The Center for Cuban Studies and Art in DUMBO Open Studios

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Courtesy of the Center for Cuban Studies / Cuban Art Space

Each spring over 100 artists and art organizations in DUMBO And Vinegar Hill open their studio doors to the public for a weekend. This year the event takes place on April 22 and 23 from 1 to 6 PM. Art Spiel created a Mixed Media Guide for this event in addition to other curated guides on the Art In Dumbo website here. In conjunction with the event Art Spiel conducted a few interviews with individual participating artists. This one is with Sandra Levinson, the executive Director of the Center for Cuban Studies / Cuban Art Space.

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Jamie Martinez in DUMBO Open Studios

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Artist Jamie Martinez at his studio with his work “Vision Mask I”.

Each spring over 100 artists and art organizations in DUMBO And Vinegar Hill open their studio doors to the public for a weekend. This year the event takes place on April 22 and 23 from 1 to 6 PM. Art Spiel created a Mixed Media Guide for this event in addition to other curated guides on the Art In Dumbo website here. In conjunction with the event Art Spiel conducted a few interviews with individual participating artists. This one is with Jamie Martinez whose multi- faceted art includes textiles, drawing, painting, sculpture, and installation.

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A Conversation with Curators of Pro-Ukrainian Exhibit Sovereignty Reimagined

Sovereignty Reimagined. Installation view, Maenad Collective, NY, US © photo by Alex Faoro. From left to right: Jaroslav Pobezhan, Marina Naprushkina, Dana Kavelina, Serhiy Popov, Daria Maiier x Äsc3ea.

Pro-Ukrainian video art from antiwarcoalition.art (https://antiwarcoalition.art/) curated by Alex Faoro, Maxim Tyminko and Aleksander Komarov both members of The International Coalition of Cultural Workers In Solidarity with Ukraine were on view in the group exhibition Sovereignty Reimagined March 18-24, 2023 at Maenad Collective in Brooklyn.

With artists: Oksana Chepelyk (UA), Helena Deda & Alex Faoro (US), Daniil Galkin (UA), Uladzimir Hramovich And Lesia Pcholka (BY), Zhanna Kadyrova (UA), Anton Karyuk (UA), Dana Kavelina (UA), Daria Maiier x Äsc3ea (UA), Elturan Mammadov (AZ), Metasitu (GR), Vladimir Miladinovic (RS), Marina Naprushkina (DE), Valentyna Petrova (UA), Iaroslav Pobezhan (UA), Serhiy Popov (UA), Mykola Ridnyi (UA), and Igor Sevcuk (NL).

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Rachael Wren: Site Lines at The Shirley Project Space

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Rachael Wren: Site Lines at The Shirley Project Space, March 2023installation view. Photo courtesy of Kate Glicksberg.

The Shirley Project Space in Brooklyn is a sympathetic environment for Rachael Wren’s Site Lines, a solo exhibition of six paintings and an unexpected site-specific installation. With two large windows on street level, the gallery’s abundant natural light heightens the relationship between the paintings and the outside world. This bright and airy effect is amplified by the minimalist architecture and tall ceilings, leaving the artist’s painted trees room to grow, an illusion propelled by the restrained installation which leaves ample space around each work.

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Denise Sfraga: Strange Brew at The Garage Art Center

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Denise Sfraga, installation detail

The work included in Strange Brew, Denise Sfraga’s solo show at the Garage Art Center, explores the life cycle of plants. This fascination with plants has always been at the root of the artist’s creative inspiration. Sfraga, who is based in New York City, says that working in her own garden and experiencing its constant state of flux, gives her the opportunity to witness first hand actual seed germination, leaf and flower growth, the dispersion of the next generation of seeds and the final stages of decay, “an ever evolving landscape of life forms that change color, shape and appearance daily.”

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William Norton – Styx & Stones- at The Boiler – ELM Foundation

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“Cop,CodPiece, and Tigger”, “Lurking Cop”, “Cutting the Head Off the Thug”, “in the rain i feel myself swallowed, savored, teased by your tongue”

William Norton’s large-scale paintings at The Boiler – ELM Foundation evoke imagery of oppression and protest through gestural graphic marks and bold color on recycled vinyl advertisements as canvas. “We are always being sold something in this age of hyper-ventilating propaganda. And there is just enough of the advertising image left over to titillate the viewers’ eyeballs,” Norton says.

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Whisperings from the Wormhole with @talluts

The Proof is in the Punctum

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Film still from 2001: A Space Odyssey (1968)

Once, my day job was a freelance graphic designer and I worked from home in Brooklyn. My desk was in a corner of the combination living-room-kitchen-dining-room, right next to the TV. I had cable, and while I worked, I would put on Turner Classic Movies because they didn’t play commercials. And those of us who worked from home during the golden age of cable know that the middle-of-the-day commercials were the most depressing.

TCM showed black and white movies from the 30’s, 40’s and 50’s in an unending ribbon of celluloid, one right after the other. And after months of working like this, it began to amaze me how little the films stuck in my head. They just pleasantly wafted into one ear and floated out the other. There were two exceptions, though, that seemed to have the ability to stick: Stanley Kubrick’s 2001 A Space Odyssey and The Bells of St. Mary (starring Casablanca’s Ingrid Bergman as a nun). And this forgettable/unforgettable phenomenon got me wondering: Why those two? Why did they stick and not the hundreds of others that I had watched?

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Finding My Folk at Old Stone House

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L to R: Ai Campbell, Carl Hazlewood, Angelica Bergamini, Damali Abrams, Carl Hazlewood, Angelica Bergamini, Jodie Lyn-Kee-Chow and Blanka Amezkua (center).

Finding My Folk, curated by independent curator Krista Scenna at the Old Stone House in Brooklyn, features work by seven contemporary immigrant artists whose practices embrace the folkloric in their own traditions, rituals, and customs by blending elements of their past, memories of “home,” their present, and future. The notion of Folklore underscores the show, how it is often so seamlessly embedded in daily lives that people may tend to overlook it—myths, dances, rhymes, toasts, jokes, holidays, and festivals are all essential characteristics of a community—ranging from the family unit, to a nation, to the global population. The show is on view through April 9, 2023 with a closing event on Monday, April 10th from 6:30pm – 8:00pm.

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Nancy Bowen: Sometimes a Body is Not Just a Body at WCC Art Gallery

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Nancy Bowen with “Third Eye” and “Throat” from Chakra Series, 2009, mixed media on paper, photo by Lindsay Walt

What links Nancy Bowen’s work at Westchester Community College Art Gallery—from abstract to narrative work—is the presence of the female body in some form. “I will always be compelled to create work from a feminist point of view, work that needles or asks questions, and given our current political and social climate, that seems even more necessary than ever,” Bowen says. The show runs through April 12th, 2023.

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Gabriela Vainsencher: Epic, Heroic, Ordinary at Asya Geisberg

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Gabriela Vainsencher with “Epic, Heroic, Ordinary” at Asya Geisberg gallery, March 2023

In her solo exhibition at Asya Geisberg Gallery Gabriela Vainsencher exhibits wall hanging porcelain reliefs, referencing the nuts and bolts of motherhood entangled in layers of epic mythological context—Medusa reveals a worried woman with a frying pan and a baby’s pacifier as weapons at hand. The show runs through April 8th, 2023.

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