Contemporary Art and Culture
In her solo show “No Regrets” at ODETTA, Nancy Baker created intricate constructions which reflect her need for reliable reality through a rigorous process of interweaving mathematical data and text from the US Constitution into interlocking elegant forms. Continue reading “Nancy Baker: No Regrets at ODETTA”
I have been following Farrell Brickhouse’s work since 2014, when he showed his work at Life on Mars in Bushwick. You do not just “view” Brickhouse’s paintings, you experience them on a deeply intimate level. He unabashadly talks about painting in relation to “soul” and “subconscience”. As a painter who can show an outstanding body of work which convincingly resurects these modernist notions from oblivion, he also freshens these notions for the next generation of artists. Farrell Brickhouse graciously conducted with me the following interview. Continue reading “Farrell Brickhouse: Counter – Punching with Paint”
As part of their Spring exhibits addressing Climate Change, The Rockland Center for the Arts features three exhibitions – two solo shows: Quotidian Metamorphosis featuring works by Jaynie Crimmins and Aqueous Remains featuring Aurora Robson , as well as The Tipping Point, a group show featuring J. Henry Fair, David Maisel, Alison Moritsugu, Richard Parrish, and Jill Pelto.
Continue reading “Quotidian Metamorphosis at the Rockland Center for the Arts”
Wave Hill* is a twenty eight acre public garden and cultural center overlooking the spectacular Hudson River and Palisades. Wave Hill aims to celebrate the artistry and legacy of its gardens, to preserve its magnificent views, and to explore human connections to the natural world through programs in horticulture, education and the arts. For the ninth consecutive year, Wave Hill opens Glyndor Gallery as workspace for selected New York-area artists, giving them the unique opportunity to explore the winter landscape and develop innovative work based on direct observation from nature. Continue reading “Meet the artists at Wave Hill’s Open Studios”
The mixed media exhibition “Then She Did” at Plaxall aims to speak instead of shout, invite discussion instead of criticism. It presents diverse approaches on sexuality, strength, femininity, independence, support, societal norms and roles, methodology, art, and activism. Curators Lori Zimmer and Melissa McCaig-Welles say that the featured artists Alexandra Momin, Alice Mizrachi, Alison Mosshart, Allison Sommers, Audrey Dimola, Caitlin Harris, Chinon Maria, Elizabeth Winnel, Indie 184, Janette Beckman, Joanne Leah, Karen Dimit, Kathryn Rose, Katrina del Mar, Kendra Heisler, Lady Pink, Marne Lucas, Paola Martinez, Queen Andrea, Rebecca Reeve, Swoon, Vahge and Vicky Barranguet choose who they want to be, how they want to think, and how they want to influence others. They take us on a journey through the personal revolutions of everyday women in America, whose diverse methods and beliefs are only stronger when unified. Continue reading “Then She Did at The Plaxall Gallery”
The two person show at John Doe juxtaposes Michael Chandler’s paintings and Charlie Rubin’s photographs. Both artists deliver meditative and vivid abstractions – Chandler makes visceral paintings founded in nature but informed by the rhythm of the city and Rubin explores the artifice of place, and the post-Instagram void. Continue reading “Slow Motion at john Doe”
Curated by Maria de Los Angeles and Susan Noyes Platt, the group show “Internalized Borders” at John Jay College of Criminal Justice examines the various ways in which language and legal systems create internal and external borders. It addresses urgent issues of immigration, detention, and deportation; especially focusing on how these issues are related to fear, criminalization of identity, economics of migration, and perception of otherness. Continue reading “Internalized Borders at John Jay”
The exhibition James Castle: People, Places & Things, curated by Karen Wilkin and currently on view at the New York Studio School Gallery, features over fifty important works and ephemera, surveying Castle’s diverse modes of working. It runs the gamut from his well-known drawings of farmyards and interiors to the less familiar depictions of house, machines, clothing, and people, to his books and objects. It includes even more rarely exhibited objects – some sources for his imagery borrowed from the James Castle Collection and Archive LP and from the William Louis-Dreyfus Foundation. In her curatorial statement Wilkin says she aims to affirm why Castle should be regarded as an American master. Indeed, the breadth of his work is jaw dropping and the emotional resonance is deeply moving.
Continue reading “James Castle: People, Places & Things at the NY Studio School”
All Photos courtesy of the artist and Norte Maar Cypress Hills Gallery
In his exhibition at Norte Maar Cypress Hills gallery, Kevin Curran uses interior design elements as a departure point for an installation – combining wallpaper, rugs, vases, framed works on paper, wall-mounted and free standing sculptures. His surfaces merge opulent materials like crystals and gold leaf, with rough-hewn casual aesthetic. This exhibition includes drawings that refer to Afghan war rugs as well as political tensions in the US. The symmetry of rug design paired with natural and man made forces of destruction highlights the fine line between an orderly society and chaos. The imagery brings together a little boy’s enthusiasm for rockets, trucks and guns with the perspective of an adult’s anxiety driven by real world events. Continue reading “Objects from the End of Western Civilisation at Norte Maar”
All Photos courtesy Susan Sechler Luss
The Green Door gallery was created at the Divine Mercy Cultural Center to foster a sense of community in the Williamsburg neighborhood. The venue was initiated by Father Thomas Vassalotti, who, along with Father Paul Anel of Heart’s Home, reached out to the artist and curator Elisa Jensen with the wish to connect to the many artists in the neighborhood.