At Some Point, Every Household Object Stops Being Innocent

No one ever thinks the plate is going to become a problem.

A plate survives three apartments and one bad Thanksgiving. A suitcase gets hauled across borders or shoved beneath beds; sometimes it is packed in hope, sometimes because someone has no choice. An iron presses school clothes and funeral clothes, then outlives its usefulness and sits in a closet somewhere, still holding the pressure of human hands.

That is the animating idea behind extraORDINARY things, the quietly arresting exhibition at the Flinn Gallery in Greenwich Library.

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Donna Conklin King: Fifty-Eight Feet Down the Ocean

Hot Air
“Bubbly Barnacles” after launch photo, courtesy of UMAFL

Sculptor Donna Conklin King draws on the philosophy of Kintsugi, the centuries-old Japanese art that highlights an object’s imperfections by emphasizing its cracks with gold leaf. She works primarily with concrete, experimenting by casting forms from unconventional materials such as tin ceiling tiles, food containers, and fabric. Her sculptures often incorporate delicate elements like doilies and 24-karat gold leaf, exploring the relationship between nature, architecture, and the inevitable decay of civilization. In her recent focus on public sculptures, Conklin King’s pieces are “openly cracked and repaired,” evolving and enduring over time. They reflect themes of resilience, history, and archaeology.

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Nicole Kutz: When the conditions all fall in place


Nicole Kutz in the studio, 2020, Photo courtesy of Nicole Kutz

The Nashville based artist and curator, Nicole Kutz, meditates in her paintings on life’s transience through handmade pigments and dyes. She frequently draws on the Japanese Wabi-sabi aesthetics, as well as the artforms of shibori and kintsugi, to create ethereal abstracted worlds, where you can find beauty in imperfections.

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