Biophilia: Nature Hacked, Art Rewired

Installation image featuring Sui Park and Loren Eiferman (back wall). Photo credit: Patrick Vingo

Imagine nature got hacked. If it could rewrite its own DNA—absorbing industrial waste, pixels, and plastic—what would it become? Welcome to Biophilia. This six-artist exhibition at the Flinn Gallery in Greenwich, CT, curated by Ellen Hawley, doesn’t just depict nature—it reimagines and reconstructs it. The organic and the artificial no longer exist as opposites. Featuring Carol Bouyoucos, Julie Evans, Loren Eiferman, Christina Massey, Heide Follin, and Sui Park, Biophilia brings together artists who push past nostalgia for an untouched Eden to present nature as something restless, resilient, and constantly evolving. The result is a visual feast—bold, kinetic, and utterly alive. This is no polite, whisper-in-the-gallery experience. It lunges, sprawls, and twists. It pulses with energy, daring you to chase its shifting forms.

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Art Spiel Picks: Boston Exhibitions in March 2025

Highlights
Disintegration at Gallery Very, Boston, MA

We’ve passed the Ides of March and 2025 is in full swing. Teslas are burning, the stock market is crashing, and the Black Lives Matter plaza in Washington DC has been completely demolished at the cost of six hundred thousand dollars to taxpayers. In Boston, we await some kind of tipping point, like the good revolutionaries we are. There’s no better time to be making art that will undoubtedly reflect the time we’re living in, even if only subversively. Because dissent is now a truly radical act. It’s also Women’s History Month and there are no greater radicals than women artists, blazing trails and making visible what might otherwise be ignored. Here are some highlights to celebrate.

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Judi Keeshan – Mixed Magic at Tappeto Volante Projects

Installation shot, Mixed Magic.

Mixed Magic, the first solo exhibition in New York by Judi Keeshan, curated by Jared Deery and JJ Manford at Tappeto Volante. The show runs through April 6th, 2025.

In Judi Keeshan’s first New York Exhibition, titled Mixed Magic, curators Jared Deary and JJ Manford present a wide survey of works from 2017 to 2024. To assemble the show, they selected the works directly from her studio, flipping through a massive collection of works as if browsing a record store. They let the images on canvas guide them—the characters and stories revealed themselves to the curators, just as they now await discovery by new audiences within the gallery.

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Gizmos and Gadgets: The Meticulous Craft of Kathleen Studebaker

Kathleen Studebaker: Gizmos & Gadgets, at Patricia M. Nugent Gallery at Rosemont College, @rosemontcollege is on view through: Mar 30, 2025

AstroObject [2f.x1] Copper, Bronze, Brass, Steel, Aluminum, Walnut 7.25” x 8.5” x 9” 2023, photograph courtesy of the artist

Gazing upon Kathleen Studebaker’s solo show at Rosemont College, one is immediately reminded of an inventor’s workshop. Puzzle-like constructions of gleaming rods, intricate gears, and nested circles radiate from central points in the sculptures, reminiscent of gyroscopes and astrolabes from a bygone era. Each sculpture is situated on a regal walnut base and many are suspended in the air by elegant arching armatures. They possess an old-world charm, but the pristine copper, bronze, brass, steel, and aluminum components suggest the vibrancy of active use.

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The Tale of Lost Waters – Susan Hoffman Fishman at Five Points Arts

Installation view

In The Tale of Lost Waters at Five Points Arts in Connecticut, Susan Hoffman Fishman exhibits seven vertical scrolls resembling satellite imagery. Four are layered in deep, earthy browns—recalling land formations and dry blood—pressing against vibrant blues reminiscent of water. The bodies of water seem suspended between presence and disappearance, drifting toward an undefined space—a light or a void.

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A Sight for the Senses: Dance the Distance at Atlantic Gallery in Chelsea

The two-person show of luminous abstract wall works at Atlantic Gallery offers viewers a dynamic sensory experience where light, shadow and unexpected materials form a conversation about how we see and engage with the world.

Installation view of Dance the Distance in Atlantic Gallery, 2025

Dance the Distance: Anne Berlit and Michele Foyer at Atlantic Gallery.
Curated by Suzan Shutan. It runs through March 23, 2025

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Up: Janet Goldner’s Zigzags at FiveMyles

Janet Goldner, installation view at FiveMyles

A cavernous cubbyhole with a variety of enigmatic gunmetal stalagmites emerges from the relative monotony of the urban backdrop of St. John’s Place in Crown Heights.  Janet Goldner’s collection of sculptures, called Zigzags, populate FiveMyles’ exterior space, and while the viewer can enter this space through the gallery, the initial impression of jagged edges, pent-up energy, and the cold solidity of the welded metal objects makes one relieved there is a metal gate between us, the viewer, and them, the sculptures.

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Guan-Hong Lu at Nunu Fine Art New York

The Unbearable Lightness of Being, 2024 oil on canvas 11 7/8 x 11 7/8 in. Image courtesy of Nunu Fine Art Gallery

Currently on view at Nunu Fine Art’s New York Project Space is View from My Window, a solo exhibition by Taiwanese painter Guan-Hong Lu. The exhibition features over 20 small oil paintings, predominantly 13” x 10” in size, and is housed in the gallery’s lower level—below ground—intensifying the sense of intimacy in both subject matter and conceptual approach. Lu’s subject matter, at first glance, appears as fleeting moments captured in time, but upon closer inspection, they reveal layers of surrealism, irony, and political undertones.

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Ellen Kozak and Scott D. Miller: River-Rising at Hunterdon Art Museum

A screens on a wall

AI-generated content may be incorrect.
river-rising, installation views, 24″ x 16′

Water moves. It reflects, absorbs, distorts. It never repeats itself. River-Rising, a four-channel video installation by Ellen Kozak and Scott D. Miller, is built on these elements. Filmed along three river estuaries—the Garonne in France, the Bilbao Estuary, and the Hudson River—the work isolates the shifting surfaces of water.

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PeepShow Space Redux: A New Chapter in Greenpoint’s Art Scene

Featured exhibition
A person standing next to a painting

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Yukari Edamitsu Photo courtesy of William Norton

In February 2025, at a gathering of artists and friends, William Norton learned that two gallery spaces—#104 and #108—at 37 North 15th Street, Greenpoint, Brooklyn had become available. He had one week to assemble two exhibitions. He accepted the challenge.

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