cultural identity – Page 4

November 17, 2020November 2, 2022, by Anna Mikaela Ekstrand

The Immigrant Artist Biennial: Yikui (Coy) Gu

Yikui (Coy) Gu, *Oriental Flavor*. 2019. Gouache, charcoal, acrylic, gouache on photograph, chopsticks. Ramen noodle packaging & flavoring pack on bristol board.

The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continues in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.

Yikui (Coy) Gu was born in 1983 in Nantong, China and emigrated to the United States at the age of seven, growing up in Albany, NY. Yikui (Coy) Gu has a BFA from Long Island University and an MFA from the Pennsylvania Academy of the Fine Arts. He has exhibited his work nationally in New York, Miami, Philadelphia, Washington, D.C., Boston, and St. Louis; and internationally in London, Berlin, and Siena, Italy. His work has been reviewed in the Washington Post, KunstForum International, the Philadelphia Inquirer, and the Yale Daily News. His work has appeared on the cover of the Lower East Side Review, and in Fresh Paint and Art Maze. He resides in Philadelphia and teaches as Associate Professor of Art at the College of Southern Maryland. He is currently plotting in his South Philly studio, while remaining mostly harmless.

August 10, 2020August 10, 2020, by Etty Yaniv

Padma Rajendran – On Cultural Tenderness

Padma Rajendran, *Along the way,* 2019, Dye on silk with stitching, dimensions varied, photo courtesy of the artist

Malaysian born and New York based artist Padma Rajendran works in diverse media yet currently views paper and fabric as her primary materials. She highlights the portable nature of paper and fabric, along with their significance as “keepers of culture, comfort, and call upon the function of the decorative”. Padma Rajendran shares here some insight on her work, what brought her there and where she is heading from here.

June 7, 2020May 30, 2020, by Etty Yaniv

Artists on Coping: Cecile Chong

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A person in a yellow dress posing for a picture

Description automatically generated — At EFA Studios. Photo: Gaby Deimeke

Cecile Chong is an Ecuadorian-born, New York-based multimedia artist working in painting, sculpture and installation in which she layers material, identities, histories and languages. Her work addresses ideas of culture interaction and interpretation, as well as the commonalities humans share both in our relationship to nature and to each other. Inspired by materials as signifiers, Chong is interested in how we acquire and share culture, and how world cultures now overlap and interact in ways previously inconceivable. With uncertainty looming in everything from our economies to our weather patterns, she’s concerned with the fragility of our civilization despite the universality of its cultural underpinnings.

January 14, 2020November 15, 2020, by Etty Yaniv

Nina Mdivani – NY Meets Tbilisi: Defining Otherness Part I & II

In Dialogue with Nina Mdivani on her curatorial project at Kunstraum LLC (Brooklyn) and The Assembly Room (LES)

Rusudan Khizanishvili, *Producing The New Body* 2019, Acrylic on canvas, 31.49 x 27.55 inches

Nina Mdivani is an independent curator, art writer, and current Curator-in-Residence at Kunstraum located in the Brooklyn Navy Yard neighborhood. Her rigorous curatorial process and research have recently culminated in a two-part exhibition, New York Meets Tbilisi: Defining Otherness. This dynamic group show pairs the works of Georgian and American artists to create multilayered dialogues across cultural identities. Nina Mdivani shares with Art Spiel some of her background, and elaborates on the premise for the upcoming group show she has curated.

May 6, 2019November 15, 2020, by Etty Yaniv

Katarina Wong: Re-framing Narratives

Katarina Wong, Murmuration, Detail of wax casts of fingerprints

Katarina Wong is an artist and curator whose interests range from cross-cultural pollination to Buddhist perception of interdependence, expressed through a myriad of media such as sculptural ceramics and works on paper. She shares with Art Spiel her background, ideas,and process.

May 2, 2019May 13, 2019, by Katie Hector

Linger Still – Kaveri Raina at Assembly Room

curated by Emily Burns

Linger Still, (installation view). Image courtesy of Assembly Room Gallery

Diaspora consciousness is an acute mindfulness of one’s cultural origins post-migration. This awareness can be, “heightened by communication and visits, and is retained in memories, storytelling and other creative forms.” Individuals or families who take the risk to migrate must navigate a series of unanticipated complexities away from the support of their families and communities. For those who choose to leave or flee from their homelands the sensation of “otherness” is a pervasive factor in their quest for opportunities, stability, and safety. This uncanny sensation serves as the conceptual pulse and subtle heartbeat for Kaveri Raina’s solo exhibition “Linger Still,” curated by Emily Burns currently on view at Assembly Room Gallery.

December 7, 2018November 15, 2020, by Etty Yaniv

Cecile Chong – The Layers Beneath

In her layered paintings and installations Cecile Chong brings to life notions of “otherness”, how cultural filters make us see each other. Her departure point derives organically from her experiences since early childhood. Here she shares some of these experiences, the genesis of her diverse body of work, and her upcoming projects.

Cecile Chong, DNA Matching, 2018
Encaustic and mixed media on wood
11 x 8 inches, photo courtesy of the artist

Continue reading “Cecile Chong – The Layers Beneath”

July 24, 2018November 15, 2020, by Etty Yaniv

Viviane Rombaldi Seppey – Mapping her Road

Viviane Rombaldi Seppey, “Fragile”, hand cut atlas page (The World), wire, glass dome, plastic base, diameter 6 inches, 2017. Photo credit Etienne Frossard

In her poetic and playful installations Viviane Rombaldi Seppey coalesces everyday objects and materials, altogether bringing to mind contemporary issues of identity, culture and environment. Maps, phonebooks, and books become directly embedded in her work as drawings, collages or sculptural objects. She has recently shared in an interview with Art Spiel some of her ideas and experiences. Continue reading “Viviane Rombaldi Seppey – Mapping her Road”