When Pixels Grow Skin

Ziyi Zhang, Installation view of PIXEL//FLESH

Our generation’s idea of “skin” is increasingly formed on screens. Smartphone cameras automatically brighten skin tones, filters smooth pores, and editing software erases wrinkles while manufacturing new forms of gloss and texture. At first, these technologies seemed merely to modify images of the body: skin existed first in the physical world and was then captured and processed by the camera. Gradually, however, this sequence has been reversed. Technologically processed skin has begun to function as a new visual standard, while unedited skin can appear rough, incomplete, or somehow insufficient. It is a subtle shift: the body once entered the image, but now the image increasingly seems to redefine the body.

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The Immigrant Artist Biennial (TIAB) 2023

Featured Project: TIAB 2023 with Bianca Abdi-Boragi, Katherine Adams, Anna Mikaela Ekstrand, and Meghana Karnik


From left: Anna Mikaela Ekstrand, Bianca Abdi-Boragi, Katherine Adams, and Meghana Karnik. Photographed by Yann Chashanovski.

The Immigrant Artist Biennial is the first and only biennial to celebrate and amplify the diverse voices of immigrant artists and its second edition will take place in 2023 hosted by institutional partners. A venue for artist-curators, the biennial’s founding artistic director Katya Grokhovsky, who curated the first edition, has appointed artists Bianca Abdi-Boragi and Meghana Karnik alongside curators Katherine Adams and Anna Mikaela Ekstrand to form the core curatorial team. Further pushing the boundaries for curation, the team has chosen to collaboratively curate the biennial and have begun a year of communal research and studio visits aiming to announce their concept in 2022.

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