Rebecca Morgan at Asya Geisberg Gallery: Traversing the Apocalypse 

Painting in the Age of Apocalyps

Rebecca Morgan’s exhibition Painting in the Age of Apocalypse is a bit of a roadmap for viewers. Morgan tackles the question of how to present images in the face of a raging political landscape,  how to keep moving forward, and how to maintain oneself and some humor about it all. And most importantly to me, how to open up one’s painting style and allow both the work and the process to support you through this tumultuous and often unbelievable terrain we may find ourselves within. In this exhibition, Morgan engages potent themes from all her eras: sympathy for her rural background, feminist reappraisal of art history, and an unbridled excitement at infusing humor and technical prowess into her critique. Here, Morgan fuses all of these themes well, all the while showing us a fresh, looser style of painting that captures the frenetic energy of the moment. 

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How Unexpected: Encounters With the Divine, Emelie Stenhammar

Emelie Stenhammar, How Unexpected

Emelie Stenhammar’s works echo the aims of Elizabeth Murray to reshape our relationship with painting. Cozy rectangular formats are denied. Twisted Perspective prevails. Both artists’ depictions of domestic spaces reflect a mutual fondness for cartoons and whimsy. Stenhammar paints compelling allegory about the human condition, with a compassionate gaze akin to that of Kathe Kollwitz. 

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