This is the Future of Non-Objective Art at Atlantic Gallery

Featured Exhibition
A room with art on the wall

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Gallery View: Photo Courtesy of Atlantic Gallery Felix Quinonez

Atlantic Gallery, located a short walk from the High Line in Manhattan’s Chelsea, is currently home to This is the Future of Non-Objective Art, curated by Suzan Shutan. This exhibition gathers over a hundred artists from around the globe, each exploring the boundaries of Non-Objective art through unique sensory experiences, experimental processes, and new techniques. Alongside the show, a detailed 110-page catalog is available, offering further insight into the works and artists involved. This large-scale exhibition runs from February 13 to March 2, 2024.

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Shay Arick: Demons and Fields

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A white room with a white floor and a white rectangular object

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In Demons and Fields, Shay Arick’s solo show in Tel Aviv Artists’ Studios Gallery, most sculptures are made of dried Ficus leaves he collected near his home. The vertical constructions are like linear drawings of delicate figures—they sway gently with the air or rotate in place through an automated mechanism. Each has its rhythm and character, evoking wonder and awareness of life’s fragility. Arranged along an extended white platform reminiscent of a road, these characters appear as if caught in a paused procession—some still move but remain anchored as part of a collective entity, an undefined network, or an intricate matrix. It is a nuanced and powerful metaphor for life’s transience in a complex reality. It is the second exhibition by Shay Arick since his return from New York City to Israel a year and a half prior. The show, curated by Eitan Bognim, opened on October 6th but was closed the next day on October 7th, due to the devastating Hamas attack on southern Israel and the subsequent ongoing war. The conversation with Shay Arick focuses on his art and his process.

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Inner Landscapes | Paesaggi Interiori at MuSA Museum

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A room with large screens

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Inner Landscapes | Paesaggi Interiori, a video installation by Angelica Bergamini and curated by Alessandro Romanini and Maurizio Marco Tozzi, marks the beginning of a new season of multimedia work at the MuSA museum in Pietrasanta, a city in northern Tuscany, Italy. This installation artfully weaves together a rich tapestry of visual and auditory elements.

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