environmental art – Page 4

June 2, 2025May 27, 2025, by Yasmeen Abdallah

Guy Nelson: Tales from the Understory at The North Dakota Museum of Art

Hot Air

Guy Nelson, *The Road Not Taken,* North Dakota Museum of Art

The North Dakota Museum of Art’s latest exhibition, Guy Nelson: Tales from the Understory, is a multidisciplinary solo show focused on the woodlands and prairies of the upper Midwest. Featuring sculpture, painting and video, the exhibition will be on display through July 20, 2025. This exhibition marks the tenth in the Museum’s Art Makers Series, an annual award for artists with connections to the region, which is underwritten by Dr. William F. Wosick of Fargo.

May 26, 2025May 19, 2025, by Jan Dickey and Terra Keck

Being There, with Weihui Lu

In conversation

Weihui Lu at Wave Hill, March 2025, photograph by Jan Dickey

Terra Keck and Jan Dickey caught up with artist Weihui Lu a couple of weeks after she completed a residency at Wave Hill in the Bronx. At the time, Weihui was reflecting on that experience while also preparing for her current solo show, when there is no longer a danger of frost, at Tempest Gallery in Ridgewood, Queens. An installation artist with roots in Chinese landscape painting, Weihui continues to explore impermanence, a delicate and sparing use of material, and humankind’s relationship to the natural environment. Her installation at Tempest draws its source material from an aging greenhouse she spent time contemplating during her residency at Wave Hill—understood as a physical embodiment of human systems of care, including their inevitable collapse and repair.

May 19, 2025May 3, 2025, by Yasmeen Abdallah

Art Spiel Picks: Manhattan Exhibitions in May 2025

HIGHLIGHTS

This month’s Manhattan highlights focus on artists tapping into the natural world, where these practices converge with the man-made in a clash of stunning reinvention and compelling engagement. These exhibitions channel the experimental through exploratory processes that harness our attention and hold us in their spell.

May 15, 2025May 14, 2025, by Yasmeen Abdallah

Art Spiel Picks: Manhattan Art Fair Week

HIGHLIGHTS

Image courtesy of Michele Jaslow/Radar Curatorial

An energetic jaunt through the various art fairs over the past week revealed curious findings and trends: Relational aesthetics, atmospheric landscapes, the human psyche, and acts of care are on view in the forms of plants, animals, & organisms. Rendered in splashy colors, text-based media and kitschy coolness, the various moods are quirky and earnestly expressed through painting, sculpture/ceramics, textiles and installations. Here is a roundup of some booths that hit the mark and kept it refreshing.

May 14, 2025May 12, 2025, by William Corwin

Into the woods – Immi C. Storrs at The Century Association

Immi C. Storrs is obsessed with depth: she manipulates it, refusing to render it as-is. Instead, her adventures in depth-perception range from steeply sloping forests—her favorite subject— to thickly layered glass light-box dioramas, and to truncated and oddly meshed animal forms in bronze. While the animals merge together into multi-legged seemingly mythological beasts, or emerge pseudo-two dimensionally from a bronze cube, it’s less about the creatures themselves—horses, sheep, and oxen, but more of a slow-down lugubrious space in which forms melt together and time becomes unpredictable.

May 12, 2025May 9, 2025, by Etty Yaniv

Into the microVerse – Micrographia with Shae Nadine|| SubtleFlux

In Dialogue

_I8A1922 anemone up small.jpg — into the microVerse – Mutualism, 2024. Photo courtesy of the artist.

Inspired by scientist and illustrator Robert Hooke’s seminal book, Micrographia, published in 1665, into the microVerse – Micrographia invites viewers into an immersive interdisciplinary installation where projected and printed microscopy act as a vehicle to witness the beauty of nature and our environment through magnified images of plant cells, microorganisms, and organic structures to transform our perspective of the familiar. Through this microscopic and material journey, the exhibition encourages a renewed perspective on our role as stewards of Earth’s delicate ecosystems and biodiversity, asking us to reimagine how we might preserve and protect these intricate natural systems for generations to come.

May 8, 2025May 8, 2025, by Vita Eruhimovitz

Puns, Paint, and Post-Truths: Rose Briccetti’s Museum of Almost-Natural History

In Dialogue

Rose Briccetti’s interdisciplinary and intermedia practice combines deep historical, artistic, and scientific research with artmaking to re-present natural and cultural histories to question systems of power. Her work surrealistically weaves together strange truths, biology, museology, cultural myths, internet culture, and personal experience using humor and vivid visuals.

April 11, 2025April 10, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Anne Neely

Anne Neely, Eruption (2024). Oil on linen. 22 x 28 in. Photo credit: Kay Hickman, Julia Featheringill

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door.
Anne Neely has been in DUMBO since November 2024 as part of the Sharpe Walentas Studio Program at 20 Jay Street, #720.

April 10, 2025April 10, 2025, by Art Spiel

Water’s Voice and Our Fragile Moment at Hudson Guild

Hot Air

*Black Feather Triangle 1* by Deborah Kruger

Curator Fran Beallor presents Water’s Voice and Our Fragile Moment at Hudson Guild in Chelsea, two exhibitions that focus on environmental damage—melting ice, polluted waters, deforestation, plastic waste, extreme weather, and species extinction. The goal is to make these vast and often abstract issues accessible to the wide public.

March 31, 2025March 24, 2025, by Melissa L. Mednicov

Marisol: A Retrospective at the Dallas Museum of Art

A museum with a display of art

AI-generated content may be incorrect. — Installation view of *Marisol: A Retrospective* at the Dallas Museum of Art. Courtesy of the Dallas Museum of Art

Marisol: A Retrospective at the Dallas Museum of Art (DMA) presents a comprehensive overview of the artist’s career, ranging from works she produced in art school in the fifties to her last works. In doing so, the exhibition centers and decenters Marisol’s status within the Pop art sphere, where she never fully situated herself. Her works are too brutal and too strange (in the best sense of the word) for Pop. She was undoubtedly exhibiting with Pop artists and part of their networks, as her films with Andy Warhol included in the exhibition attest. However, she was somewhere else, too. Her works contain the brute force of politics, history, culture, and climate change, and, in her practice, she engages with how those forces take place primarily upon the bodies of women. The body morphs and sometimes breaks under these forces.