Vick Quezada: Interconnected Matter


Artist photographed with their work, Tabled Remains, 2018. Currently on view at El Museo del Barrio. Photograph by Jill Richards

Vick Quezada (they/them) is an Indigenous-Latinx artist, they queer the archaeological through hybrid forms and aesthetics. Inspired by the guiding principles of Aztec Philosophy, Quezada integrates the theory of interconnected matter and how it’s embedded in the cosmos, planet earth, ecology, and all lifeforms. These elements of matter cannot be governed by sovereign powers as they are inherently queer and infinte. Quezada activates these themes and histories through their work, and this is conveyed by way of digital photography, video, performance and sculpture. 

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STREAMING at Stand 4

In Dialogue with Melissa Staiger


Keisha Prioleau Martin, Head Over Handlebars, 2020, acrylic on paper, 10 x 13.5 inches, photo courtesy of the artist

In March 2020 the New York art world shut down and soon went online for exhibition opportunities. Like many artists, Mike Childs was furloughed from his job, and stayed at home, drawing as well as supporting his 6th grade son. To foster a sense of community, he reached out to fellow artist and curator Melissa Staiger to see if she was interested in combining their skills. They came up with the idea to create an online group of artists who worked on paper. The collective identity of this group was envisioned as eight individuals who reflect the creative New York community and exhibit a compulsive nature towards the making of images. Childs referred to these image makers as “producing work via a stream of consciousness in the modernist literary tradition”. In referencing this type of creative approach, Staiger immediately seized on the word to title their project Streaming, referring both to a creative thought process and the online reality of contemporary artistic existence. This led to the creation of the website https://s-t-r-e-a-m-i-n-g.com, which was the foundation for the current exhibition at Stand 4 Gallery. The group exhibition at Stand4 Gallery, brings together work by Mike ChildsDeanna Lee, Keisha Prioleau-MartinRafael MelendezBenjamin PritchardSharmistha Ray, Melissa Staiger, and Julie Torres. The show runs through July 10th.

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The Alternative States at Project Gallery V

In Dialogue with Arina Novak


Arina Novak is holding a laptop with the main page of The Alternative States displayed on the screen. Photo courtesy: Robert Oliver

The Alternative States is a virtual exhibition at Project Gallery V on view from May 3 through June 30, 2021. Inspired by a condition of daydreaming, the show explores the alternative states of mind where one finds solace in creative freedom and ethereal fantasies.

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Kathy Goodell: Infra-Loop at the Dorsky Museum

In Dialogue with Kathy Goodell


Kathy Goodell, Mesmer Eyes, 2020, ink on synthetic paper, 120 x 300”, photo courtesy of Ferris Ramirez

Infra-Loop, Kathy’s Goodell’s survey exhibition at the Samuel Dorsky Museum of Art in New Paltz, explores the visual vocabulary that runs throughout the artist’s diverse disciplines, across geographies and time periods. Guest curator and artist Andrew Woolbright brings together more than 40 artworks including paintings, sculptures, and multimedia installations from 1994 to 2020. This is the first time Goodell’s work has been presented on a large scale. The exhibition runs through July 11th.

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Painting the Narrative at the National Arts Club

In Dialogue with Dee Shapiro

A picture containing indoor, floor, wall, ceiling

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Installation view

In the group exhibition Painting the Narrative at the National Arts Club in New York City the artist Dee Shapiro brings together six contemporary artists who explore content and form of narrative painting ranging from interiors to landscapes, personal to imagined, realistic to fantastic. Featured artists: Jennifer Coates, Laura Karetzky, Judith Linhares, Ernesto Renda, Kyle Staver, and George Towne. The show runs through June 28th.

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Beatrice Scaccia: My Hope Chest at Katonah Museum of Art

In Dialogue with Beatrice Scaccia


Beatrice Scaccia at the KMA, in the spot Gallery with the install of My Hope Chest. Courtesy of Ellen Rachlin. The animation was realized also thank to the Queens Arts Fund Grant.

Beatrice Scaccia’s solo show at The Katonah Museum of Art includes a stop-motion animation and site-specific wall drawings, altogether exploring the links and tensions between tradition and modernity. This body of work by the Italian born and NYC based multi-disciplinary artist has developed based on a furniture item with layered connotations – Hope chests were (and are) used by young women to collect items in anticipation of married life. The show runs through June 27, 2021

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Patricia Miranda + Christopher Kaczmarek: Entering a Material Discourse

In Conversation


PM working on Kaczmarek’s Labyrinth project

Patricia Miranda and Christopher Kaczmarek are artists and partners living and working in Washington Heights, New York City. Art Spiel prompts served as a catalyst for a dynamic conversation between them which they recorded as a free-flowing dialogue. Here is a short excerpt of what became a much longer free-ranging conversation about art, education, and life as an artist couple.

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Form or Function at ArtPort Kingston

Art Spiel Photo Story

A picture containing building, way, sidewalk, dirty

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Exhibition view

The group exhibition Form or Function at ArtPort Kingston features works of various media, exploring the relationship of objects in between contemporary art, design and craft with an attempt to blur the lines and create dialogue. The exhibition overall prompts a question – “Looking at everyday images, objects, tools and materials, we have very diverse emotional bonds with them. An artist creates a dialogue with their materials, providing intentions. Is it an object’s form, their history, or the story we create that attracts us?”

The show is curated by Laurie De Chiara, featuring works by Chuck von Schmidt, Karen Jaimes, Staveley Kuzmanov, Traci Johnson, Barbara Marks, Ellie Murphy, Courtney Puckett, Jim Osman, Rachel Urkowitz and Gabriele Hamill, Inna Babaeva, Clemens Kois, Sophi Kravitz, Christina Kruse, Jeanne Atkin, Kathleen Vance, Erika DeVries, and Rodger Stevens. The show runs through June 6th.

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Shifting Sands at ChaShaMa

Art Spiel Photo Story


From left to right: Spandita Malik ‘Salwar-Kameez on Clothesline’ 2021 Sun-printing, Phulkari silk thread embroidery on Khaddar fabric, 32 x 40 inches ; Geuryung Lee‘The movement’ 2019 Drypoint on paper 18 x 24 inches; Sofia Luisa Suazo Monsalve ‘Post-photographic landscape #1,2,3’ 2019 Digital chromogenic print on paper, 9 x 18 inches; j.p.mot ‘Stool + boogey’ 2017 Mixed media, 7ft x 5ft x 6ft; Hyun Jung AhnBlanket Windows’ 2021 Felt and linen, 72 x 62 inches

SHIFTING SANDS is a group exhibition showcasing the creative breadth of 20 artists from the 2020 New York Foundation for the Arts Immigrant Artist Mentoring Program. Each of these artists has crossed physical borders, leaving one part of the world for another – in doing so, they hold space for various identities and shifting realities. From this common experience emerges unique perspectives on identity, belonging, home, memory, hope and resilience. Many of the pieces exhibited were created during the pandemic. They express the rollercoaster of emotions, the shifting states of being, and new possibility.

Exhibiting artists: Zeshan AhmedKatya AkumaIvana Brenner, Hedwig BrouckaertZorica ColicCarin Kulb DangotBel FalleirosNathier FernandezVinay HiraJaejoon JangHyun Jung AhnAe Yun KimGeuryung LeeJiaoyang LiiSpandita MalikLevan Mindiashvili, j.p.motGhislaine SabitiLeila SeyedzadehSofia Suazo

Curated byYvette MolinaGhislaine Sabiti and Hedwig Brouckaert

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Clive Knights: Fragmentary Intimations of Shared Meaning


Clive Knights in his studio, Portland, Oregon, 2021, photo courtesy of the artist

Clive Knights practices architecture and art, in particular mixed media and monotype printmaking. He holds professional architectural design undergraduate and graduate degrees from Portsmouth Polytechnic, UK, and a Master of Philosophy in Architectural History and Theory from Cambridge University. Clive has taught architecture since 1984 and was a full-time lecturer at Sheffield University for six years before moving to Portland State University in 1995 where he currently resides as a professor and director of the PSU School of Architecture. His primary areas of interest include the cultural meanings of architectural representation understood through the phenomenology of the human body, with particular reference to the writings of Maurice Merleau-Ponty; the revelatory capacity of metaphor in poetic work; and speculations in architectural design studio pedagogy. Publications include many journal articles and book chapters on the theory, history and pedagogy of architecture. 

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