Carol Salmanson: Two Sides to a Coin

Carol Salmanson, Lightshift 1 with the artist, LEDs, reflective sheeting, plexi, beads, 50.5″ H x 69″W x 5.5″D, 2018

Carol Salmanson began as a painter and then gradually started embracing the use of LED lights in her work. In “Two Sides to a Coin,”  Salmanson’s recent solo show at SL Gallery, she shows her paintings and light work side by side. This results in a dynamic conversation between the two forms. Salmanson shared with Art Spiel the genesis of her work, thought process, and projects. Continue reading “Carol Salmanson: Two Sides to a Coin”

Laurie O’Brien – Peephole Cinema in Brooklyn, a Path towards Generosity

Martina Menegon, Splits Are Parted, Film Still, 2016, photo courtesy of the artist

Laurie O’Brien is a visual artist, teacher, and culture maker. She has just launched in Bushwick her Peephole cinema project , a free public cinema showing short, experimental silent films 24/7, through a dime-sized peephole.  In this interview with Art Spiel O’Brien talks about her experience as an artist and educator, her love of animation, and the story behind her project. Continue reading “Laurie O’Brien – Peephole Cinema in Brooklyn, a Path towards Generosity”

Leslie Kerby: At a Moment of Change

Leslie Kerby,Shots and Ills, 2015, mixed media collage, oil, paper, litho transfer ink, 18-x-20 inches. Photo credit Bill Orcutt

Leslie Kerby creates mixed media collages, installations, and diverse collaborative work with nuanced commentary on current social and cultural climate. In her interview with Art Spiel she sheds some light on her diverse professional background, art-making process, ideas, and plans. Continue reading “Leslie Kerby: At a Moment of Change”

Carole d’Inverno: Down to its Barest

Carole d’Inverno, “Where Are You From”, 3.5-x-12 ft, vinyl paint on paper, 2018, courtesy of the artist

Carole d’Inverno’s paintings can read as a coded language – idiosyncratic and universal at the same time. Her preparatory work involves meticulous research, specifically on historical aspects of a place and its inhabitants; yet her paintings seem to come together in a highly intuitive and fluid process. Throughout our conversations over recent years we have exchanged ideas about art and life.  In this interview with Art Spiel, she shares some notions on the impetus of her work, process, and plans. Continue reading “Carole d’Inverno: Down to its Barest”

Viviane Rombaldi Seppey – Mapping her Road

Viviane Rombaldi Seppey, “Fragile”, hand cut atlas page (The World), wire, glass dome, plastic base, diameter 6 inches, 2017. Photo credit Etienne Frossard

In her poetic and playful installations Viviane Rombaldi Seppey coalesces everyday objects and materials, altogether bringing to mind  contemporary issues of identity, culture and environment. Maps, phonebooks, and books become directly embedded in her work as drawings, collages or sculptural objects. She has recently shared in an interview with Art Spiel some of her ideas and experiences. Continue reading “Viviane Rombaldi Seppey – Mapping her Road”

Kelsey Shwetz – Other than Linear Reality

 

Kelsey Shwetz, Rec Room, Oil and Acrylic on Canvas, 62”x32”, 2018, photo credit Lloyd Mulvey

Kelsey Shwetz’s paintings  bring to mind fantastic landscapes and ornamented interior spaces at the same time. Her imagery depicts artificial environments saturated with unexpected color combinations, altogether conjuring intense psychological urgency- unsettling yet playful. In this interview with Art Spiel Shwetz shared some of her thoughts, specifically about color, narrative and style. Continue reading “Kelsey Shwetz – Other than Linear Reality”

Katerina Lanfranco- Resisting Binary Oppositions

Katerina Lanfranco, photo by Edward Hutchinson

Katerina Lanfranco explores through painterly means the intellectual and physical freedom of making art at different scales and in various mediums. In her multi-faceted installations, paintings and sculptures she re-imagines scientific possibilities of human interference, interaction, and creativity in nature. Lanfranco, who is also a curator, educator, and writer, shares some thoughts on her journey, ideas, and curatorial practice with Art Spiel. Continue reading “Katerina Lanfranco- Resisting Binary Oppositions”

Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint

Ziemia unveiled at McGolrick Park, photo credit Wojtek Kubik

Unveiled on June 9, 2018, the core object  in the multidisciplinary public art project Ziemia (“Earth” in Polish), takes the form of a ceramic orb. The orb was created by the Greenpoint based artist Martynka Wawrzyniak in collaboration with The Polish Cultural Institute of New York, NYC Parks, and  most importantly – Greenpoint residents.

Surrounded by the  rolling meadow in McGolrick Park, the orb represents the collective portrait of the diverse Greenpoint community, with an emphasis on participation of the many Poles who have lived in the neighborhood for generations.  Martynka Wawrzyniak shares with Art Spiel the ideas behind her intriguing public art project, as well as some thoughts regarding her overall art practice. Continue reading “Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint”

Elisa Soliven – Genesis of making in Clay

Elisa Soliven, Studio Portrait, Courtesy Maxim Ryazansky

Elisa Soliven is a sculptor, curator, and co-founder of the artist collective Underdonk.  In her recent body of work, exhibited at the last SPRING/BREAK art show, Soliven experienced a turning point in her art.  In our interview for ArtSpiel she elaborated on her process and shared some of the thought process behind her work. Continue reading “Elisa Soliven – Genesis of making in Clay”

Simonette Quamina – The Big Fight

Simonette Quamina, Swing: An ode to romanticism. 50 x 70 in. , 2017. Graphite, relief print on paper, courtesy of the artist

Simonette Quamina coalesces printmaking, drawing, and collage seamlessly. She is using only paper, graphite and ink to create richly textured surfaces in subtle yet bold monochromes. Her images vacillate between stillness and movement, personal and epic narratives, memory and tangible presence. I first saw her work at the Elizabeth Foundation open studios and invited her to share her ideas and methods. Besides this interview for Art Spiel, her work was included in an article I recently wrote for Kolaj Magazine (upcoming issue). Continue reading “Simonette Quamina – The Big Fight”