Then She Did at The Plaxall Gallery

Allison Sommers, photo courtesy of the artist

The mixed media exhibition “Then She Did” at Plaxall aims to speak instead of shout, invite discussion instead of criticism. It presents diverse approaches on sexuality, strength, femininity, independence, support,  societal norms and roles, methodology, art, and activism.  Curators Lori Zimmer and Melissa McCaig-Welles  say that the featured artists  Alexandra Momin, Alice Mizrachi, Alison Mosshart, Allison Sommers, Audrey Dimola, Caitlin Harris, Chinon Maria, Elizabeth Winnel, Indie 184, Janette Beckman, Joanne Leah, Karen Dimit, Kathryn Rose, Katrina del Mar, Kendra Heisler, Lady Pink, Marne Lucas, Paola Martinez, Queen Andrea, Rebecca Reeve, Swoon, Vahge and Vicky Barranguet  choose who they want to be,  how they want to think, and how they want to influence others. They take us on a journey through the personal revolutions of everyday women in America, whose diverse methods and beliefs are only stronger when unified.  Continue reading “Then She Did at The Plaxall Gallery”

Internalized Borders at John Jay

Francisco Donoso, Between Passages, installation, 2018 image, photo courtesy of the artist
Francisco Donoso, Between Passages, installation, 2018, photo courtesy of the artist

Curated by Maria de Los Angeles and Susan Noyes Platt, the group show “Internalized Borders” at John Jay  College of Criminal Justice examines the various ways in which language and legal systems create internal and external borders. It addresses urgent issues of  immigration, detention, and deportation; especially focusing on how these issues are related to fear, criminalization of identity, economics of migration, and  perception of otherness. Continue reading “Internalized Borders at John Jay”

Objects from the End of Western Civilisation at Norte Maar

Kevin Curran, Objects from the End of Western Civilisation
Kevin Curran, Objects from the End of Western Civilisation

All Photos courtesy of the artist and Norte Maar Cypress Hills Gallery

In his exhibition at Norte Maar Cypress Hills gallery, Kevin Curran uses interior design elements as a departure point for an installation – combining  wallpaper, rugs, vases, framed works on paper,  wall-mounted and free standing sculptures. His surfaces merge opulent materials like crystals and gold leaf, with rough-hewn casual aesthetic. This exhibition includes drawings that refer to Afghan war rugs as well as political tensions in the US. The symmetry of rug design paired with natural and man made forces of destruction highlights the fine line between an orderly society and chaos. The imagery brings together a little boy’s enthusiasm for rockets, trucks and guns with the perspective of an adult’s anxiety driven by real world events.  Continue reading “Objects from the End of Western Civilisation at Norte Maar”