studio practice – Page 4

September 27, 2021September 27, 2021, by Etty Yaniv

Lauren Whearty: Slippage between Abstraction and Image

*Lauren Whearty in her Philadelphia Studio, August 2021, photo courtesy of the artist*

Lauren Whearty paints mostly still life from observation and preliminary sketches. Occasionally she takes photos of things which serve in her painting process as cues to spark a sense of memory rather than a source for likeness. She builds her compositions with a collage-like construction, adding and removing objects from both the paintings and the still life set ups. She loves the process of fitting things into the grid of the canvas, playing between representing objects and maintaining a close sense of the flat painted surface. “Color for me is expressive, connects to memory and play in the studio. In using repeated objects, the excitement in experimentation comes from how an object is painted, from their color to their expression and what I can get paint to do,” she says.

August 26, 2021August 18, 2021, by Etty Yaniv

Amy Talluto: Moments of Light in the Forest

Amy Talluto in her studio in Upstate NY, 2021, Photo courtesy of the artist

Amy Talluto’s paintings and collages depict landscapes, ranging from representational wood-scapes to more abstracted forms reassembling a hybrid of landscape and still life. Darren Jones wrote in Artforum that Amy Talluto’s series of oil paintings from 2017 produce “symphonic arrangements of green, ranging from deepest phthalo to honeyed laurel. Dashes of pink, crimson, and yellow also crop up, to shimmering effect. The technical proficiency of her sumptuous compositions, based on forests around the artist’s Catskills home, parlays them into sites of ethereality.” (Darren Jones, Artforum). Recently, during the pandemic, the artist started exploring collage, resulting in bold cutouts, and consequently paintings, where the previously hinted pinks, yellows and crimsons become central alongside the blues and greens. Amy Talluto participates in The Upstate Art Weekend show at the rambling old manufacturing building in High Falls, NY. This art event was initiated by Todd Kelly, Alex Gingrow and Shanti Grumbine, who have studios in that building and have invited over 30 artists to show their work there from Aug 27-29, 11am-6pm.

August 2, 2021August 2, 2021, by Etty Yaniv

Polly Shindler: Place on Material

The artist in her studio at The Wassaic Project, 2020, photo by Luis Mejicanos

In her paintings CT based painter Polly Shindler takes a close look at lived-in spaces – interiors with furniture of different periods, textiles with colorful patterns, flooring with different textures. Here spaces are typically void of people and at the same time breath with a sense of human occupancy.

May 24, 2021December 6, 2024, by Etty Yaniv

Clive Knights: Fragmentary Intimations of Shared Meaning

Clive Knights in his studio, Portland, Oregon, 2021, photo courtesy of the artist

Clive Knights practices architecture and art, in particular mixed media and monotype printmaking. He holds professional architectural design undergraduate and graduate degrees from Portsmouth Polytechnic, UK, and a Master of Philosophy in Architectural History and Theory from Cambridge University. Clive has taught architecture since 1984 and was a full-time lecturer at Sheffield University for six years before moving to Portland State University in 1995 where he currently resides as a professor and director of the PSU School of Architecture. His primary areas of interest include the cultural meanings of architectural representation understood through the phenomenology of the human body, with particular reference to the writings of Maurice Merleau-Ponty; the revelatory capacity of metaphor in poetic work; and speculations in architectural design studio pedagogy. Publications include many journal articles and book chapters on the theory, history and pedagogy of architecture.

May 19, 2021May 12, 2021, by Etty Yaniv

Natalie Westbrook: Surface Tension at Freight + Volume

In Dialogue with Natalie Westbrook

Natalie Westbrook in her studio, 2021.Image courtesy the artist. Photography Johannes DeYoung.

The Pittsburgh based painter Natalie Westbrook’s solo show at Freight + Volume in Tribeca features her recent body of bold and highly energetic paintings ranging from monochromes to vivid colors. Jeffrey Grunthaner writes in his essay for the show that Westbrook’s works “confront the limits of what painting makes possible.” The show runs from May 21^st to June 26^th, 2021.

April 22, 2021July 22, 2021, by Etty Yaniv

Leslie Kerby: Happy Place Project

Art Spiel Photo Story

In early February, the bleakness of winter got to the New York City based artist Leslie Kerby. She decided to reach out to friends near and far, as she had done during lockdown, this time asking them to send photos of the places around their house where they were able to find some solitude. She contacted everyone individually which opened up possibilities for longed for exchange. To her delight she received many beautiful photos. It took her a couple of days to figure out how she would paint from them. Ultimately, she decided on watercolor, acrylic, and mixed media collage on vellum, which enabled painting on both sides, while letting the light in. “It was a gift to visit with everyone in their home. A testament to the value of human connection,” she says.

NEW LINK to whole project

April 12, 2021July 22, 2021, by Etty Yaniv

Sue McNally: Learning how to Find

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Description automatically generated — Jockey for Postition

Sue McNally lives and works in Rhode Island and when life permits, as she puts it, in rural southeast Utah. Her landscape paintings and her self portraits encompass everything in between — the views of nature she has encountered, and her shifting states of being. Sue McNally reflects on her art making and shares ideas on her new body of work.

July 27, 2020August 8, 2020, by Etty Yaniv

Gabriel J. Shuldiner – Hybridsculptural Bruteminimalism

sLAY1_2019, postapocalypticblack®* [ modified acrylic polymer emulsion | carbon black pigment | calcium carbonate | water | modified industrial urethane enamel | modified polyurethane thermoset cellular plastic | vinyl acrylic co-polymer emulsion | acrylic stain-block sealant | mastic adhesive | polyurethane adhesive | solvent-based ink | nuisance dust | studio detritus | spit | air | light ]*proprietary | chrome enamel spray aerosol | cotton duck canvas | repurposed polystyrene | blackened stainless steel flat head hinge screws | reinforced galvanized steel wire, overall dimensions: 20.75 x 19 x 5.25 in.

Gabriel J. Shuldiner dislikes categorization of his work to the point that he invents new “isms” to describe its allusive hybridity – its DNA can be traced to abstraction with elements of minimalism, expressionism, and Arte Povera. While Shuldiner’s use of material is extensive , his use of color is restricted to mostly black, with tinges of other colors at times. Gabriel J. Shuldiner shares with Art Spiel some of his thought and work processes.

June 29, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Zoran Crnkovic

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Zoran Crnkovic was born and raised in Croatia where his early focus centered on drawing, painting, carving and sculpting. He has been a resident of New York City for last 24 years, with a multi-disciplinary practice based in Long Island City. He has had 20 solo shows, and teaches life drawing at the Salmagundi Club in Manhattan.

June 27, 2020June 27, 2020, by Etty Yaniv

Artists on Coping: Dasha Bazanova

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

What To Where When, September 2019, burnt wood installation in progress,
@Gridspace gallery

Dasha Bazanova was born in Arkhangelsk, Russia right before the collapse of the Soviet Union. As a child she spent most of her time at her grandparents’ farm in a small village called Kulikovo. In 2004 she moved to Moscow where she got her Master’s Degree in 2011 at the Moscow State University of International Relations. In 2012 she moved to New York. She earned an MFA at Long Island University in 2014, and in the intervening years she has shown extensively all across the United States.Her artwork is inspired by her childhood memories and Russian folklore, but with an ironic 21^st Century twist. She lives and works in Bushwick, NY. Her work is currently featured in The Making of… at Art Port Kingston, which has just reopened again for visits during weekends.