Daighnault’s exhibition at Olney Gleason, the walls are covered with different versions of the same subject: Denali, the tallest mountain in North America. A natural wonder and a national treasure at risk, Denali has lost over 60 percent of its glacier mass, and rising temperatures have accelerated permafrost thaw and disrupted local ecosystems, directly affecting the wildlife that depend on it. The paintings in this exhibition preserve their likelihood like the sculpture of the last three rhinos (by Gillie and Marc, now installed at 441 Ninth Avenue), but this documentation of endangered species contains an underlying criticism of American megalomania, without escaping the artist’s own American identity and ambitions. A big, beautiful white thing, Denali’s demise mirrors the nation’s uncertain future and the accumulative effect of its past.