Serena Scapagnini: Painting Memory

Serena Scapagnini, Saliency, La Memoria Cangiante

Memory is a fickle thing. However, when viewed through a neuroscientific lens, memory is also a biological process. Serena Scapagnini’s artistic practice, her recent Saliency, La Memoria Cangiante (2026) in particular, explores the retrieval of memory in its interdisciplinary entirety. Inaugurated on June 4th as a permanent installation at the Wu Tsai Institute at Yale University, Saliency, La Memoria Cangiante opens a wider reflection on the position of memory, whether as process or personal attachment, in Scapagnini’s work and current projects.

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The Immigrant Artist Biennial, In Dialogue

Sanié Bokhari and Umber Majeed Discuss the Forbidden

Sanié Bokhari. It’s 11.49 pm here, 2022. 36 x 48 in. Acrylic on canvas. Courtesy of the artist and The Immigrant Artist Biennial.

As part of The Immigrant Artists Biennial: Contact Zone, Sanié Bokhari, and Umber Majeed present their work in the Enmeshed: Dreams of Water group exhibition. As artists of Pakistani descent currently residing in the US, both Bokhari and Majeed tap into the changing landscape of globalization and the unstable experience of international migrants’ identity formation. Evoking water as a symbol of fluidity and change, Bokhari’s painting and Majeed’s video deploy a metaphoric framing that is beautiful and complex. In this conversation with Jenny Wang, they critically reflect on the geopolitics of belonging and identity.

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