Some Other Way: Mythmaking Made Irresistible

Kate McQuillen, Installation View, Echo Resounds

Let me tell you about a complicated woman.

Echo is a shrewd mountain nymph in Ovid’s Metamorphoses. She acts in the service of a god and out of loyalty to her fellow nymphs, but also takes pride in the cleverness she employs to outwit Juno, so Jove can do what he pleases with the forest creatures. She is punished for her cleverness by being condemned to never speak for herself, only to repeat the last words spoken to her. Despite her limitations, she still makes herself clear. Later, when Narcissus declares that he will die before the lovesick Echo possesses his body, she smolders, “…you can possess my body.” A body that will ultimately wither away in a cavern, leaving only a voice that seeks communication and relation; a voice that endures, because these desires endure.

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Barbara Friedman’s All Rude and Lumpy Matter at Frosch&Co

Installation view. Photo courtesy of Barbara Friedman

Barbara Friedman’s first solo exhibition at FROSCH&CO presents commanding paintings—unsettling, visceral, and electric—resembling a Rorschach test on acid. Poured paint mutates into shifting forms: eyes, rabbit ears, chicken legs. The grotesque, the horrific, the sublime, and the comical coexist, each intensifying the other.

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Alice Zinnes: Inner landscapes of Light

Alice Zinnes in her studio, with charcoal drawings behind

Alice Zinne‘s paintings draw from literature and mythology to create dramatic landscapes in which light and dark interplay as main protagonists. Her oil paintings, watercolors, and drawings often depict floods of light intertwined with fragmented darker patches, evoking dense and fluid inner spaces.

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