Crazy River Umwelt Series Part I

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Hovey Brock: Blackleg Tick, 2021, 24” x 36”, acrylic on panel

A central theme in my Crazy River project has been highlighting the emotional toll of the climate crisis by putting under a microscope, so to speak, my own feelings about not only the impacts of the crisis but the knowledge that humans’ actions are the cause. This series of three on-line essays, thought experiments if you like, expands that project to change the POV to non-human actors that are inextricably bound with the habitat in the Western Catskills: the black-legged or deer tick (Ixodes scapularis), the white-tail deer (Odocoileus virginianus), and Japanese knotweed (Reynoutria japonica). All three have seen their habitat change dramatically through climate change and human interventions. Using my imagination and research, I try to enter the umwelt of all three species, an impossible task, as Thomas Nagel pointed out in “What Is It LIke to Be a Bat,” for which artistic license may give us the best chance to accomplish. My intentions in doing so fall along three axes: theoretical, aesthetic, and spiritual, dimensions all essential to my own art practice. What follows is a look at the umwelt of black-legged ticks from the perspective of theory.

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Field Notes at Metaphor Projects


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Scherezade Garcia, Paradise According to the Tropics/Sunburnt Jesus,  Acrylic, Charcoal on Linen, 72 x 48 inches

Metaphor Projects is an artists-run space for contemporary art and culture founded in 2001 by two working artists. Directors/ Curators: Julian Jackson and Rene Lynch have mounted more than 100 solo and group exhibitions presenting the work of hundreds of artists and spent two decades developing what they call “the social sculpture that is Metaphor.”

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Woolpunk®: Sunflowers & Graffiti’d Sky in the Garden State at Montclair Art Museum

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Detail, Sunflowers & Graffitit’d Sky in the Garden State, 2022, 24 x 36. Digital Image with embroidery and textiles. Photo Credit: Megan Maloy

Sunflowers & Grafitti’d Sky in the Garden State is a large-scale wall-based work by artist Woolpunk® in the Laurie Stairwell exhibition space at the Montclair Art Museum. It consists of a photo highlighting inspirational communal land use and dietary wellness, juxtaposed by a spray-painted sky-blue mural that is visible from behind the sunflowers. The use of the graffitied wall in the photo reminds us of the air-polluted sunsets, which are so beautiful that they make us almost forget what causes them. “The sunflowers are treated as mutating militants filled with patterns and iconic images multiplying throughout the community garden,” the artist says.

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On Salt, Seaweed, and Disappearing Places

A close-up of some plants

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Skin #9, algae, insect pins, 60” x 62,” 2021

California-based artist, writer, and researcher Christina Conklin grew up spending summers along the coast of Oregon where she first developed a relationship with and understanding of the ocean as “an infinite vessel” of ever-changing and interconnected living systems. For the last 12 years, her artwork has explored the intersection of art, science, and spirituality as it relates to the sea. 

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Residency at Five Points – Flood 2.0

In Conversation with Susan Hoffman Fishman

L to R: Judy McElhone (founder and director of Five Points Arts), Susan Hoffman Fishman, Krisanne Baker and Leslie Sobel (three of the four Water Women) at the Center in June, 2022, amongst components of their upcoming multi-media installation, Flood 2.0.

In July of 2021, artist Susan Hoffman Fishman began talking with Canadian photographer, Joan Sullivan about the eerie similarity between future apocalyptic flood predictions and the ancient story of Noah and the world’s first apocalyptic flood. The two artists have known each other through writing, both serving as core writers for the international blog, Artists and Climate Change. Both artists have been working on issues relating to water and the climate crisis and are equally interested in mythical stories related to water that resonate in contemporary culture. That led them to weekly conversations throughout 2021 when they decided to collaborate on a multi-media installation project, which they eventually called Flood 2.0.

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Alice Zinnes: Inner landscapes of Light

Alice Zinnes in her studio, with charcoal drawings behind

Alice Zinne‘s paintings draw from literature and mythology to create dramatic landscapes in which light and dark interplay as main protagonists. Her oil paintings, watercolors, and drawings often depict floods of light intertwined with fragmented darker patches, evoking dense and fluid inner spaces.

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Repopulations: New Horizons

Grantee of Brooklyn Arts Fund Grant Type: (Brooklyn Arts Fund/Local Arts Support/Creative Equations Fund) Project Profile: Daniela Holban (Curator)

Photo courtesy of Last Frontier NYC & Sol Kjok

Brooklyn Arts Council announced in March 2022 an allocation of over $1.3 million to 238 Brooklyn-based artists and cultural organizations. This year marks the highest number of grantees and awardees as well as the largest amount of funding BAC has ever distributed. Art Spiel in collaboration with Brooklyn Arts Council features some artists who received a Brooklyn Arts Fund, Local Arts Support, and/or Creative Equations Fund grant in 2022.

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What’s Your Golden Spike?

Diagram from the United States Geological Survey, Harvard.edu

What’s Your Golden Spike is the third in a series of three interrelated experimental pieces that combine graphics, text, and hyperlinks based on themes coming out of my Crazy River project, for which I gave an interview on this website on May 16th. Crazy River takes a wide-angle view of the climate crisis, ranging from my own climate grief to an in-depth focus on the many causes and effects of rapid environmental changes on the West Branch of the Neversink in Ulster County. In this piece I investigate the idea of the Catskills as a region, and an incongruous bundle of contradictions and coincidences. The Lands of Kats Kill weaves three timelines together: the geologic, the historical, and the personal. This structure repeats throughout my Crazy River project. The previous piece in this series, Invaders, took apart the idea of invasive species. The following will explore the concept of the Golden Spike in stratigraphy as fact and metaphor.

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Deanna Sirlin: Borders of Light and Water at Palazzo Bembo

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Deanna Sirlin, Borders of Light and Water, 2022, C-print transparency on glass, 199.5 x 493 inches, Palazzo Bembo, Venice, Italy

In Borders of Light and Water at Palazzo Bembo in Venice, American artist Deanna Sirlin utilizes the architecture and translucency of the large-scale windows overlooking the Grand Canal, to create a luminous and ever-changing patches of bold color. The beauty of this installation allures you in and prompts you to gaze out at the flickering water of the iconic canal below, raising awareness to what is at stake with rising water and changing climate. This installation is part of the Venice 2022 Art Biennial organized by the non-profit organization European Cultural Center, running from April 23, 2022 through November 27th, 2022.

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