Sue McNally: Learning how to Find

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Jockey for Postition

Sue McNally lives and works in Rhode Island and when life permits, as she puts it, in rural southeast Utah. Her landscape paintings and her self portraits encompass everything in between — the views of nature she has encountered, and her shifting states of being. Sue McNally reflects on her art making and shares ideas on her new body of work.

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Now + Never – Marcus Aitken

In Dialogue with Jacob Barnes, Editor in chief, Soft Punk Magazine

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Marcus Aitken, Now + Never print, Limited edition of 50 on 300gsm Hanehmuhle German etching paper,42×29.7cm

Now + Never, a virtual solo exhibition of new works by London-based gestural artist Marcus Aitken, is released in tandem with Soft Punk’s latest publication. The exhibition will be made available online from November 16th, 2020 via Soft Punk’s web platform. In this interview for Art Spiel, Jacob Barnes, the London and New York based co-founder and editor of this literary arts and culture quarterly, shares some of the background for his publication and for Marcus Aitken’s virtual art exhibit.

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In My Room – Susan Carr at LABspace

A Photo story


Installation view of In My Room

Upon entering In My Room, Susan Carr’s solo show at LABspace in Hillsdale, NY, my senses are overloaded in the best way by the colorful and tactile work. The gallery is teeming with an impressive amount of work that fills the walls, floor, and pedestals. As I walk around, I am greeted with the fond familiar smell of fresh oil paint— thick, bold, and often mixed on the surface. This application is important to the overall sensation of Carr’s work. It makes me grasp the immediacy and the confidence that are necessary to make the work. Squeezing paint directly from the tube onto the canvas requires a commitment from the artist and Carr dives in headfirst to create paintings of zombies, clowns, self-portraits, and eyeballs.

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Eunice Golden: Metamorphosis at SAPAR Contemporary

In Dialogue with curator Aliza Edelman


Eunice Golden painting Metamorphosis #20 in her East Hampton studio. Photo: © 2007 Walter Weissman

The excellent current exhibition Eunice Golden: Metamorphosis at SAPAR Contemporary, rigorously curated by scholar and curator Aliza Edelman, Ph.D., features paintings and photographs by the 93 years old prolific artist from 1979 to 2009. Based in the West Village and in East Hampton, New York, Eunice Golden has made throughout five decades an outstanding and bold body of work with consistent commitment to her artistic vision and to feminism, while keeping her work admirably fresh and urgent all the way. In her later paintings the body is fragmented and anthropomorphized into a landscape, described by the artist as a philosophical and spiritual outgrowth of her earlier radical oeuvre of sexual body landscapes. Golden says on these recent works, “I am concerned with tactility and the sensation of touch, but also of thought on a primal level, where there are no boundaries and where natural phenomenon are blurred by processes of metamorphosis.” In this interview Aliza Edelman elaborates on the genesis of this show and the ideas behind Eunice Golden’s work.

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Gabriel J. Shuldiner – Hybridsculptural Bruteminimalism


sLAY1_2019, postapocalypticblack®* [ modified acrylic polymer emulsion | carbon black pigment | calcium carbonate | water | modified industrial urethane enamel | modified polyurethane thermoset cellular plastic | vinyl acrylic co-polymer emulsion | acrylic stain-block sealant | mastic adhesive | polyurethane adhesive | solvent-based ink | nuisance dust | studio detritus | spit | air | light ]*proprietary | chrome enamel spray aerosol | cotton duck canvas | repurposed polystyrene | blackened stainless steel flat head hinge screws | reinforced galvanized steel wire, overall dimensions: 20.75 x 19 x 5.25 in.

Gabriel J. Shuldiner dislikes categorization of his work to the point that he invents new “isms” to describe its allusive hybridity – its DNA can be traced to abstraction with elements of minimalism, expressionism, and Arte Povera. While Shuldiner’s use of material is extensive , his use of color is restricted to mostly black, with tinges of other colors at times. Gabriel J. Shuldiner shares with Art Spiel some of his thought and work processes.

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Artists on Coping: Hallie Cohen

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Hallie Cohen at the American Academy in Rome working on Mi Ricordo III,ink on yupo paper, 60” x 144”. Photo by Francis Levy.

Hallie Cohen is a New York-based visual artist and curator. She is a Professor of Art, and Director of the Hewitt Gallery of Art at Marymount Manhattan College. Her subjects are topographies of real or imagined places, which toggle between abstraction and unreliable narration. Cohen explores natural phenomena, using the instability of the water-based medium to investigate the dynamic between chance and control and between conscious and unconscious thought processes. She has curated over 30 exhibits which explore science, psychology, neurology, politics, and the environment. She has recently had a virtual artist talk about her work.

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Artists on Coping: Liz Sweibel

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping

Untitled, 2020, thread and vellum, 8×8 in

Liz Sweibel’s work is an exploration of liminal spaces, points of contact, and unseen forces:  wind, history, values, math, gravity, emotion, memory. Her drawings, sculpture, and installations are spare and abstract, using specific yet ordinary materials and gestures. She often salvages materials, sources, and forms from her older work and uses them to make sense and establish identity in the present. Her studio process is low-tech, immediate, and improvisational.

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Artists on Coping: Diane Englander

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Gatherings I (2019), 21 x 24 x 2 inches, mixed media

With color, composition, line, texture, Diane Englander is aiming for a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. Her inspiration to work on a specific piece comes from curiosity about the materials. She’s always thinking (though not necessarily in a conscious way), What would happen if I did this? What would this other thing do? But always bending back to the goal of creating a place of calm energized by tension.

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Artists on Coping: Alyse Rosner

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


How it looks right now in my studio March 2020 Graphite rubbing on yupo, Works in progress: Graphite and acrylic on raw canvas

Alyse Rosner is known for large scale abstract paintings melding graphite rubbings, gestural brushwork, obsessive mark making and transparent color reflecting her immediate surroundings, personal experience and environmental concerns. A graduate of the University of Michigan and The American University, Rosner received grants from the Connecticut Office of the Arts and The Sustainable Arts Foundation. Rosner has exhibited at the Newcomb Art Museum of Tulane University, The Aldrich Contemporary Art Museum, BravinLee Programs, Odetta and Kathryn Markel Fine Art, as well as Real Art Ways and Artspace in Connecticut, among others. Alyse Rosner is represented by Rick Wester Fine Art.

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Artists on Coping: Patricia Fabricant

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Patricia Fabricant, Alexi Rutsch Brock, Beth Dary at the opening for Among Friends, May 2019

Patricia Fabricant is a painter and book designer, from New York City. She received her BA from Wesleyan University and studied painting in Italy. Her abstract paintings have been exhibited widely at such galleries as SFA projects, M David & Co, Front Room, Morgan Lehman, the Painting Center and the National Arts Club. More recently she has worked figuratively, both on a political series, Paper Dolls, and on woven self-portraits, which she began in response to the 2016 election and its aftermath. She is also curating shows. She lives in Brooklyn and shares a studio at the EFA, in Manhattan.

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