Sound Art for the Ecological Turn by EndGrain at SMFA Boston

What can sound art contribute to the ecological turn? When the Taiwanese sound artist Huichun Yang described her process as getting to know the entire life of the tree that became her instrument, she had my attention. The entire creative arc of her process is rooted in reverence toward materials. Yang selects the wood, sculpts it into an arbrosan—an instrument first introduced to the world in 1996—and plays it by directly sensing its surface with her hands, using gestures that evoke repair and tending.

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