‘Fabrications’ at George Billis

Art Spiel in Dialogue with Steve Hicks

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Installation image, from left to right: No Exit, In Flesh, Night Sequence. Image courtesy of the artist

Painter Steve Hicks shares with Art Spiel his reflections on the body of work he is currently exhibiting at George Billis gallery, focusing on how he sees these paintings within the wider context of his overall work.

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Blue in Green at Platform Project Space

Art Spiel in Dialogue with Alyssa E. Fanning on Blue in Green

Elliott Green. Inhale, Exhale, 2018, Oil on linen, 30 x 40 inches. Image courtesy of the artist and Pierogi Gallery

Platform Project Space, a Dumbo art venue geared to support curatorial projects by artists and independent curators, features the group exhibition “Blue in Green”, curated by artist and curator Alyssa E. Fanning. The show features paintings and drawings by 13 artists: Eric Wolf, Lee Lee Walker, Emma Tapley, Barbara Takenaga, James Siena, Alexander Ross, Joey Parlett, Andy Mister, Daniel Herwitt, Elliott Green, Nancy Goldring, Alyssa E. Fanning and Alec Dartley. Alyssa E. Fanning shares with Art Spiel her background, the art venue, and her premise for this show.

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Elizabeth Garvey – on Garvey/Simon

In Dialogue with Liz Garvey on her Programming

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Constance Scopelitis, God is in Clean Laundry: Wash and Wear, 2019, Carbon on fabric. 11h x 11w in

Liz Garvey says that one of her favorite aspects of the Garvey/Simon Select program is seeing how artists reinvigorate traditional media with innovative techniques. Established in 2010, Garvey/Simon is both a private dealer and art advisory service co-founded by advisor/dealer/curator Elizabeth K. Garvey and contemporary collector, Catherine G. Simon. In this interview Liz Garvey sheds some light on her gallery model and her upcoming programs.

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“Now You’re Looking” – Akshita Gandhi at Pulse

Anna Mikaela Ekstrand in dialogue with Mumbai-based artist Akshita Gandhi

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Akshita Gandhi, Angel, 2019, Lightbox, 48_ x 32.5_Photograph courtesy D’Arte Mart(eKo-System Inc)

Miami Art Week is bigger than any other global fair as it attracts a wide range of audiences. Centered around Art Basel Miami, Miami Art Week is the catch-all term for the seven day art world bonanza in December packed densely with art fairs, public art, interventions, activations, pop-ups, parties – basically all forms of art shows – often sponsored by companies who capitalize on the opportunity to reach art world professionals, art lovers, celebrities, and trend-setters. You might already know this, great. What you might not have considered is what it feels like to be an artist within this bustling eco/nomy/logy.

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Stay High – Leah Tacha at Gold/scopophilia

In Dialogue with Jennifer Wroblewski Founder of Gold/scopophilia

Leah Tacha, Notice Me. 2019. 20 x 11 x 3 inches. Ceramic with digital decals. Photo by Maeve Fitzhoward.
Leah Tacha, Notice Me. 2019. 20 x 11 x 3 inches. Ceramic with digital decals. Photo by Maeve Fitzhoward.

Gold/scopophilia is a rigorous artist run art venue in Upper Montclair NJ, founded in 2017 by Jennifer Wroblewski. The founder shares with Art Spiel the story behind her gallery, programming, and current exhibition featuring the work of Leah Tacha.

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Spotlight: “On Collecting Works of Art- An interview with Yelena Ambartsumian and Miroslav Grajewski”

Yelena Ambartsumian and Miroslav Grajewski at their home with work by Andre Butzer. Image courtesy of collectors and author.

Yelena Ambartsumian and Miroslav Grajewski are two young collectors who are passionate about contemporary art. They both have a sharpened sensibility of the art market. With a keen understanding of the auction prices, one of the things that separates them from other collectors is they firmly believe in going after the work they feel is most important to them. If there is such a thing as destiny their story would define it. Fittingly, they first met at the Museum of Modern Art in 2016. Six months into their relationship they purchased their first work of art together. They got married and continue to actively appreciate art and collect as a couple. I conducted an interview with them this past summer. I narrowed the field of questions to the nature of collecting; what interests them, and; the advice they would provide to other young collectors. The following is a transcribed interview.

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Elisa Gutiérrez Eriksen on The process of calculating one’s position at NARS Foundation

Art Spiel in Dialogue with Elisa Gutiérrez Eriksen

The process of calculating one’s position, 2019 (Installation view with works by Niklas Asker and Sophie Dupont). Photo courtesy: NARS Foundation
The process of calculating one’s position, 2019 (Installation view with works by Niklas Asker and Sophie Dupont). Photo courtesy: NARS Foundation

Elisa Gutiérrez Eriksen has curated The process of calculating one’s position at NARS Foundation. This group show features NARS 2019 season IV residency artists: Esther Hovers, Niklas Asker, Jiin You, Tavi Meraud, Fiona McGurk, Dominique Doroseau, Martin Vongrej, Joonhong Min, Ella Weber, Martin Désilets, Sophie Dupont and Tali Keren. It runs through December 13th. The curator shares with Art Spiel the ideas behind the show, the artists, and a bit about the NARS Foundation venue.

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TRAPS! Ebecho Muslimova at Magenta Plains

Exhibition review by Torey Akers


Ebecho Muslimova, Fatebe Deep Frog Organza, 2019, oil and acrylic on cavas, 60” x 66”, courtesy of Magenta Plains

Human civilization has always maintained an uneasy relationship with female monstrosity—just watch the cavalcade of sirens, witches, harpies and hags that stalk the perimeters of every major mythology on earth, luring hapless men to their deaths. This hyper-visible, oft-storied, but deeply erasive marginalization has long plagued the non-normative woman; however, there’s a certain freedom in the fringes. Take Baubo, the Orphic goddess of chaos and mirth, whose paunchy, wizened appearance belied a frisky bawdiness that ancient Greeks adored. Ebecho Muslimova’s ‘Fatebe’ character, whom she has been drawing since 2011 and features vivaciously in her latest solo exhibition, TRAPS!, at Magenta Plains, New York, builds on Baubo’s cultural legacy with appropriately grotesque panache, taking a wide-eyed, manic approach to the tandem joys and pitfalls of embodiment.

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Actual and Implied – Gregory Coates at Monica King Contemporary

Gregory Coates, My Big Brown Peace, 2019 deck brushes 76 x 252 x 3 inches

Each of Gregory Coates’s wall-based assemblages in Actual and Implied, the artist’s solo show at Monica King Contemporary, commands the space with its own powerful presence. Altogether, the show features over a dozen new mixed media assemblages made of found objects created with post-minimalist sensibility, for which Coates is mostly known for. It is a bold encounter with the objects of art at first, but the longer you look, the more subtle and fragile it becomes. The seemingly simple monochromatic surfaces from afar transform to complex arrays of color, line and dot from close-up.

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Isabelle Garbani – on Artifacts of Place

Place and Cultural Heritage at Stand4 Gallery

Isabelle Garbani curated the group show Artifacts of Place at Stand4 gallery in Bay Ridge, Brooklyn, running through December 15th. The show features work by Joyce Dallal, Dalia Baassiri, Mary Tuma, Daiffa Dessine, Arghavan Khosravi, Reem Bassous, Armita Raafat, Helen Zughaib, and Ekram Alrowmeim- all women artists who are of Middle Eastern and North African descent and who are dealing in their art with related cultural or political issues. The curator shares with Art Spiel her ideas behind this group show and some information about the participating artists.

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