Sunrise: the Tale of the Urban Cowboy at Beverly’s

Installation View with Ryan Oskin and Lamar Robillard Installation Shot

Beverly’s is well-known, amongst artists and locals alike, and has been a main fixture of the art community for years. Found on the Lower East Side, right on Grand Street, artists, gallery owners, writers, and curators come here to spend their time after their day is done. Beverly’s owner and creator, Leah Dixon, wanted to make this gallery space an opportunity to get thousands of eyes on work and thousands of conversations started. With their current exhibition, Sunrise, intertwined with the bar, there are many stories to be had.

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Through the Kaleidoscope: Vojislav Radovanović on Dreams, Memory, and Finding Color in California

In Dialogue
Vojislav Radovanović at the studio.  Photo by Jason Jenn

Vojislav Radovanović’s multidisciplinary practice spans painting, drawing, installation, video, and performance. His work touches upon themes of queerness, memory, the immigrant experience, spirituality, and the complex relationship between humans and the natural world. Influenced by his upbringing in Serbia during a time of war and social upheaval, Radovanović approaches art as a therapeutic space for healing and transformation. His process-driven works often combine recycled materials, vibrant color, and symbolic imagery to create poetic, emotionally resonant narratives. Through layered compositions and dreamlike logic, he invites viewers into a shared space of reflection, imagination, and emotional release.

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Everyday War at the Asian Museum

In dialogue

Emily Wilson in conversation with Abby Chen curator of contemporary art at San Francisco’s Asian Art Museum

Installation view of Yuan Goang-Ming, Everyday War, 2025, at the Asian Art Museum of San Francisco. Photo by Kevin Candland

Yuan Goang-Ming, known as the ‘father of Taiwanese video art,’ chose Abby Chen, the curator of contemporary art at San Francisco’s Asian Art Museum to curate his presentation at the 2024 Venice Biennale, Everyday War. In the Palazzo Priccioni, a space that once served as a prison, his videos and installations poetically examined the unease of contemporary life, in works such as Dwelling, which presents an explosion in a living room, and Everyday Maneuver, showing the empty streets of Taipei during an air raid drill.

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Adriane Colburn: Seeing by Mapping

Adriane Colburn

Artist Adriane Colburn lived in San Francisco for over twenty years. That time was formative—personally and creatively. At the same time, she maintained a consistent presence on the East Coast. She’s from Vermont and has always spent summers there, with a lasting connection to that part of New England and its relationship to the land.

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Guy Nelson: Tales from the Understory at The North Dakota Museum of Art

Hot Air
Guy Nelson, The Road Not Taken, North Dakota Museum of Art

The North Dakota Museum of Art’s latest exhibition, Guy Nelson: Tales from the Understory, is a multidisciplinary solo show focused on the woodlands and prairies of the upper Midwest. Featuring sculpture, painting and video, the exhibition will be on display through July 20, 2025. This exhibition marks the tenth in the Museum’s Art Makers Series, an annual award for artists with connections to the region, which is underwritten by Dr. William F. Wosick of Fargo.

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Wherever I Lay My Head at the Jamaica Center for Arts and Learning 

In Dialogue
Group picture(Members in picture from left to right): Euijin V. Ra (artist), Julia D. Shaw (artist), Courteny Symone Staton (artist), Laura OsCam (artist), Sherwin Banfield (Program Manager), TEDF (artist), Marleen Moise (artist).

Wherever I Lay My Head, now on view at The Jamaica Center for Arts and Learning , began with an invitation to Indira A. Abiskaroon to curate the culminating ARTWorks exhibition. The offer came from Program Manager Sherwin Banfield and was formalized in conversation with Director of Program Operations Wendy Arimah Berot. Abiskaroon’s first priority was to spend time with the ARTWorks Fellows—to learn how their practices had developed over the course of the program and to hear what ideas had been resonating in their weekly sessions.

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Lance Rautzhan and Cabin Contemporary      

In conversation
Lance Rautzhan standing in front of Cabin Contemporary. Photo courtesy of Cabin Contemporary

Established in June 2022, Cabin Contemporary culls local, urban, and international artists for solo and group exhibitions, hosting contemporary art concepts and dialogue in a rural context, from April through October. Multidisciplinary artist and educator Lance Rautzhan curates exhibits of installation, new media, painting, and outsider art in an outbuilding on his family farm near the Appalachian Trail, Hawk Mountain Sanctuary, and Pennsylvania State Game Lands.

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Art Spiel Picks: Manhattan Exhibitions in May 2025

HIGHLIGHTS
Holding Water: Mary Mattingly

This month’s Manhattan highlights focus on artists tapping into the natural world, where these practices converge with the man-made in a clash of stunning reinvention and compelling engagement. These exhibitions channel the experimental through exploratory processes that harness our attention and hold us in their spell.

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Rope and Revolver at Catharine Clark Gallery

Installation shot of WOUNDED, Courtesy of Catharine Clark Gallery, San Francisco

In 2023, I saw Ansel Adams in Our Time at San Francisco’s de Young Museum. Along with Adams’ famous gelatin silver photographs of national parks and the Southwest, the show had work by contemporary photographers such as Binh Dahn and Meghann Riepenhoff, and it aimed to present a narrative of the West that didn’t depict it as a vast, empty land ready for settlement. I was thinking about this show and how art and the way institutions present it isn’t neutral when I saw Rope and Revolver: Artists Respond to Frederic Remington’s ‘The Broncho Buster’, the engaging exhibition at San Francisco’s Catharine Clark Gallery.

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Art Spiel Picks for January 2025: The Earthly and Celestial in Manhattan

HIGHLIGHTS

Lorna Simpson, did time elapse, 2024, acrylic and screenprint on gessoes fiberglass @Lorna Simpson

Cecilia Vicuña, Lorna Simpson and Nour Mobarak powerfully and eloquently broach heavy subject matter with diligent research in their attempts to preserve significant stories amidst the burdens of colonialism. Each artist speaks to various experiences as they contend with complicated histories of peoples, lands, and the dynamics between them in an array of circumstances. These exhibitions take on the task of engaging with past and present, depicting resourcefulness and perseverance amid the tangled threads of imperialism that wreak havoc across the globe. Viewers are offered context as they enter works that embody life through organic matter, curious objects, and ethereal modalities.

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