Way finding: Caroline Burton at the New Jersey State Museum

In Dialogue
Installation view of Caroline Burton: Way Finding at the New Jersey State Museum (September 23, 2023 – March 31, 2024). Photo courtesy of Sarah Vogelman

The New Jersey State Museum, part of the NJ Department of State, has served the public for nearly 130 years, showcasing diverse collections in Archaeology & Ethnography, Cultural History, Fine Art, and Natural History. Assistant curator Sarah Vogelman dedicates herself to the Fine Art collection, focusing on its care, expansion, and exhibition. With over 12,000 works, the collection emphasizes American art and notably highlights New Jersey artists, positioning their contributions within the broader American art history context. Through the New Jersey Artist Series, featuring exhibitions like Caroline Burton: Way Finding, Vogelman aims to spotlight New Jersey’s vibrant contemporary art scene and foster local artist collaboration. By curating this series and organizing exhibitions that offer wider or even global art historical perspectives, she strives to convey that New Jersey’s art is a vital part of a broader cultural dialogue. “I want our visitors to see that art from New Jersey transcends our state’s borders,” says Vogelman.

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Transgressing Lands at the Boiler

Hot AIR
Transgressing Lands: Eleven Contemporary Artists Reimagine a Horizon Installation View. Photo: Martin Seck

The current group exhibition at The Boiler | ELM Foundation, Transgressing Lands, curated by A.E. Chapman, features work by Jeannine Bardo, Nancy Cohen, Cristina de Gennaro, Deborah Jack, Natalie Moore, Itty S. Neuhaus, Nazanin Noroozi, Lina Puerta, Corinne Teed, Elizabeth Velazquez, and Letha Wilson, who interpret the horizon’s role as a foundational element for understanding our place in the world. The artists confront pressing issues—preserving landscapes under threat, the ramifications of climate change, the realities of displacement and conflict, the significance of mindfulness, challenging colonial legacies, and the ever-present cycles of destruction and rejuvenation. Chapman’s direction for the exhibition invites viewers to engage with how landscapes can anchor us in the present moment and our collective history.

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Hudson Valley Artists: Bibliography Sourcing Inspiration at Dorsky

A room with art on the wall

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Installation view of Hudson Valley Artists: Bibliography at The Dorsky Museum of Art

Words evoke a myriad of visuals; images encapsulate words, concepts, and ideals. This symbiotic relationship, the dance between the written word and visual art, is the crux of Bibliography. On view at the Dorsky Museum at SUNY New Paltz through April 7, this exhibition documents how books conjure different facets of the exhibiting artists’ thoughts. Books function as a thematic thread, connecting the artworks on view to broader references of knowledge and providing entry points for understanding their aesthetic, social, or political implications. Exhibiting artists include Osi Audu, Alta Buden, Shari Diamond, Kerry Downey, Stevenson Estime, eteam (Franzisa Lamprecht and Hajoe Moderegger), Aki Goto, Adam Henry, Matthew Kirk, Niki Kriese, Melora Kuhn, Catherine Lord, Sean Sullivan, and Audra Wolowiec.  

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Hovey Brock-Daniella Dooling-Valerie Hegarty at Catskill Art Space

HOT AIR
A close-up of a carpet

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Hovey Brock, A Golden Spike for the Anthropocene, 2020, 30” x 40”, acrylic media on panel

Hovey Brock was a member of the Catskill Art Society (CAS) before its rebranding as the Catskill Art Space. Originally a low-key regional arts center, the transformation began under the guidance of Executive Director Sally Wright. In October 2022, Wright inaugurated the new exhibition halls, featuring on-loan installations by Sol Lewitt and James Turrell, signaling CAS’s ambition to bring world-class arts programming to Livingston Manor. This initiative marked a significant milestone in the cultural revival sweeping the entire Catskill region, with CAS playing a pivotal role. “Since so much of my work is about the Catskills, I am thrilled to have this opportunity to show my pieces at CAS, especially in the company of fellow artists Daniella Dooling and Valerie Hegarty,” Brock says.

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Glean, Glow, Glam – Denise Treizman at Coral Springs Museum

“Ring around the rosie”, 2020-2024. | Painted vinyl, foam, styrofoam, inflatable pool, tubing, balls, wooden rocker, plexiglass, slinky, fabric, painted PVC pipe tube, rope, clamp, google balls. Photo credits: Rafael Nuñez

Every time I stumble into Denise Treizman’s work—and I do literally mean stumble: it was at an Elizabeth Foundation for the Arts Open Studios Night back in 2017 when I almost walked into a pile of glitter on the floor of her then-studio and first fell heels-over-head in love with her creations—I am floored (I’m so sorry) with the particular joy that some absurdism-enthusiasts experience when presented with hilarious, kawaii, unexpected, nonessential, and in my case: sparkly, things.

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This is the Future of Non-Objective Art at Atlantic Gallery

Featured Exhibition
A room with art on the wall

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Gallery View: Photo Courtesy of Atlantic Gallery Felix Quinonez

Atlantic Gallery, located a short walk from the High Line in Manhattan’s Chelsea, is currently home to This is the Future of Non-Objective Art, curated by Suzan Shutan. This exhibition gathers over a hundred artists from around the globe, each exploring the boundaries of Non-Objective art through unique sensory experiences, experimental processes, and new techniques. Alongside the show, a detailed 110-page catalog is available, offering further insight into the works and artists involved. This large-scale exhibition runs from February 13 to March 2, 2024.

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Grotto: Shrine @ Soloway

In conversation with Hannah Barrett and Saul Chernick

Saul Chrnick and Hannah Barrett in front of the gallery

The Grotto: Shrine group exhibition at Soloway Gallery, curated by Hannah Barrett and Saul Chernick, featuring works by Orli Swergold, Laurel Sparks, Ben Pederson, and Saul Chernick, merges the physical with the mystical. It showcases sculptures and installations that draw on the use of scale and a diverse range of materials—obsolete electronics, dried grains, paper pulp, and glitter. These elements serve to connect viewers to celestial, underworld, ritualistic, and imaginative realms, referencing the reflective and immersive qualities of shrines and grottos.

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Embodied Futures and the Ecology of Care at BioBAT Art Space

HOT AIR
A room with a large wall with a painting on it

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Installation view of Katie Hubbell’s, Slow Down Soft Body, Stay with Me, and, Subsuming Solids, photo courtesy of Flaneurshan Studio

In the heart of Sunset Park, within the historic Brooklyn Army Terminal, BioBAT Art Space stands as a pioneering gallery that blurs the lines between art and science. The current exhibition, Embodied Futures & the Ecology of Care, Curated by Elena Soterakis & Eve Barro, showcases eleven artists whose work merges research methods and materials from scientific practices such as genetics, mycology, microscopy, and bacterial cultivation with artistic creation. By using living yeast as their palette and mushrooms as their sculpting medium, these artists challenge conventional artistic norms.

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Transformation at Socrates Sculpture Park

In Dialogue
‘Desire Lines’ by Stefania Urist. Image by Alexa Hoyer. Courtesy of Socrates Sculpture Park.

Founded in 1986 by artists, activists, and community members, Socrates Sculpture Park transformed an abandoned landfill into a cultural cornerstone in Queens, New York. This dual-purpose venue serves both as a public park and an exhibition space for contemporary art, targeting early- and mid-career artists. Occupying five waterfront acres, Socrates provides a unique platform for artistic expression and public engagement, offering free access to a civic space amidst the urban environment.

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