the body – Art Spiel

The concept of a vessel offers multiple realities and interpretations that can vary, grow, and expand. In this exhibition titled Vessels: Bodies, Tales & Machines, the idea of a vessel takes the shape of both three-dimensional and two-dimensional works–all of which flow throughout the meandering Westbeth Gallery space. The term vessel itself can be considered a container: its external surroundings, the content, and the internal parts that are often unseen are included with it. These visible aspects of form and material, along with the invisible stories that are nested within the forms, are present throughout the works of the four artists: Jeanne Verdoux, Fanny Allié, and the collaboration between Nicolas Touron and Amy Lemaire. Each artist’s interpretation of a vessel connects the inside to the outside in their own ways and allows viewers to experience each artist’s narrative within their work.

Our generation’s idea of “skin” is increasingly formed on screens. Smartphone cameras automatically brighten skin tones, filters smooth pores, and editing software erases wrinkles while manufacturing new forms of gloss and texture. At first, these technologies seemed merely to modify images of the body: skin existed first in the physical world and was then captured and processed by the camera. Gradually, however, this sequence has been reversed. Technologically processed skin has begun to function as a new visual standard, while unedited skin can appear rough, incomplete, or somehow insufficient. It is a subtle shift: the body once entered the image, but now the image increasingly seems to redefine the body.

Tag: the body

When Pixels Grow Skin