Woolpunk®: Sunflowers & Graffiti’d Sky in the Garden State at Montclair Art Museum

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Detail, Sunflowers & Graffitit’d Sky in the Garden State, 2022, 24 x 36. Digital Image with embroidery and textiles. Photo Credit: Megan Maloy

Sunflowers & Grafitti’d Sky in the Garden State is a large-scale wall-based work by artist Woolpunk® in the Laurie Stairwell exhibition space at the Montclair Art Museum. It consists of a photo highlighting inspirational communal land use and dietary wellness, juxtaposed by a spray-painted sky-blue mural that is visible from behind the sunflowers. The use of the graffitied wall in the photo reminds us of the air-polluted sunsets, which are so beautiful that they make us almost forget what causes them. “The sunflowers are treated as mutating militants filled with patterns and iconic images multiplying throughout the community garden,” the artist says.

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Love Letters to Paris: Ekaterina Popova at Cohle Gallery

Ekaterina Popova in her studio, Photo credit: Helena Raju

For the past several years, Philadelphia-based painter Ekaterina Popova has been exploring the theme of interiors in her work. The interest in this subject began as a way for her to reflect on her upbringing in Russia, but eventually evolved into a deeper investigation of the overall idea of “home” and what it means to her now. Her paintings highlight the warmth and beauty of lived-in domestic spaces, including items and objects that refer to a human presence without including the figure.

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Feminist Connect

Curator Sally Brown in conversation with artists Marie Bergstedt, Amy Chaiklin and Laurence de Valmy

In conversation with the artists

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Marie Bergstedt: Fading, Hand embroidery on cotton fabric, 2017, 22”H x20”W x 1.25”D

Marie Bergstedt, Amy Chaiklin and Laurence de Valmy were featured artists in Feminist Connect, on view at Charles Adam Studio Project in Lubbock, Texas, in March, 2022 and as part of a larger online exhibition by the same name, running through February 2023. The artists Bergstedt (fabric), Chaiklin (drawing/painting) and deValmy (painting) discuss their processes, concepts and relations with the co-curator, Sally Brown, expanding on the discussion the exhibition provokes around the feminist lineage of art.

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Emily Mae Smith: Heretic Lace at Petzel

Emily Mae Smith, Heretic Lace, 2019, Oil on linen, 48×37 inches

Walt Disney has taught us that cartoons can be used to distract us while conveying the most serious of subjects. Understanding this Emily Mae Smith in 2014, introduced into her developing iconography an anthropomorphized, androgynist broom consisting of a featureless phallic shaft attached to a twig brush. This broom, a descendant of the demonic mops portrayed in sorcerer’s apprentice section of Disney’s Fantasia (1940), has become a signature image in her work. Joined with icons associated with desire and fear, Smith has used this figure as both a male and female trope, as well as an alter-ego. To greater and lesser degrees Smith uses her glossary of icons in some cases to engage in heady meditations on such topics as death, vanity, desire, history, etc. and at other times to enigmatically introduce such subjects with little or no commentary.

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Five Points – Judith McElhone: Baby steps quickly

Featured Project

Judith McElhone, Founder – Executive Director Five Points Arts

In 2012, Five Points Gallery, a small 744 square foot contemporary art 501c3 non-profit exhibition space, opened in the heart of historic downtown Torrington. Against all odds, Five Points Gallery, has become Five Points Arts, one of Connecticut’s outstanding visual arts organizations and a cornerstone of Torrington’s transition from an old industrial town into a major arts destination. Judith McElhone, the executive director of Five Points Arts, sheds some light on the vision behind her organization.

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Rainer Gross: Double Take, Solo Exhibition at East End Arts, Riverhead, NY

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Gallery view, East End Arts, Riverhead, NY. Courtesy East End Arts and the artist.

In Double Take, Rainer Gross’ solo show at East End Arts through November 5, 2022 in Riverhead, NY, the artist invites the viewer to take a step closer to his abstract, intensely colorful paintings. Gross offers the viewer the satisfying experience of engaging intellectually with the underlying organizing principle of his compositions while savoring a sumptuously layered array of the results. His paintings are comprised of two (sometimes four) identically sized, stretched rectangular canvases shown side-by-side. He applies pools, bands, bars and patches of saturated hues of oil paint on one canvas and water-based pigment on the other. While the colors are still wet, the paired canvases are then placed together, face to face. When pulled apart, the forms on one canvas imprint on the other creating a shared Rorschach-like result. The artist refers to his paintings as “twins.” The side-by-side canvases are nearly identical, yet their differences become an intriguing puzzle to recognize, trace and sort. This easy-to-grasp concept offers a frisson of delight for the viewer as they experience the variety of its execution.

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Michael A. Robinson — Somma at DISPLAY

Installation view of Somma

Michael A. Robinson’s site-specific project Somma, at DISPLAY in Parma, Italy, is the sum of many parts, all operating in tandem. The installation appears simple, featuring three wall-mounted LED works and metal arcs and hoops suspended from the ceiling. The space’s glossy floor and glass façade and door reflect the light emitted by the LEDs, potentially multiplying their presence based on the viewer’s position and the level of ambient light.

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Genevieve Gaignard – To Whom It May Concern at Rowan

Featured Project with Mary Salvante

Vanilla Ice, 2016, Edition 3 of 3. Chromogenic print, 24 x 36 inches. Courtesy of the artist and Vielmetter Los Angeles

To Whom It May Concern, the current exhibition featuring an installation and collages by Los Angeles based artist Genevieve Gaignard, raises poignant questions related to nostalgic notions of American history and culture. The work ranges from staged photographs, questioning social stigmas and beauty standards, to a room installation made of found furniture and other objects. The artist says the aim is to “beckon viewers to dig into the imperfect relationship between our inner worlds, public lives, and modern events.” Mary Salvante, the director and chief curator of Rowan University Art Gallery sheds some more light on this show. The show runs through October 29, 2022.

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Arden Bendler Browning at Bridgette Mayer Gallery

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Image from the opening reception of Wayfinding at Bridgette Mayer Gallery, photo courtesy of the artist

Wayfinding, Arden Bendler Browning’s solo exhibition at Bridgette Mayer Gallery in Philadelphia, follows the artist’s recent completion of a major public art project, Elastic Geography, a 25 by 140 foot mural on the side of Yards Brewery, commissioned by Mural Arts Philadelphia. The show includes 21 new paintings, a Vault installation of over 50 mixed media works on panel, and a custom interactive virtual reality. It runs through October 22nd.

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Repopulations: New Horizons

Grantee of Brooklyn Arts Fund Grant Type: (Brooklyn Arts Fund/Local Arts Support/Creative Equations Fund) Project Profile: Daniela Holban (Curator)

Photo courtesy of Last Frontier NYC & Sol Kjok

Brooklyn Arts Council announced in March 2022 an allocation of over $1.3 million to 238 Brooklyn-based artists and cultural organizations. This year marks the highest number of grantees and awardees as well as the largest amount of funding BAC has ever distributed. Art Spiel in collaboration with Brooklyn Arts Council features some artists who received a Brooklyn Arts Fund, Local Arts Support, and/or Creative Equations Fund grant in 2022.

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