Embodied Futures and the Ecology of Care at BioBAT Art Space

HOT AIR
A room with a large wall with a painting on it

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Installation view of Katie Hubbell’s, Slow Down Soft Body, Stay with Me, and, Subsuming Solids, photo courtesy of Flaneurshan Studio

In the heart of Sunset Park, within the historic Brooklyn Army Terminal, BioBAT Art Space stands as a pioneering gallery that blurs the lines between art and science. The current exhibition, Embodied Futures & the Ecology of Care, Curated by Elena Soterakis & Eve Barro, showcases eleven artists whose work merges research methods and materials from scientific practices such as genetics, mycology, microscopy, and bacterial cultivation with artistic creation. By using living yeast as their palette and mushrooms as their sculpting medium, these artists challenge conventional artistic norms.

This exhibition, drawing artists from Brooklyn’s creative ecosystems—Genspace, Makerspace, and the NARS Foundation—explores the expansive notion of “care.” It reimagines care as a dynamic force that includes all living beings and ecosystems, moving beyond traditional hierarchical interpretations. The audience is invited to envision a future where care is woven into the fabric of environmental and societal systems, prompting a reassessment of our ethical, political, and ecological responsibilities.

Katie Hubbell’s impressive installation, Slow Down Soft Body, Stay with Me, acts as a portal to intimate dialogues with the natural world, using video, scent, and audio to foster empathy and physical connection across species.

A room with lights and columns

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Installation view of Katie Hubbell’s Slow Down Soft Body, Stay with Me, DETAIL, Photo Courtesy of Flaneurshan Studio 

John Roach explores the relationship between humans and pollinators in Scorched Honey Archive and Colony: Hive Listener, reflecting on the ecological consequences of our interactions.

  Colony: Hive Listener.  (2022-2023) Audio Recordings, fragrant beeswax lights, by John Roach. Image Credit: On White Wall
Colony: Hive Listener. (2022-2023) Audio Recordings, fragrant beeswax lights, by John Roach. Photo Courtesy of John Roach

Lolo Ostia’s enchanting installation The Light in Me, See the Light in You also delves into interspecies relationships, using SCOBY—a symbiotic culture of bacteria and yeast used as a starter for fermentation in foods and beverages such as kombucha—to highlight the interconnectedness of life.

A person looking at a large plastic object

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Portrait of the Lolo Ostia in her installation, The Light in Me, See the Light in You, Bacterial Cellulose (SCOBY), LED lights, Motion Sensor, by Lolo Ostia, photo courtesy of Katie Gee-Salisbury

Laura Kung’s delicate Quiet Lights series and Juyon Lee’s captivating photographic sculptures both meditate on the interplay of light, natural and artificial, capturing the ephemeral beauty of our environment and the fluidity of time. Elaine Young addresses biopolitics and contemporary health discussions through Signs of Life | INHALE / EXHALE, with the HOST collection exploring the microscopic world’s allure, aligning with the exhibition’s theme of examining life at various scales.

 DETAIL,  Fragment of Home,  (2023) acorns, madder root, marigold, iron, by Laura Kung. Image Credit: Laura Kung
DETAIL, Fragment of Home, (2023) acorns, madder root, marigold, iron, by Laura Kung, photo courtesy of Laura Kung
A mannequins wearing different colors

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Signs of Life | INHALE / EXHALE (2020-2023) Artist: Balaklava, turtleneck, skirt, and socks made from neon green recycled polyester with monotone digital print, by Elaine Young, photo courtesy of On White Wall

Shihori Yamamoto’s multi-media works offer a personal yet universally relevant exploration of conception and gestation, such as a painting depicting the artist’s memory of her own biological conception in the womb, while Karen Ingram’s Biogenetic Blooms demonstrates the fusion of art with genetic engineering, showcasing living artworks grown from modified yeast to emphasize the collaboration between art, science, and care.

  When My Planet Was Born , (2023), Mixed Media on Canvas, 48” x 108”, by Shihori Yamamoto. Image Credit: Shihori Yamamoto
When My Planet Was Born, (2023), Mixed Media on Canvas, 48” x 108”, by Shihori Yamamoto, Photo Courtesy of Shihori Yamamoto

Iz Nettere and Suzanne Head probe the dialogue on body, microbiome, and interspecies relationships, with Nettere’s sculptures and Head’s glass masks reflecting on our connections with the natural world. Aradhita Ajaykumar Parasrampuria presents a sustainable alternative to microplastics, emphasizing environmental responsibility and the health impact faced by artists.

A glass container on a blue and yellow stand

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Entangled Corporealities (2023), nutrient-enriched stoneware, cyanotype, mycelium, silicone. by, Iz Nettere, photo courtesy, On White Wall

This large-scale and ambitious exhibition succeeds in being informative while sparking curiosity and imagination. Embodied Futures & the Ecology of Care encourages viewers to adopt a broader understanding of care, promoting empathy and reciprocity across all life forms and ecosystems.

A group of round buttons with flowers painted on them

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Biogenic Blooms (2023 – present) Genetically modified yeast on agar in a Petri dish, by Karen Ingram. Image Credit: Karen Ingram

Embodied Futures & the Ecology of Care at BioBAT Curated by: Elena Soterakis & Eve Barro Exhibiting Artists: Aradhita Ajaykumar Parasrampuria, Katie Hubbell, Elaine Young, Karen Ingram, Laura Kung, Juyon Lee, Lolo Ostia, John Roach, Iz Nettere, Shihori Yamamoto, Suzanne Head

Closing Reception & Artist Panel Saturday, March 16, 2024. Artist Panel at 2 pm, followed by a closing reception.