Kosuke Kawahara’s Without Innocence, Dissecting and Reassembling at RAINRAIN Gallery

Kosuke Kawahara, Untitled

Stepping into the exhibition Without Innocence at RAINRAIN gallery, you are greeted with a plethora of various mediums, ideas, influences, and experimentations. The paintings carry with them several levels of looking, small details to explore, and multiple dimensions within the edges. The photographs set the scene, allowing you to enter another space just as the paintings do, left to explore the worlds that Kawahara creates and builds within it all. The press release introduces a quote from Donna Haraway’s A Cyborg Manifesto, “…we are living through a movement from an organic, industrial society to a polymorphous, information system—from all work to all play, a deadly game (p 28).” This statement lingers alongside my thoughts throughout the exhibition, as I begin to notice more details, connections, and mechanisms that make this exhibition immensely similar to a cyborg in the making. Kawahara takes pieces of the body and fractions of different spaces within the canvas to build something entirely new out of all of these information systems. 

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Lauriston Avery with Riad Miah

In Dialogue

Displaying
Lauriston Avery, Small Luminary (w/ Magic Halo ), 2024, Mixed media construction, 16 x 14.25 x 4 inches
(LAC19)

I am happy to speak with Lauriston Avery following his successful recent exhibition at Dutton. Avery is an artist whose work challenges traditional notions of material and space. Through an intuitive and deeply personal process, he transforms unconventional materials—often those found in everyday life—into evocative, textured works that feel both raw and, at times, meditative. His practice blurs the lines between structure and spontaneity, embracing limitations as a source of discovery rather than restriction. In this conversation, we discuss Avery’s approach to materiality, the role of intuition and experimentation in his work, and how the idea of space has become a vital element in his practice. His work invites us to reconsider what we see and feel in our environments.

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