contemporary painting – Page 12

October 26, 2020September 17, 2020, by Etty Yaniv

Nancy Elsamanoudi in Domestic Brutes at Pelham Art Center

In Dialogue with Nancy Elsamanoudi

Artist at home with paintings during lockdown, May 2020

Nancy Elsamanoudi says she was drawn to painting because of its fluid relationship to time from the viewer’s and the painter’s perspectives alike. The viewer gets a visceral sense of the painter’s vision in the past, and the painter experiences the fluidity of time throughout the process of painting. Elsamanoudi further specifies: “when you paint, you can, so to speak, go back and forth through time, adding layers-submerging the past or revealing the past by scraping or stripping away previous layers.”

October 19, 2020September 22, 2020, by Etty Yaniv

Sharon Madanes in Domestic Brutes at Pelham Art Center

In Dialogue with Sharon Madanes

Selfie in studio

Sharon Madanes grew up in Chicago in a family of physicians and was exposed to both art and medicine from a young age – her first job was helping to package sterilized surgical equipment. She also spent weekends at the Art Institute of Chicago taking art classes and wandering through the collection. She has always found the strange forms and aesthetics of medical settings fascinating: “as a painter and physician, I’m currently making work about this very juxtaposition, exploring different elements of hospital and medical culture through paint,” she says. Sharon Madanes is participating in Domestic Brutes at Pelham Art Center.

September 15, 2020September 17, 2020, by Etty Yaniv

Ashley Norwood Cooper in Domestic Brutes at Pelham Art Center

In Dialogue with Ashley Norwood Cooper

”How to Draw Your Shoe”, oil on panel, 36” x 30”, 2020.

Ashley Norwood Cooper is an artist and a mother, raising three teenagers in a small town in upstate NY. Her paintings have always dealt with family and home and how the personal connects us to the global and political. She is interested in the schizophrenic role of the artist-mother-wife-teacher and in how to redefine the heroic from a woman’s perspective. Ashley Norwood Cooper is participating in Domestic Brutes and she will present her work in a virtual studio visit hosted by Pelham Art Center on Thursday, October 15th, 5-6pm.

August 17, 2020October 13, 2020, by Etty Yaniv

Noa Charuvi - Suspended on Site

Bundle, 2018, oil on canvas, 16×20 inches

Noa Charuvi’s paintings convey a distinct sense of place where narratives of the present interrupt those of the past with urgency, sometimes even violence . Yet, her places encapsulate past and present not only as a rupture but also as an ongoing flow of coinciding contradictory forces – ruin and construction, anarchy and order. No matter if the painting depicts an interior of a room or an exterior of a construction site, it frequently portrays a place that is devoid of human figures but charged with the aftermath of human actions. Even if human figures are present, they are typically placed in context of their larger environment, players in a powerful and mysterious systemic forces of history, city, society. Noa Charuvi shares with Art Spiel some insights on her ideas, work, and process.

August 3, 2020August 8, 2020, by Etty Yaniv

Meg Atkinson – Painting as a Leap of Faith

***One Tree, Two Mouthy Ghosts, 2019, Oil on canvas, 30 x 40 inches, photo courtesy Max Yawney***

Meg Atkinson‘s paintings resemble puzzles open to multiple solutions. Her imagery is embedded with associative literary and visual layers, as clues to an open-ended riddle. Meg Atkinson shares with Art Spiel what brought her to art, as well as the way she has developed her approach to mark-making, space, gird, and color.

July 12, 2020August 8, 2020, by Etty Yaniv

Kyle Staver – New Work at Zürcher

In Dialogue with Kyle Staver

Kyle Stave, *Venus and the Octopus*, 2020, Oil on canvas, 70 x 58 in / 177,8 cm x 147,3 cm, Image courtesy of the Artist and Zürcher Gallery, NY/Paris

Kyle Staver’s second solo show at Zürcher Gallery in New York features new paintings, relief sculptures, drawings, and aquatint etchings through July 24th. In this interview Kyle Staver shares some ideas on her work process, touches upon the narrative and mythological elements in her work, and gives us an insight on her notion of art history.

June 10, 2020June 9, 2020, by Etty Yaniv

Artists on Coping: Ed Grant

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Ed Grant is a painter, originally from Vermont, living and working in Brooklyn. He received his BA in Studio Art from the University of Vermont and his MFA in Painting from the University of Massachusetts/Amherst. He focuses in his paintings on liminality and experience as a continuum, while referencing both the microscopic (cells) and the macroscopic (universe). Ground Floor Gallery is exhibiting Ed’s recent paintings on Artsy.

June 5, 2020July 10, 2020, by Etty Yaniv

Anne Peabody: Sunspike

In dialogue with Anne Peabody

A close up of a tree

Description automatically generated — Anne Peabody, Love Letter, 2020, Antique silver leaf, gold sparkle, and japan paint on glass, 24” x 18” Photo courtesy Blake McGrew – Moremen Gallery

A few weeks before the Corona pandemic assumed an overpowering presence in our daily lives throughout the whole country, Art Spiel has scheduled an interview with Anne Peabody on her upcoming solo exhibition at Moremen Gallery in Louiseville Kentucky, where she was born and raised. In that interview the artist discussed her unique technique and the thought process behind her landscapes that are filled with a subtle spirit of longing, memory and loss. Anne Peabody’s images are fine tuned to our Zeitgeist, the ghost of our time. She will participate in the Virtual Dumbo Open Studios 2020, that was scheduled for this weekend, June 4-7 and postponed in solidarity with the Movement for Black Lives matter (TBD).

May 29, 2020July 10, 2020, by Etty Yaniv

Artists on Coping: Gwyneth Leech

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A picture containing building, sitting, large, table

Description automatically generated — *Cocoon for Façade Replacement, 2019* , *Oil on wood panel, 22” x 24”*

Through her paintings of high rise constructions sites, Gwyneth Leech expresses the optimism and anxiety of a rapidly changing New York cityscape. She has been in solo and group shows throughout the United States and Great Britain, including Susan Teller Gallery in New York City; Studio 50 Gallery in Los Angeles; Pearl Fincher Museum of Fine Art in Houston Texas; and Aberdeen Art Gallery and Museum, Scotland. Her work has been featured in The New York Times, American Art Collector Magazine, The Village Voice, and City Realty. She is the subject of a multi-award winning short documentary, The Monolith.

May 26, 2020May 27, 2020, by Etty Yaniv

Artists on Coping: Ashley Norwood Cooper

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A graffiti covered wall

Description automatically generated — Easter Eggs, 2020, oil on linen, 80” x 72”

Ashley Norwood Cooper’s paintings are intensely colored, painterly figurative work, exploring the creative lives of women, the awkwardness of family relationships, and the schizophrenic role of the artist-mother-wife teacher. She has exhibited in solo and group exhibits throughout the US including First Street Gallery (NYC) and ZINC contemporary (Seattle). Her work has been featured in New American Paintings and on the I Like Your Work Podcast. Her recent debut at VOLTA NYC 2020 garnered write ups in the NY Times and Arcade Projects Zine (Columbia University).