climate art – Page 2

April 11, 2022November 2, 2022, by Amy Brady

An Interview with Artists Amanda Maciuba, Jen Morris & Jessica Tam

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Description automatically generated — *Tip of the Iceberg by Amanda Maciuba, Jen Morris, Jessica Tam, dimensions variable, vinyl on glass and wall, 2021*

This month, I have a wonderful interview with three artists for you. Amanda Maciuba, Jen Morris, and Jessica Tam are all visual artists working in different mediums. However, they share a fascination with how ecological language (surge, spike, wave, etc.) has worked its way into news reports’ descriptions of large phenomena such as crowds, pandemics, and political movements. They recently closed a show at the A.P.E., Ltd. Gallery in Northampton, Massachusetts titled WAVE/SURGE/SPIKE.

December 4, 2021December 2, 2021, by Joan Sullivan

In the Beginning There Was Only Water

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Description automatically generated — In the Beginning There Was Only Water: Panels 19-22, each panel 30″ x 15″, acrylic, oil pigment stick and mixed media on paper, 2021

While some of us taught ourselves to bake sourdough bread or to mend socks during the pandemic, the American painter and arts writer Susan Hoffman Fishman plunged herself into her studio and emerged, a year later, with a revised creation story. The result: a magnificent, nearly 50-foot (15 meters) opus entitled In The Beginning There Was Only Water. Currently on exhibit at the Five Points Gallery in Torrington, Connecticut through December 19, 2021, In The Beginning There Was Only Water reframes the biblical creation myth – in which “man” was granted “dominion” over all the Earth’s plants and animals – into a new, non-human-centric story.

June 14, 2020June 13, 2020, by Etty Yaniv

Artists on Coping: Jaanika Peerna

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Macintosh HD:Users:Jaanika:Pictures:Jaanika Peerna p.jpg — Jaanika Peerna at her pandemic era studio

Jaanika Peerna is an Estonian-born artist and educator living and working in New York since 1998. Her work encompasses drawing, installation, and performance, often dealing with the theme of transitions in light, air, water and other natural phenomena. For her performances she is often involves the audience in participatory reflection on the current climate meltdown. Her art practice stems from the corporeal experience of our existence and reaches towards enhanced awareness of the fragility, interconnectedness and wonder of all life.