In Dialogue – Art Spiel

November 10, 2026November 6, 2026, by Etty Yaniv

Gravity of Light at BMoCA

The Gravity of Light, on view at the Boulder Museum of Contemporary Art (BMoCA), features seven artists who use light as a key element in their work: Sami Al Karim, Bill Armstrong, Alyson Denny, Chuck Kelton, Anne Lindberg, Elizabeth Mead, and Gelah Penn. The media include photography, cameraless chemograms, video, drawing, and site-responsive installation, and several works were created specifically for the show. New York-based artist Kate Petley curated the exhibition; her own work combines photography and painting, which shaped her interest in light. Here, Petley discusses how the exhibition came together, the idea behind it, how the works sit together across the museum’s three spaces, and what she hopes light can offer viewers right now.

November 6, 2026November 7, 2026, by Etty Yaniv

Ivana Fischer: After Belonging

Ivana Fischer, The Wild Gene ©Trotoar, photo D. Žižić

Ivana Fischer’s work often begins with things that already carry a history: found images, old books, dolls, inherited symbols, and memories whose origins are not entirely our own. In The Wild Gene, her solo exhibition at Trotoar Gallery in Zagreb, these materials become a way of thinking through how a sense of self is formed, resisted, and revised. Moving between collage, objects, and stop-motion animation, Fischer returns to childhood, female experience, and the uneasy space between social roles and individual agency. The Wild Gene features her new film After Belonging, which follows a doll through shifting identities and imposed roles. It raises the question of how these structures shape our sense of self, and whether the “wild gene” can permeate them and flourish. The artist discusses the ideas and process behind her work.

November 5, 2026November 5, 2026, by Ella Jackson

In Conversation with Claudia Bitrán: Titanic, Britney Spears, and Her Studio Practice

As a young girl, Claudia Bitrán would patiently wait for Britney Spears to come across the screen, then hurriedly hit Play and Record on the VCR, ready to rewind, rewatch, pause, and then pose, memorizing every nuance, note, mannerism, and movement. Born in Boston, raised in Chile, and now a Brooklyn-based multimedia artist, Bitrán’s work often imitates, recreates, and reimagines iconic artistry, from impersonating, painting, and paying homage to Britney Spears to recreating James Cameron’s 1997 film, Titanic, which Bitrán produced over the span of twelve years. Having first watched Titanic as a young girl, the splendor and sublimity of the ship, both in its triumph and tragedy on the seas, mesmerized her from the get-go, leading to a lifelong dedication to honoring and recreating the film through her own practice. Fascinated by spectacle, inspired by iconic artistry, Bitrán shares a glimpse into her artistic world and practice.

November 3, 2026November 7, 2026, by Etty Yaniv

Babs Reingold: Forest Bathing at Leepa-Rattner Museum of Art

For two decades, Babs Reingold has reflected throughout her mixed media work on the intersections of poverty, climate change, and beauty in the environment. In her current solo show, Forest Bathing at Leepa-Rattner Museum of Art, Tarpon Springs, Florida, brings together two ongoing series, Hair Nest and Lost Trees. Both series mark a deliberate shift toward celebrating the beauty and resilience of nature. Whether confronting social inequities, ecological destruction, or the persistence of beauty amid crisis, her work arises from a deep belief that art can create both awareness and change. By transforming unconventional materials—human hair, salvaged wood, silk organza—into immersive environments, Reingold invites visitors to think about their place within larger systems of survival, destruction, and renewal. We discussed this exhibition in the context of her larger body of work.

November 2, 2026October 31, 2026, by Etty Yaniv

Fall Exhibitions at The Hammond Museum

At the Hammond Museum and Japanese Stroll Garden in North Salem, New York, art doesn’t stay inside the galleries. Since 1964, the museum has staged exhibitions that move from its gallery walls to its patio, tea hut, and garden paths, with about fifteen shows a year and the number growing. Contemporary and historical, drawn from many styles and cultural traditions, the exhibitions often aim to build cross-cultural understanding, while those set outdoors open a dialogue between art, nature, and personal reflection. This fall, five shows fill the grounds: Tomoko Amaki Abe’s Heaven Come Down in the Main Gallery, Meg Hitchcock’s Fang in the Hays and Goelet Galleries, Soli Pierce’s Poetry of Place in the Tea Hut, Matthew Weber’s Ground Shift on the Patio, and Kurt Steger’s In the Garden along the Japanese Stroll Garden. In this conversation, the museum team talks about how the Exhibition Committee selects its shows and how each one carries the museum’s mission forward.

October 27, 2026October 27, 2026, by Yasmeen Abdallah

Autumn Exhibitions at Wave Hill

An autumnal lineup of exhibitions at Wave Hill delve into the splendor of the landscape through intersections of nature, societal transmission, history, and political climate. These engagements are created through processes involving acts of listening, archival practices, explorations of bodily autonomy and mythologies. The following is an interview with Wave Hill curators Rachel Gugelberger and Gabriel de Guzman, unpacking key takeaways about its most recent projects.

October 22, 2026October 22, 2026, by Xuezhu Jenny Wang

Meet at the Ferris Wheel: Kathleen Beausoleil’s Plein Air Paintings Combine Psychology and Light

Painter Kathleen Beausoleil is enamored by her backyard, literally. The fair grounds and beaches that are synonymous to her home state, New Jersey, form her primary subjects. Visiting local fairgrounds each summer, she paints plein air, out in the open, and on view in her latest solo show at The Painting Center are works that beautifully capture the light, vibrancy, and togetherness of these places. After speaking with the artist, I understand that Beausoleil’s scenes are not only advanced in their painterly technique, but created through perspectives cleverly scaffolded by sociological terms around gathering and group behaviour.

October 15, 2026October 15, 2026, by Claire Haik

Two Shows in Dialogue: A Conversation with Tatyana Kazakova and Anna Shukeylo

New Jersey’s Watchung Arts Center brings together two distinct solo exhibitions: Entropic Flora by Anna Shukeylo and Symphony for the Unnoticed by Tatyana Kazakova. Both artists weave between abstraction and realism to create intimate portraits of nature, but their styles and vantage points diverge in dynamic ways. Kazakova fills the sprawling upstairs gallery with large drawings and paintings that pack the space with thickets, foliage, and tangled old growth, inviting viewers to contemplate the boundaries between wild spaces. In the lower gallery, Shukeylo’s compositions erupt with vibrant gestural brushmarks that capture fleeting moments of blooming flowers at their peak splendor. In this conversation, Kazakova and Shukeylo discuss their work, studio practices, and thematic vantage points, revealing the very different paths they take to create their images of nature.

October 7, 2026October 1, 2026, by Etty Yaniv

Plumb Line: Irit Baniel and Alexis Granwell at Medium Rare

Medium Rare Project Space in DUMBO opens the season with Plumb Line, a two-person show pairing Irit Baniel’s paintings with Alexis Granwell’s sculptures. The two artists work with different materials and processes, but their work shares a concern with the body, vulnerability, memory, and grief. Medium Rare is an artist-led space rooted in making, looking and conversation. Surrounded by artists and studios, it has close ties to the Brooklyn art community and uses exhibitions, talks and workshops to connect artists with a wider public. In this conversation, co-founder Narelle Sissons discusses the curatorial process, the visual axis linking the two artists, the venue’s origins, and its plans for the year ahead.

October 1, 2026October 1, 2026, by Etty Yaniv

Diane Burko: Extraction, A Dialogue of Extremes at Rowan

Diane Burko, Extraction, A Dialogue of Extremes, Installation Featured Image

Extraction, A Dialogue of Extremes, Diane Burko’s solo exhibition at Rowan University Museum of Contemporary Art, pairs two bodies of work: Arctic paintings based on NSF-funded climate research and works on Amazon mining and deforestation. The show was created as the research grant’s community engagement component. In this interview, curator Mary Salvante discusses how the exhibition came together, the tension between the two series, how the work uses beauty to address climate change, and what the museum hopes visitors take away.